You Are So Beautiful
"You Are So Beautiful" is a song credited to Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single "Struttin'". Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974.[1] It became Cocker's highest-charting solo hit in the United States, peaking at number five on the Billboard Hot 100 (Cocker's biggest hit on the US pop chart was "Up Where We Belong", a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1),[2] and at number four on Canada's Top Singles chart.
For the Tanya Tucker album, see You Are So Beautiful (album). For the French comedy film, see You Are So Beautiful (film). For the song by Donna Summer, see You're So Beautiful."You Are So Beautiful"
"It's a Sin When You Love Somebody"
November 2, 1974
1973
2:39
Although he remains uncredited by the publisher as of 2023, several sources assert that Dennis Wilson of the Beach Boys assisted Preston in completing the song by co-writing the lyrics and modifying part of the melody at a contemporaneous party.[3] Wilson performed the song live with the Beach Boys (often as an encore with minimal accompaniment) from 1975 until his final performances with the group in 1983. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered "You Are So Beautiful". The song has also been featured in numerous movies, television shows, and ads.
Background[edit]
Billy Preston wrote "You Are So Beautiful" with one of his regular collaborators, Bruce Fisher.[4] Preston's inspiration was his mother, who worked as a stage actress. According to his friend Sam Moore (who had assumed it was a standard love song), Preston was appalled to learn that Moore was using the song as a means to attract young women each time he sang it in concert. In Moore's description, Preston told him: "That song's about my mother!"[5] The composition interpolates part of Preston's 1969 song "Let Us All Get Together (Right Now)",[6] which he wrote with soul singer Doris Troy.[7]
According to Beach Boys biographer Jon Stebbins, although Dennis Wilson is not credited as a writer, he helped Preston finish writing "You Are So Beautiful".[8] Preston and Wilson are said to have collaborated on the song while attending a party where they discussed the concept of beauty.[9] In the opinion of Craig Hlavaty, writing for Houston Press, while Wilson never sought to claim a share of the song's authorship, "if you check out Wilson's solo work, you can hear where Wilson's mind took over 'Beautiful.'"[8]
Billy Hinsche, a close friend and longtime touring member of the Beach Boys, stated that he witnessed Preston and Wilson working on the song "out of the corner of my ear and the corner of my eye" at the party.[10] He said that he was unaware of how much of the song Preston had already written prior to Wilson's involvement. "Maybe it was just [Wilson's] interpretation of the song. Later Dennis said to me, 'Well, you know, I helped write that song.'"[10] In a 2004 interview, brother Brian Wilson denied whether Dennis was "one of the uncredited writers".[11]
Dennis sang "You Are So Beautiful" (usually as an encore) at Beach Boys shows intermittently from 1975 until his final performances in 1983. A live rendition, circa 1978, and an edited 1983 live rendition both appear in the film The Beach Boys: An American Band (1985). A live version was released on the group's album Good Timin': Live at Knebworth England 1980 in 2002.
Composition[edit]
"You Are So Beautiful" was originally published in the key of A♭ major in common time with a tempo of 70 beats per minute. Cocker's vocals span from B♭2 to E♭4.[12] The song is unusual in that the chord progression does not include the "V" chord.
Critical reception[edit]
Marc Lee of The Daily Telegraph noted the song's contemplative beginning, accompanied only by piano, followed by "lush strings" which "sweep in and carry [Cocker] off into passionate ecstasies". Lee commented that the song, one of Cocker's best-known works, was a good example of Cocker's ability to be both gentle and "gloriously stirring".[13]
Live performances[edit]
Cocker performed the song along with Ray Charles in a 1983 television tribute to Charles, A Man and his Soul.[14]