William Lloyd Webber
William Southcombe Lloyd Webber
11 March 1914
London, England
29 October 1982 (aged 68)
London, England
- Composer
- organist
Childhood[edit]
Webber was born in London. The son of William Charles Henry Webber, a self-employed plumber, he was fortunate that his father was a keen organ 'buff' who spent what little money he had travelling to hear various organs in and around the capital. Often he would take his son with him and, before long, young William started to play the organ himself and developed a keen interest that bordered on the obsessional.[2]
By the age of 14, William Lloyd Webber had already become a well-known organ recitalist, giving frequent performances at many churches and cathedrals throughout Great Britain. He won an organ scholarship to the Mercers' School, later winning a further scholarship to study at the Royal College of Music, where he studied with Ralph Vaughan Williams and gained his FRCO diploma at nineteen. Because there was already another student at the college with the name William Webber, William continued to use his second middle name 'Lloyd' from then on as part of his last name.
Prolific years[edit]
Lloyd Webber's earliest known composition is the "remarkably assured" Fantasy Trio in B minor for violin, cello and piano of 1936 (which didn't receive its premiere until 1995).[3] In 1938, he was appointed organist and head of the choir school at All Saints, Margaret Street, in the Marylebone district of London. He later became musical director at Westminster Central Hall, London, the headquarters of the Methodist church in the United Kingdom. His first compositions developed in the 1930s. In 1942 he married the pianist and violinist Jean Hermione Johnstone (1921–1993).[4] The marriage, which lasted until his death, produced two sons: composer Andrew (born 1948) and cellist Julian (born 1951).
From 1945 until the 1960s, Lloyd Webber composed vocal and instrumental music, choral and organ works, chamber music and orchestral works. Compositions from this period include the oratorio St. Francis of Assisi (1948), the orchestral tone-poem Aurora (1948), and the six Country Impressions (1960), each movement for a solo woodwind instrument and piano.[5] There are also sonatinas for viola and flute, numerous songs, organ pieces and choral works. But Webber's roots were firmly embedded in the romanticism of such composers as Sergei Rachmaninov, Jean Sibelius and César Franck, and he became increasingly convinced that his own music was 'out of step' with the prevailing climate of the time. Rather than compromise his style, he turned to the academic side of British musical life. He taught at the Royal College of Music, directed the choir of Westminster Central Hall, and in 1964 was appointed Director of the London College of Music, a post which he held until his death in 1982.[2]