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Accordion

Accordions (from 19th-century German Akkordeon, from Akkord—"musical chord, concord of sounds")[1] are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a reed in a frame). The essential characteristic of the accordion is to combine in one instrument a melody section, also called the diskant, usually on the right-hand keyboard, with an accompaniment or Basso continuo functionality on the left-hand. The musician normally plays the melody on buttons or keys on the right-hand side (referred to as the keyboard or sometimes the manual), and the accompaniment on bass or pre-set chord buttons on the left-hand side. A person who plays the accordion is called an accordionist.

For other uses, see Accordion (disambiguation).

The accordion belongs to the free-reed aerophone family. Other instruments in this family include the concertina, harmonica, and bandoneon.[2] The concertina and bandoneon do not have the melody–accompaniment duality. The harmoneon is also related and, while having the descant vs. melody dualism, tries to make it less pronounced. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor.


The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing pallets to open, which allow air to flow across strips of brass or steel, called reeds. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.[notes 1]


The accordion is widely spread across the world because of the waves of migration from Europe to the Americas and other regions. In some countries (for example: Argentina, Brazil,[3][4] Colombia, the Dominican Republic, Mexico, and Panama) it is used in popular music (for example: chamamé in Argentina; gaucho, forró, and sertanejo in Brazil; vallenato in Colombia; merengue in the Dominican Republic; and norteño in Mexico), whereas in other regions (such as Europe, North America, and other countries in South America) it tends to be more used for dance-pop and folk music.


In Europe and North America, some popular music acts also make use of the instrument. Additionally, the accordion is used in cajun, zydeco, jazz, and klezmer music, and in both solo and orchestral performances of classical music. Many conservatories in Europe have classical accordion departments. The oldest name for this group of instruments is harmonika, from the Greek harmonikos, meaning "harmonic, musical". Today, native versions of the name accordion are more common. These names refer to the type of accordion patented by Cyrill Demian, which concerned "automatically coupled chords on the bass side".[5]

Volume control, including swells and fades

Repeated short, rapid changes of direction ("bellows shake"), which has been popularized by musicians such as (gaucho music) and Luiz Gonzaga,[21] and extensively used in Forró, called resfulego in Brazil

Renato Borghetti

Constant bellows motion while applying pressure at intervals

Constant bellows motion to produce clear tones with no resonance

Subtly changing the intonation to mimic the expressiveness of a singer

Using the bellows with the silent air button gives the sound of air moving ("whooshing"), which is sometimes used in contemporary compositions for this instrument

List of accordionists

Steirische Harmonika

Confédération internationale des accordéonistes

, ed. (1911). "Accordion" . Encyclopædia Britannica (11th ed.). Cambridge University Press.

Chisholm, Hugh