Waterfalls (TLC song)
"Waterfalls" is a song by American hip-hop group TLC, released by LaFace and Arista as the third single from their second album, CrazySexyCool (1994), on May 22, 1995 in the United States, followed by a United Kingdom release on July 24, 1995.[4]
"Waterfalls"
Often considered the group's signature song, "Waterfalls" was an international hit, topping the charts in many countries. The song spent seven weeks at No. 1 on the Billboard Hot 100, giving the group their second US No. 1; it was the No. 2 song of the year on the Billboard 1995 year-end chart. "Waterfalls" also peaked at No. 1 in New Zealand and Switzerland while reaching the top 10 in several other countries. "Waterfalls" received critical acclaim, earning two Grammy nominations at the 38th Annual Grammy Awards in 1996 for Record of the Year and Best Pop Performance by a Duo or Group with Vocal.
The song addresses the illegal drug trade, promiscuity, and HIV/AIDS. Jarett E. Nolan of BMG noted that "Waterfalls" was the first number-one song to refer to AIDS in one of its verses.[5] The song's music video, directed by F. Gary Gray, reflected its socially conscious lyrics via a million-dollar budget and became an MTV staple that boosted the song's success, staying atop the MTV Video Monitor chart for over a month (and making TLC the first act to do so) and winning four MTV Video Music Awards in 1995, including Video of the Year (making them the first African-American act to receive the trophy).
Background[edit]
"Waterfalls" is an R&B song,[1] written by TLC band member Lisa "Left Eye" Lopes with Marqueze Etheridge and Organized Noize, who also produced the song. Rozonda "Chilli" Thomas and Tionne "T-Boz" Watkins perform the song with Lopes, who also provides a rap verse (which is removed from some edits). The members of TLC, as well as Debra Killings and Cee-Lo Green, provide background vocals, while the improvised bass line is provided by LaMarquis "ReMarqable" Jefferson.[6][7][8] Of Green's involvement, Watkins noted, "He was in Goodie Mob, we grew up together, we go way back. He (sang on the track) and it was amazing! I love his voice."[9] Green later recalled to The Guardian on March 22, 2008, "I was working at the same studio and of course I know the girls too, because we were on the same label, so they just asked me. I didn't realize at the time what a big song it was going to be."[10][11]
The song's lyrics refer to 1990s issues such as the HIV/AIDS epidemic and violence associated with the illegal drug trade.[12] Watkins said that it was important for the group to "get the message across without seeming like preaching."[13]
The TLC song shares elements with Paul McCartney's song of the same name, which opens with the line "Don't go jumping waterfalls, please keep to the lake." McCartney himself noted the resemblance, stating "In fact, somebody had a hit, a few years ago, using the first line...then they go off into another song. It's like, 'Excuse me?'"[14]
Lopes' rap expresses personal problems that she was dealing with at the time. She had a very turbulent relationship with Atlanta Falcons football player Andre Rison, and on June 9, 1994, she burned numerous pairs of Rison's newly purchased tennis shoes in his fiberglass bathtub, which set his entire $2 million mansion ablaze. She pled guilty to arson and was sentenced to five years of probation and a $10,000 fine, but eventually reconciled with Rison.[10]
Critical reception[edit]
"Waterfalls" received universal critical acclaim from music critics. J.D. Considine from The Baltimore Sun described it as "tuneful and intoxicating".[15] Entertainment Weekly viewed it as a "Prince-inspired ballad" that "hint[s] at the artistic greatness TLC might achieve if freed from commercial concerns".[16] Simon Price from Melody Maker felt the song "is worthy of the symbolic sex dwarf himself."[17] In a separate review, Price named it Single of the Week, writing, "'Waterfalls' is nothing we haven't already heard in 'Sign O' the Times' or 'The Message': a cautionary, moral tale about a bad livin' young brother who upsets his mom by gangbanging and ends up with Aids, and personally, I left all that behind with Aesop's fables. I'm more interested in the sonics here, the opulent Paisley Park-ish production, the way the freeze-dried, shrink-wrapped street soul beats are wickedly at odds with T-Boz's languorous, husky vocals and Left Eye and Chilli's river-of-clear-honey harmonics."[18] A reviewer from Music Week gave it four out of five, calling it "yet another radio-friendly hit", remarking that "TLC swap wackiness for a more mature affair".[19] James Hamilton from the Record Mirror Dance Update deemed it a "slinkily croaking and cooing girls' US smash rolling slow sombrely worded message song".[20] Charles Aaron from Spin described it as "a Princely cautionary groove, in which pop's most intriguing trio offers a more harshly vivid portrait—that of a loved one (who should have known better) gone wanna-be dopeman. When T-Boz croons, "She gives him loving that his body can't handle / But all he can say is baby it's good to me", her resigned frustration is palpable. And every time Left Eye raps, "Dreams are hopeless aspirations in hopes of comin' true", I wince a little."[21] Nigel Butler of Sputnikmusic compared it to esteemed artists such as Sly and the Family Stone, Ray Charles and Stevie Wonder.[22] Butler wrote, "The arrangement and instrumentation is absolutely fantastic - if a bunch of great melodies had an orgy, the result would something a little like this - and the lyrics are the best on an album that maintains a shockingly high standard of songwriting. Left-Eye drops the album's best rap on this track too."[22]
The song was nominated for two Grammys at the 1996 Grammy Awards: Record of the Year and Best Pop Performance by a Duo or Group with Vocal. Billboard named it No. 11 on their list of "100 Greatest Girl Group Songs of All Time".[23] It was also ranked 13th in VH1's "100 Greatest Songs of the Past 25 Years" and 8th on VH1's "100 Greatest Songs of the 1990s".[24] In 2010, Billboard awarded the song the top position of summer songs in 1995.
