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Apology (Plato)

The Apology of Socrates (Greek: Ἀπολογία Σωκράτους, Apología Sokrátous; Latin: Apologia Socratis), written by Plato, is a Socratic dialogue of the speech of legal self-defence which Socrates (469–399 BC) spoke at his trial for impiety and corruption in 399 BC.[1]

For the article on Xenophon's work on the same subject, see Apology of Socrates to the Jury. For other uses, see Apology (disambiguation).

Specifically, the Apology of Socrates is a defence against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other daimonia that are novel" to Athens (24b).[2]


Among the primary sources about the trial and death of the philosopher Socrates, the Apology of Socrates is the dialogue that depicts the trial, and is one of four Socratic dialogues, along with Euthyphro, Phaedo, and Crito, through which Plato details the final days of the philosopher Socrates.

Introduction[edit]

The Apology of Socrates begins with Socrates addressing the jury of perhaps 500 Athenian men to ask if they have been persuaded by the Orators Lycon, Anytus, and Meletus, who have accused Socrates of corrupting the young people of the city and impiety against the pantheon of Athens. The first sentence of his speech establishes the theme of the dialogue—that philosophy begins with an admission of ignorance. Socrates later clarifies that point of philosophy when he says that whatever wisdom he possesses comes from knowing that he knows nothing (23b, 29b).


In the course of the trial, Socrates imitates, parodies, and corrects the Orators, his accusers, and asks the jury to judge him by the truth of his statements, not by his oratorical skill (cf. Lysias XIX 1,2,3; Isaeus X 1; Isocrates XV 79; Aeschines II 24). Socrates says he will not use sophisticated language—carefully arranged ornate words and phrases—but will speak using the common idiom of the Greek language. Socrates says that he will speak in the manner he has used in the agora and at the money tables which he states is his native tongue and the fashion of his country. Although offered the opportunity to appease the prejudices of the jury, with a minimal concession to the charges of corruption and impiety, Socrates does not yield his integrity to avoid the penalty of death. The jury condemns Socrates to death.

a rich and socially prominent Athenian who opposed the Sophists on principle.[8] Socrates says that Anytus joined the prosecution because he was "vexed on behalf of the craftsmen and politicians" (23e–24a); moreover, Anytus appears in the Meno dialogue (90f). Whilst Socrates and Meno (a visitor to Athens) are discussing Virtue, Anytus unexpectedly appears before them, and overhears their conversation. From the philosophic stance that virtue cannot be taught, Socrates adduces that many socially prominent Athenians have produced sons who are inferior to themselves, as fathers; Socrates names several such men, including Pericles and Thucydides. In the event, Anytus is offended by the observation, and warns Socrates that stepping on people’s toes (kakós legein) could, someday, cause trouble for him (Meno 94e–95a).

Anytus

the only accuser to speak during Socrates's speech of self-defence; he was the tool of Anytus, the true enemy of Socrates.[9] Socrates says that Meletus joined the prosecution because he was "vexed on behalf of the poets" (23e); moreover, Meletus features in the Euthyphro dialogue. At trial, Socrates identifies Meletus as an unknown, young man with an aquiline nose. In the Apology of Socrates, Meletus agrees to be cross-examined by Socrates, whose questions lead Meletus into a semantic trap. Inattentive to the logical implications of his accusations of corruption and impiety, Meletus contradicts himself in accusing Socrates of atheism and of believing in demigods.

Meletus

who represented the professional rhetoricians as an interest group.[10] Socrates says that Lycon joined the prosecution because he was "vexed on behalf of the rhetoricians" (24a). That he joined the prosecution because he associated Socrates with the pro–Spartan Oligarchy of the Thirty Tyrants (404 BC), who killed his son, Autolycus.[11] As a prosecutor of Socrates, Lycon also is a figure of ridicule in a play by Aristophanes and had become a successful democratic politician in the democracy restored after the fall of the Oligarchy of the Four Hundred (411 BC).[11]

Lycon

In the society of 5th-century BC Athens, the three men who formally accused the philosopher Socrates of impiety and corruption against the people and the city, officially represented the interests of the politicians and the craftsmen, of the scholars, poets, and rhetoricians. The accusers of Socrates were:


In his defence at trial, Socrates faced two sets of accusations: (i) asebeia (impiety) against the pantheon of Athens, by introducing new gods; and (ii) corruption of Athenian youth, by teaching them to doubt the status quo. Socrates says to the court that these old accusations arise from years of gossip and prejudice against him; hence, are matters difficult to address. He then reformulates the diffuse accusations from the orators against him into the proper legal form: "Socrates is committing an injustice, in that he inquires into things below the earth and in the sky; and makes the weaker argument the stronger; and teaches others to follow his example" (19b-c).


Socrates also says that the accusations for which he is answering in court already had been spoken and published by the comic poet Aristophanes, and are therefore beyond the legal scope of a trial for corruption and impiety. Years earlier, in the play The Clouds (423 BC), Aristophanes lampooned Socrates as a charlatan, the paradigm philosopher of atheist and scientific sophistry—carefully arranged arguments constructed of ornate words and phrases—misrepresented as wisdom. In light of that definition, Socrates defensively argues that he cannot be mistaken for a Sophist philosopher because Sophists are wise men, are thought to be wise by the people of Athens, and, thus, are highly paid for their teaching; whereas he (Socrates) lives in ten-thousand-fold poverty, and knows nothing noble and good (23c).


