Another Day in Paradise
"Another Day in Paradise" is a song written and recorded by English drummer and singer Phil Collins. Produced by Collins along with Hugh Padgham, it was released as the first single from his number-one album ...But Seriously (1989). As with his song for Genesis, "Man on the Corner", the track has as its subject the problem of homelessness and paradise;[2] as such, the song was a substantial departure from the dance-pop music of his previous album, No Jacket Required (1985).
For other uses, see Another Day in Paradise (disambiguation)."Another Day in Paradise"
- "Heat on the Street"
- "Saturday Night and Sunday Morning"
23 October 1989[1]
1989
- 4:47 (single version)
- 5:22 (album version)
Phil Collins
- Phil Collins
- Hugh Padgham
Collins sings the song from a third-person perspective, as he observes a man crossing the street to ignore a homeless woman, and he implores listeners not to turn a blind eye to homelessness because, by drawing a religious allusion, "it's just another day for you and me in paradise". Collins also appeals directly to God by singing: "Oh Lord, is there nothing more anybody can do? Oh Lord, there must be something you can say."
The song was Collins' seventh and final Billboard Hot 100 No. 1 single, the last No. 1 single of the 1980s and the first No. 1 single of the 1990s. It was a worldwide success, eventually becoming one of the most successful songs of his solo career. It won Collins and Padgham the Grammy Award for Record of the Year at the 1991 awards ceremony, while it was also nominated for Song of the Year, Best Pop Vocal Performance, Male and Best Music Video, Short Form. "Another Day in Paradise" also won an award for British Single at the 1990 Brit Awards. Despite the awards gained following its release, the song also generated controversy over its subject matter and has received a largely unfavourable reaction from music critics.
The live performance of the song at the 1991 Grammy Awards by Collins and David Crosby, who provided backing vocals on the track, was released on the 1994 album Grammy's Greatest Moments Volume I.[3] In 2009, Collins' version was listed 86th on Billboard's Greatest Songs of All Time.[4] "Another Day in Paradise" has since been covered by several artists, including Brandy and her brother Ray J, Jam Tronik, Axxis, Novecento, Brad Arnold[5] and Hank Marvin.
Chart performance[edit]
The song was another hit for Collins. On 23 December 1989, it became his seventh (and, to date, final) No. 1 single in the U.S.[2] The song was also the final No. 1 song of the 1980s in the U.S., and remained at No. 1 for four weeks, which classifies the song as a hit from the 1990s as well. This song is notable for keeping Janet Jackson's "Rhythm Nation" from reaching No. 1. It also saw out the 1980s and saw in the 1990s at the top of the German singles chart. The song had already reached No. 2 in the UK in November of that year. The single version is slightly different from the album version in that it uses a shorter intro.
Music video[edit]
The song's music video was directed by Jim Yukich and produced by Paul Flattery of FYI.[6] The video, shot entirely in black and white, features Collins singing in a dark background, interspersed with images of the homeless, the refugees and the poverty of children in the streets. The music video also features many messages about the homeless, to convey the full message of the song. Collins' part was shot in less than an hour in New York.
Reception[edit]
"Another Day in Paradise" provoked controversy upon release and was widely criticised.[7][8] Some critics found the wealthy Collins unqualified to sing about the poor,[9] while others accused him of profiteering from homelessness.[10] Collins responded, "When I drive down the street, I see the same things everyone else sees. It's a misconception that if you have a lot of money you're somehow out of touch with reality."[9] Billboard gave a positive review, calling it a "poignant" track whose "subject matter is complemented nicely by a subdued, ethereal musical context".[11]
Singer-songwriter and political activist Billy Bragg gave a 2000 interview in which he negatively compared Collins to the Clash, stating, "Phil Collins might write a song about the homeless, but if he doesn't have the action to go with it he's just exploiting that for a subject."[12] In 2003, Andrew Collins described the song as a "bland redress" for the subject of homelessness in the New Statesman.[13] In 2007, Blender remarked that Collins "wrote the worst song ever about homelessness",[14] while Caroline Sullivan of The Guardian called it "a song that addressed the issue of homelessness with the same insight as Sporty Spice's 'If That Were Me'".[15] Writing for the BBC in 2010, David Sheppard described the song's lyrics as "cringe-worthy" and gave it as an example of Collins "painting the bull's-eye on his own forehead" when it came to his negative status with music critics.[16]
It was reported that Collins left the UK for Switzerland in 1997, in response to the election of a Labour government;[17][18] Collins had actually left previously to be with his future wife Orianne Cevey.[19][18] In 2013, MSN's Hugh Wilson said this relocation led to further accusations of hypocrisy, since Collins "bemoaned the plight of the homeless in the song 'Another Day in Paradise' " then "lugged his estimated £130 million fortune to Switzerland where the tax regime is far less punishing for the super wealthy".[20]
In a 2016 article for The Guardian, Michael Hann wrote, "Collins has been unfairly criticised for many things, but 'Another Day in Paradise' is not one of them. Criticism of that is manifestly fair." Hann argued that the song patronizes the general public, who "almost certainly encounter poverty more often than [Collins]", and chided Collins for "[equating] his material wealth with his listener's by pointing out that both 'you and me' are in paradise".[21] On the other hand, Jamie Wales of Gigwise described the track as a "classic", and said of the hypocrisy allegations levelled at Collins, "The truth is Phil collected money for homeless charities from fans who attended his concerts and then donated double the total takings out of his own money."[22]