The accompanying music video for "Waterfalls", directed by F. Gary Gray and filmed at Universal Studios Hollywood from June 8–9, 1995, visualizes the two verses of the song, particularly during extended instrumental breaks after each verse:
The video also intercuts scenes of liquefied versions of TLC performing to the song while standing atop an ocean and performing in front of a real waterfall. Watkins later admitted that filming the group's scenes atop an ocean was very frightening, as they were standing on an unstable plastic platform and she was unable to swim;[25] she recalled, "I thought I was gonna fall in. That’s why my feet are planted wide and still. You never see my feet move ever. You couldn’t move to the front or back, you could only go side to side." The numerous computer-generated effects were created by the visual design company Homer & Associates, which used motion capture technology to generate the images. The company used the same technique in their previous work on the video for "Steam" by Peter Gabriel and in the 1992 movie The Lawnmower Man.[10]
In an interview with Billboard in 2021, Thomas explained that when discussing the video with Gray, she imagined the trio performing as water spirits, similar to the 1989 James Cameron movie The Abyss; Watkins conceptualized the storylines described in the verses, while Lopes pictured the trio traversing through outer space, passing planets before arriving on Earth; Gray modified Lopes' idea to show the trio coming straight from the sky.[10][26]
As Clive Davis, the president of Arista at the time, initially disliked the song,[25] TLC had to force their mentor L.A. Reid to convince Davis to allow release as a single and promotion for the song as well as the budget for the music video;[10][13] the video went on to win four awards at the 1995 MTV Video Music Awards: Video of the Year, Best Group Video, Best R&B Video, and the Viewer's Choice Award. Watkins stated in retrospect that the "video spoke for a whole epidemic."[9]
Live performances[edit]
The song was performed at many awards shows, including the 1995 MTV Video Music Awards and the 1996 Grammy Awards. The group performed "Waterfalls" at the 1995 MTV Movie Awards wearing black tops and silver pants. The performance "was theatrical and kept true to the lyrical story."[27] They also performed the song at MTV's 20th Anniversary on August 1, 2001, making it Left Eye's final performance with the group before her death. In September 1995, TLC performed "Waterfalls" in a medley with "Creep" and "Diggin' on You" on the British TV chart show Top of the Pops, aired on BBC One in the United Kingdom.
Remaining members T-Boz and Chilli performed the song along with Alicia Keys and fellow girl groups En Vogue and SWV at the 2008 BET Awards. Thomas and Watkins appeared on Good Morning America on October 15, 2013, to perform the song during promotion for the greatest hits 20 and the VH1 biopic CrazySexyCool: The TLC Story.[28]
On November 24, 2013, TLC performed at the 2013 American Music Awards with special guest Lil Mama, who performed Left Eye's rap as a tribute to her.
"Waterfalls"
In popular culture[edit]
The song was referred to in the film The Other Guys as one of many references to songs by TLC made by one of the characters. Thomas and Watkins rerecorded "Waterfalls" with Japanese pop and R&B singer Namie Amuro in 2013 for the song's twentieth anniversary.[122] The song peaked at No. 12 on Japan's Hot 100 chart. That same year, the song was referred to in the film We're the Millers as Will Poulter performs Lopes's rap.[123] The song also appears in the film's end credits. In 2015, the horror-comedy show Scream Queens featured the song in the pilot and is referred to numerous times in other episodes. It appears in the 2019 Marvel Studios film Captain Marvel, which is set in 1995,[124] and in the 2009 film Couples Retreat.[10]