Early influences[edit]

The Jamaican sampling culture has provided an inclusive space in which artists are able to repurpose one sound over and over again to share a cultural identity and indulge in a sort of “Call and Response” practice rooted in African oral traditions. These artists are called by one song or its artist to respond with their own versions and all are consequently brought together in an antiphonetic musical dialogue. Sister Nancy's Bam Bam is no exception to this musical dialogue.


The popular phrase “bam bam” was introduced into the music scene first in 1966 by a reggae band called Toots and the Maytals. The catchy hypnotic phrase, bam bam, led to its longevity that surpassed the popularity of roots reggae and was incorporated into the resurging dancehall genre, where many dancehall vocalists (or deejays) would use the lyrics and/or the popular phrase.


Mike Steyels states that Sister Nancy's immediate inspiration to sing the popular phrase was “hearing Yellowman and Fathead record their own version of ‘Bam Bam’ over the ‘Taxi Riddim’ in another studio just weeks before her own recording”.^[7] Sister Nancy, however, sampled the Toots and the Maytals's Bam Bam over the Stalag riddim instead, a popular reggae riddim which came to prominence in the 1970s. The Stalag riddim was first introduced in a reggae song called “Stalag 17,” written and performed by Ansell Collins and released by Winston Riley's Techniques record label in 1973.


The melody and cadence of the "Bam Bam" refrain in the chorus of Sister Nancy's version closely follows the original background melody of Toots and The Maytals' "Bam Bam". R. Henry Gordon, N. N. McCarthy and Frederick "Toots" Hibbert hold the copyright to the original version of the song, but were never compensated royalties for use of the song by Sister Nancy or any artist who sampled her cover.^[8][9]