Up Close & Personal (film)
Up Close & Personal is a 1996 American romantic drama film directed by Jon Avnet from a screenplay written by Joan Didion and John Gregory Dunne. It stars Robert Redford as a news director and Michelle Pfeiffer as his protégée, with Stockard Channing, Joe Mantegna, and Kate Nelligan in supporting roles.
This article is about the 1996 motion picture. For the Vicki Genfan album, see Up Close & Personal (Vicki Genfan album). For the Angie Martinez album, see Up Close and Personal (Angie Martinez album). For the Shania Twain DVD, see Up! Close and Personal.Up Close & Personal
Golden Girl: The Story of Jessica Savitch
by Alanna Nash
- Jon Avnet
- Jordan Kerner
- David Nicksay
Debra Neil-Fisher
- Touchstone Pictures
- Cinergi Pictures
- Avnet/Kerner Productions
Buena Vista Pictures Distribution (North America/South America)
Cinergi Productions (International)
- March 1, 1996
124 minutes
United States
English
$60 million
$100.7 million
The screenplay began as an adaptation of Golden Girl: The Story of Jessica Savitch, a 1988 book by Alanna Nash that recounted the troubled life of American news anchor Jessica Savitch. The finished picture, however, was greatly altered by commercial decisions on the part of the producers, and bore little resemblance to Savitch's biography. Dunne, having spent eight years working on the script with his wife Didion, later wrote a book describing his difficult experience, titled Monster: Living Off the Big Screen.
"Because You Loved Me", the film's theme song written by Diane Warren and performed by Celine Dion, was nominated for Best Original Song at the 69th Academy Awards.
Plot[edit]
Aspiring news anchor Tally Atwater makes a demo tape of a fake story and is hired by Miami station manager Warren Justice. Though she lacks polish and experience, Warren sees promise in Tally and decides to give her a chance, giving her tough love assignments to foster her talent. After a well-done news story about two immigrants who drowned off the shores of Miami Beach, Tally and Warren form an even closer mentor/mentee friendship built upon mutual respect and simmering attraction. On New Year’s Eve, Tally covers the first locally-born baby of the year, a child by convicted felon Fernando Buttanda. A heated exchange occurs on air between Tally and the lead male anchor. She confronts the station's perception that she is merely in her position because she is Warren’s “protégée” and threatens to quit.
Tally tracks down and meets with talent agent Bucky Terranova, who takes her on as a client and lands her a position as a reporter in Philadelphia, a much larger market. Due to her impending departure, Tally decides to confront her feelings for Warren. The two end up physically consummating their emotional relationship, including a getaway to the Florida Keys before Tally’s move to Philadelphia.
Tally struggles at her new post - largely due to hostile veteran reporter Marcia McGrath, who jealously protects her position as top reporter - and starts to lose some of the charisma that initially captured Bucky’s attention. At Bucky's request, and out of affection for Tally, Warren visits her in Philadelphia and talks her through missteps she has taken by trying to emulate Marcia instead of being herself. Encouraged by Warren, Tally begins to perform to her previous standards, leading Marcia to accept an offer from a station in Cincinnati, thus handing the position to Tally. Tally asks Warren to marry her and relocate to Philadelphia so that they can be together. On their honeymoon they come up with a story idea that looks at a “day in the life” of Fernando, who has been relocated to a Philadelphia prison. During this time, Warren’s backstory is revealed as he attempts to find a job in order to remain close to Tally.
While filming the segment at the prison, a prison riot occurs wherein Tally and her cameraman Ned Jackson are taken hostage. Tally covers the volatile and groundbreaking story from within the prison walls as Warren looks on from outside, guiding her through her first national broadcast. As the story uncovers, she fulfills the potential that Warren initially saw in her. Her poise and bravery leads to an evening anchor position with the nationally-broadcast IBS News. While relaying the job offer to Warren, she discovers that he senses a developing story in Panama that he intends to cover. Warren tells Tally that she inspired him to want more, including possibly returning to journalism. Sadly, during Tally’s going away party at the Philadelphia station, it is reported that Warren and his crew were fired upon after wrapping up their story, resulting in Warren's death.
The movie ends with Tally discussing the purpose of journalism. In a touching tribute, she notes that Warren had a hunch, followed it, and ultimately got the story.
Adaptation[edit]
In the spring of 1988, John Gregory Dunne and Joan Didion began writing the script for a film entitled Golden Girl, based on Alanna Nash's biography of the late NBC News anchor and reporter Jessica Savitch and financed by The Walt Disney Company. When the film was finally released in 1996, eight years later, it was known as Up Close & Personal and none of the more controversial details of Savitch's life remained, including her alleged drug abuse problems that may have caused her to deliver an incoherent live news update on national television in early October 1983.[1] Other details omitted from the film included the suicide of Savitch's second husband a few months after their wedding, and her alleged bisexuality, suicide attempts and physical abuse by her longtime partner Ron Kershaw, a well-known news director who was the original model for the character of Warren Justice.[2][3] Savitch's death at age 36 in an automobile accident (unrelated to drugs or alcohol) was also left out of the screenplay.[1]
According to Dunne, who chronicled his experiences dealing with studio executives in his book Monster: Living Off the Big Screen, the majority of these changes were made in order to appeal to a broader mainstream market. Producer Scott Rudin was reported to have said, when asked by a weary Dunne what the film was supposed to be, "it's about two movie stars."[2]