Katana VentraIP

War artist

A war artist is an artist either commissioned by a government or publication, or self-motivated, to document first-hand experience of war in any form of illustrative or depictive record.[1][2][3] War artists explore the visual and sensory dimensions of war, often absent in written histories or other accounts of warfare.[4]

For the genre, see Military art.

These artists may be involved in war as onlookers to the scenes, military personnel, or as specifically commissioned to be present and record military activity.[5]


Artists record military activities in ways that cameras and the written word cannot. Their art collects and distills the experiences of the people who endured it.[6] The artists and their artwork affect how subsequent generations view military conflicts. For example, Australian war artists who grew up between the two world wars were influenced by the artwork which depicted the First World War, and there was a precedent and format for them to follow.[7]


Official war artists have been appointed by governments for information or propaganda purposes and to record events on the battlefield,[8] but there are many other types of war artists. These can include combatants who are artists and choose to record their experiences, non-combatants who are witnesses of war, and prisoners of war who may voluntarily record the conditions or be appointed war artists by senior officers.


In New Zealand, the title of appointed "war artist" is "army artist". In the United States, the term "combat artist" has come to be used to mean the same thing.[9][10]

was an artist-correspondent who sent artwork to London from the front during the Crimean War.[11]

William Simpson

was an American Civil War pictorial newspaper illustrator.

Alfred Waud

and Tsuguharu Foujita created woodblock prints for Japanese publications.

Ogata Gekkō

recorded life in Japanese POW camps.[12][13]

Ronald Searle

's 1851 studio painting of Washington Crossing the Delaware is historically incorrect, and Leutze was born decades after the event his painting depicts, but this work has become an icon of popular culture.

Emmanuel Leutze

(1840–1902), Paraguayan War

Cándido López

War photography

Commission (art)

American official war artists

Mémorial de Caen,

1914–1918 war, Artists of the First World War

(MoD), MoD art collection, war artists

Ministry of Defence

The Art of War

National Archives (UK)

by Lance Nixon, Capital Journal, Vol 134 No. 27, 7 February 2014 pp C1-C6

In War-torn Country a Soldier Looks at Iraq

by Lance Nixon, Capital Journal, Vol 134 No. 32, 14 February 2014 pp C1-C6. See Harvey Dunn

Harvey Dunn at War

by Lance Nixon, Capital Journal, Vol 134 No. 57 pp C1-C6

Remembering Battles They Fought Facing East: Plains Indians as War Artists

by Lance Nixon, Capital Journal (South Dakota), 17 January 2014.

About light and dark in peace and war and a piece of Vietnam

by Lance Nixon, Capital Journal (South Dakota), 23 January 2014.

Drawing fire

by Dave Askins, Capital Journal (South Dakota), 20 April 2018.

A photograph of a war is different from a painting “that’s not rocket science”

by Kerri Lawrence, National Archives News, 9 April 2018

Combat artists share ware experiences

National Archives Facebook Combat Art Panel

by James Pollock, War, Literature & the Arts: An International Journal of the Humanities, free downloadable PDF South Dakota State University Open PRAIRIE repository/2009 Volume 21

US Army Soldier-Artists in Vietnam (CAT IV, 15 August to 31 December, 1967)

Karl Gehrke interviews James Pollock, 10 June 2015.

SDPB Radio Interview MIDDAY

Barry John artist

[3]