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Jazz

Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues and ragtime.[1][2][3][4] Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals.[5][6]

For other uses, see Jazz (disambiguation).

As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere.[7] In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.[8]


The mid-1950s saw the emergence of hard bop, which introduced influences from rhythm and blues, gospel, and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation, as did free jazz, which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz.

Diversity in jazz

Jazz and race

For some African Americans, jazz has drawn attention to African-American contributions to culture and history. For others, jazz is a reminder of "an oppressive and racist society and restrictions on their artistic visions".[26] Amiri Baraka argues that there is a "white jazz" genre that expresses whiteness.[27] White jazz musicians appeared in the Midwest and in other areas throughout the U.S. Papa Jack Laine, who ran the Reliance band in New Orleans in the 1910s, was called "the father of white jazz".[28] The Original Dixieland Jazz Band, whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of the 1920s.[29] The Chicago Style was developed by white musicians such as Eddie Condon, Bud Freeman, Jimmy McPartland, and Dave Tough. Others from Chicago such as Benny Goodman and Gene Krupa became leading members of swing during the 1930s.[30] Many bands included both Black and white musicians. These musicians helped change attitudes toward race in the U.S.[31]

Cooke, Mervyn (1999). . London: Thames and Hudson. ISBN 978-0-500-20318-7..

Jazz

(1978). The Making of Jazz: A Comprehensive History. Dell Publishing.

Collier, James Lincoln

(1983). The World of Earl Hines. Da Capo Press. ISBN 0-306-80182-5. Includes a 120-page interview with Hines plus many photos.

Dance, Stanley

Elsdon, Peter (2003). . Zeitschrift für Musikwissenschaft (6): 159–175. Archived from the original on November 1, 2013. Retrieved April 30, 2013.

"Review: The Cambridge Companion to Jazz, edited by Mervyn Cooke and David Horn"

(1998). Visions of Jazz: The First Century. New York: Oxford University Press. ISBN 0-19-507675-3.

Giddins, Gary

(1999). Africa and the Blues. Jackson, Mississippi: University Press of Mississippi.

Kubik, Gerhard

Kubik, Gerhard (March 22, 2005). "Bebop: A Case in Point. The African Matrix in Jazz Harmonic Practices". .

Black Music Research Journal

(1995). The Jazz theory book. Petaluma, California: Sher Music. ISBN 978-1-883217-04-4.

Levine, Mark

Litweiler, John (1984). The Freedom Principle: Jazz After 1958. Da Capo.  978-0-306-80377-2.

ISBN

Peñalosa, David (2010). The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins. Redway, CA: Bembe Inc.  978-1-886502-80-2.

ISBN

(1968). Early Jazz: Its Roots and Musical Development. New York: Oxford University Press. New printing 1986.

Schuller, Gunther

, ed. (1995) [1991]. Ellington: The Early Years (reprint ed.). Urbana and Chicago: University of Illinois Press. ISBN 978-0-252-06509-5.

Tucker, Mark

; Burns, Ken (2000). Jazz: A History of America's Music (1st ed.). New York: Alfred A. Knopf. ISBN 978-0-679-76539-4. Also: Jazz (2001 miniseries).

Ward, Geoffrey C.

; Huesmann, Günther [in German], eds. (2005). Das Jazzbuch (7th ed.). Frankfurt am Main: S. Fischer. ISBN 3-10-003802-9.

Berendt, Joachim Ernst

. Music Outside: Contemporary Jazz in Britain. 2nd edition. London: Northway. ISBN 978-0-9550908-6-8

Carr, Ian

(2005). Boplicity. Delta Music plc. UPC 4-006408-264637.

Davis, Miles

Downbeat (2009). The Great Jazz Interviews: Frank Alkyer & Ed Enright (eds). Hal Leonard Books.  978-1-4234-6384-9

ISBN

Gridley, Mark C. 2004. Concise Guide to Jazz, fourth edition. Upper Saddle River, New Jersey: Pearson/Prentice Hall.  0-13-182657-3

ISBN

Hendler, Maximilian (2023). Prehistory of Jazz. Vienna: Hollitzer (=Studies in Jazz Research Vol. 16).  978-3-99012-980-7

ISBN

Nairn, Charlie. 1975. Earl 'Fatha' Hines: 1 hour 'solo' documentary made in "Blues Alley" Jazz Club, Washington DC, for ATV, England, 1975: produced/directed by Charlie Nairn: original 16mm film plus out-takes of additional tunes from that film archived in British Film Institute Library at bfi.org.uk and itvstudios.com: DVD copies with Jean Gray Hargrove Music Library [who hold The Collection/Archive], University of California, Berkeley: also University of Chicago, Hogan Jazz Archive Tulane University New Orleans and Louis Armstrong House Museum Libraries.

Earl Hines

Schuller, Gunther. 1991. The Swing Era: The Development of Jazz, 1930–1945. Oxford University Press.

LinkedJazz

Jazz at the Smithsonian Museum

Alabama Jazz Hall of Fame website

RedHotJazz.com

Jazz at Lincoln Center

website

American Jazz Museum