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William Grant Still

William Grant Still Jr. (May 11, 1895– December 3, 1978) was an American composer of nearly two hundred works, including five symphonies, four ballets, nine operas, over thirty choral works, art songs, chamber music, and solo works. Born in Mississippi and growing up in Little Rock, Arkansas,[1] Still attended Wilberforce University and Oberlin Conservatory of Music[2][3] as a student of George Whitefield Chadwick and then Edgard Varèse.[4] Because of his close association and collaboration with prominent African-American literary and cultural figures, Still is considered to be part of the Harlem Renaissance.

William Grant Still

William Grant Still Jr.

(1895-05-11)May 11, 1895

December 3, 1978(1978-12-03) (aged 83)

Los Angeles, California, U.S.
  • Composer
  • conductor

  • Grace Bundy
    (m. 1915; div. 1939)
  • (m. 1939)

6

Celeste Headlee (granddaughter)

Often referred to as the "Dean of Afro-American Composers," Still was the first American composer to have an opera produced by the New York City Opera.[5][6] He is known primarily for his first symphony, Afro-American Symphony (1930),[7] which was, until 1950, the most widely performed symphony composed by an American.[8] Still was able to become a leading figure in the field of American classical music as the first African-American to conduct a major American symphony orchestra, have a symphony performed by a leading orchestra, have an opera performed by a major opera company, and have an opera performed on national television.[9] The papers of Still and his second wife, the librettist and writer Verna Arvey, are currently held by the University of Arkansas.[5]

Still received three in music composition (1934, 1935, 1938),[23] at least one Rosenwald Fellowship,[19] and a Mu Phi Epsilon Citation of Merit.[30][31]

Guggenheim Fellowships

In 1949, he received a citation for Outstanding Service to American Music from the National Association for American Composers and Conductors

[10]

In 1976, his home in Los Angeles was designated a .[17][32]

Historic-Cultural Monument

In 1977, the opened in his honor.

William Grant Still Arts Center

He was posthumously awarded the 1982 award for music composition for his opera A Bayou Legend.[10][36]: 6 

Mississippi Institute of Arts and Letters

Black conductors

List of African-American composers

William L. Dawson

List of jazz-influenced classical compositions

early Black British composer

Samuel Coleridge-Taylor

Horne, Aaron. Woodwind Music of Black Composers, Greenwood Press, 1990.  0-313272-65-4

ISBN

Roach, Hildred. Black American Music. Past and Present, second edition, Krieger Publishing Company 1992.  0-894647-66-0

ISBN

Sadie, Stanley; Hitchcock, H. Wiley. , Grove's Dictionaries of Music, 1986. ISBN 0-943818-36-2

The New Grove Dictionary of American Music

Reef, Catherine (2003). William Grant Still: African American Composer. Morgan Reynolds.  1-931798-11-7

ISBN

Sewell, George A., and Margaret L. Dwight (1984). William Grant Still: America's Greatest Black Composer. Jackson: University Press of Mississippi

Southern, Eileen (1984). William Grant Still – Trailblazer. Fayetteville: University of Arkansas Press.

Still, Verna Arvey (1984). In One Lifetime. Fayetteville: University of Arkansas Press.

Still, Judith Anne (2006). Just Tell the Story. The Master Player Library.

Still, William Grant (2011). My Life My Words, a William Grant Still autobiography. The Master Player Library.

Official Site

William Grant Still, Music

at the Internet Movie Database (IMDb)

William Grant Still, Music

at the Encyclopedia of Arkansas

William Grant Still, Bibliography

University of California

William Grant Still, A Study in Contradictions

radio broadcast by Voice of America

William Grant Still, Interview (1949; 30:49)

Extensive information at AfriClassical.com

William Grant Still, "Composer, Arranger, Conductor & Oboist".

University of Arkansas, Special Collections Department, Manuscript Collection MC 1125

William Grant Still and Verna Arvey Papers