For his self-defence, Socrates first eliminates any claim that he is a wise man. He says that Chaerephon, reputed to be impetuous, went to the Oracle of Delphi and asked her, the prophetess, Pythia, to tell him of anyone wiser than Socrates. The Pythia answered to Chaerephon that there was no man wiser. On learning of that oracular pronouncement, Socrates says he was astounded, because, on the one hand, it is against the nature of the Oracle to lie, but, on the other hand, he knew he was not wise. Therefore, Socrates sought to find someone wiser than himself, so that he could take that person as evidence to the Oracle at Delphi. Hence why Socrates minutely queried everyone who appeared to be a wise person. In that vein, he tested the minds of politicians, poets, and scholars, for wisdom; although he occasionally found genius, Socrates says that he found no one who possessed wisdom; yet, each man was thought wise by the people, and each man thought himself wise; therefore, he thought he was the better man, because he was aware that he was not wise.


Socrates explained that the young, rich men of the city of Athens have little to do with their time. They, therefore, follow him about the city, observing his questioning of intellectual arguments in dialogue with other intellectual men. In turn, young men imitate the method of Socrates. Socrates thought that the arguments of the men he examined were wanting, and when he said this, to not lose face, they would restate stock accusations against Socrates; that he is a morally abominable man who corrupts the youth of Athens with sophistry and atheism. In his defence, Socrates said: "For those who are examined, instead of being angry with themselves, are angry with me!".

(2007), by Andrew David Irvine, is a contemporary play that portrays Socrates as philosopher and man, based upon The Clouds (423 BC), by Aristophanes, and three Socratic dialogues, by Plato, the Apology of Socrates (the philosopher's defence at trial), the Crito (discussion of the nature of Justice), and the Phaedo (discussion of the nature of the Afterlife).

Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance

Greek text at

Perseus

Greek with translation by Harold North Fowler. Loeb Classical Library 36. Harvard Univ. Press (originally published 1914). ISBN 0-674-99040-4 at Internet Archive

Plato: Euthyphro, Apology, Crito, Phaedo, Phaedrus

H.N. Fowler's translation at

Perseus

Plato: Euthyphro, Apology, Crito, Phaedo. Greek with translation by Chris Emlyn-Jones and William Preddy. Loeb Classical Library 36. Harvard Univ. Press, 2017.  9780674996878 HUP listing

ISBN

Plato. Opera, volume I. Oxford Classical Texts.  978-0198145691

ISBN

Plato. Complete Works. Hackett, 1997.  978-0872203495

ISBN

The Last Days of Socrates, translation of Euthyphro, Apology, Crito, Phaedo. Hugh Tredennick, 1954.  978-0140440379. Made into a BBC radio play in 1986

ISBN

Otium

Trial of Socrates

Brickhouse, Thomas C.; Smith, Nicholas D. (1990). . Clarendon Press. ISBN 978-0-19-823938-3.

Socrates on Trial

Hammond, Scullard H. H. (1966). The Oxford Classical Dictionary (Seventh Printing ed.). Oxford.

Allen, Reginald E. (1980). Socrates and Legal Obligation. Minneapolis: University of Minnesota Press.

Brickhouse, Thomas C. (1989). Socrates on Trial. Princeton: Princeton University Press.

Brickhouse, Thomas C.; Smith, Nicholas D. (2004). Routledge Philosophy Guidebook to Plato and the Trial of Socrates. New York: Routledge.

Cameron, Alister (1978). Plato's Affair with Tragedy. Cincinnati: University of Cincinnati.

Compton, Todd, , The American Journal of Philology, Vol. 111, No. 3 (Autumn, 1990), pp. 330–347, The Johns Hopkins University Press

"The Trial of the Satirist: Poetic Vitae (Aesop, Archilochus, Homer) as Background for Plato's Apology"

Fagan, Patricia; Russon, John (2009). Reexamining Socrates in the Apology. Evanston: Northwestern University Press.

Hackforth, Reginald (1933). The Composition of Plato's Apology. Cambridge: Cambridge University Press.

Irvine, Andrew David (2008). . Toronto: University of Toronto Press. ISBN 978-0-8020-9783-5 (cloth); ISBN 978-0-8020-9538-1 (paper); ISBN 978-1-4426-9254-1 (e-pub)

Socrates on Trial: A Play Based on Aristophanes' Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance

Reeve, C.D.C. (1989). . Indianapolis: Hackett. ISBN 0872200892.

Socrates in the Apology

West, Thomas G. (1979). . Ithaca: Cornell University Press. ISBN 9780801411274.

Plato's Apology of Socrates

Stone, I. F. (1988). . Boston: Little, Brown. ISBN 9780316817585.

The Trial of Socrates

at Standard Ebooks

Apology, in a collection of Plato's Dialogues

Translated by Woods & Pack, 2010

Bundled with Euthyphro, Crito and the death scene from Phaedo

Project Gutenberg

Translated by Benjamin Jowett, 1891

public domain audiobook at LibriVox

The Apology

free professional-quality downloadable audio book (part one as parts are indicated in this article) from ThoughtAudio.com, in the translation by Benjamin Jowett

The Apology of Socrates

Approaching Plato: A Guide to the Early and Middle Dialogues

a beginner's guide to the Apology, by Dale E. Burrington (from Internet Archive backup)

Guides to the Socratic Dialogues: Plato's Apology

G. Theodoridis, 2015:

full-text translation