Bill Haley
William John Clifton Haley (/ˈheɪli/; July 6, 1925 – February 9, 1981) was an American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". Haley has sold over 60 million records worldwide.[1][2] In 1987, he was posthumously inducted into the Rock and Roll Hall of Fame.
For other people named Bill Haley, see Bill Haley (disambiguation).
Bill Haley
William John Clifton Haley
July 6, 1925
Highland Park, Michigan, U.S.
Boothwyn, Pennsylvania, U.S.
- Singer-songwriter
- musician
- bandleader
- Vocals
- guitar
- double bass
1946–1980
Biography[edit]
Early life and career[edit]
Haley was born July 6, 1925, in Highland Park, Michigan. In 1929, the four-year-old Haley underwent an inner-ear mastoid operation which accidentally severed an optic nerve, leaving him blind in his left eye for the rest of his life. It is said that he adopted his trademark kiss curl over his right eye to draw attention from his left, but it also became his "gimmick", and added to his popularity.[3] As a result of the effects of the Great Depression on the Detroit area, his father moved the family to Bethel Township, Pennsylvania, when Bill was seven years old.[4] Haley's father William Albert Haley (1900–1956) was from Kentucky and played the banjo and mandolin, and his mother, Maude Green (1895–1955), who was originally from Ulverston in Lancashire, England, was a technically accomplished keyboardist with classical training.[5] Haley told the story that when he made a simulated guitar out of cardboard, his parents bought him a real one.[6]
One of his first appearances was in 1938 for a Bethel Junior baseball team entertainment event, performing guitar and songs when he was 13 years old.[7]
The anonymous sleeve notes accompanying the 1956 Decca album Rock Around the Clock describe Haley's early life and career: "When Bill Haley was fifteen [c. 1940] he left home with his guitar and very little else and set out on the hard road to fame and fortune. The next few years, continuing this story in a fairy-tale manner, were hard and poverty-stricken, but crammed full of useful experience. Apart from learning how to exist on one meal a day and other artistic exercises, he worked at an open-air park show, sang and yodelled with any band that would have him, and worked with a traveling medicine show. Eventually he got a job with a popular group known as the 'Down Homers' while they were in Hartford, Connecticut. Soon after this he decided, as all successful people must decide at some time or another, to be his own boss again – and he has been that ever since." These notes fail to account for his early band, known as the Four Aces of Western Swing. During the 1940s Haley was considered one of the top cowboy yodelers in America as "Silver Yodeling Bill Haley".[8] One source states that Haley started his career as "The Rambling Yodeler" in a country band, The Saddlemen.[9]
The sleeve notes conclude: "For six years Bill Haley was a musical director of Radio Station WPWA in Chester, Pennsylvania, and led his own band all through this period. It was then known as Bill Haley's Saddlemen, indicating their definite leaning toward the tough Western style. They continued playing in clubs as well as over the radio around Philadelphia, and in 1951 made their first recordings on Ed Wilson's Keystone Records in Philadelphia." The group subsequently signed with Dave Miller's Holiday Records and, on June 14, 1951, the Saddlemen recorded a cover of the Delta Cats "Rocket 88".
Last years and death[edit]
Haley failed to achieve the level of success enjoyed by contemporaries such as Little Richard and Jerry Lee Lewis. According to one source, "he had conflicted feelings about fame, was extremely private, suffered chronic alcoholism, and troubled relationships".[20] Having admitted to an alcohol problem in a 1974 radio interview for the BBC,[21][22] Haley continued to battle alcoholism into the 1970s. Nonetheless, he and his band continued to be a popular touring act, benefiting from a 1950s nostalgia movement that began in the late 1960s and the signing of a lucrative record deal with the European Sonet label. After performing for Queen Elizabeth II at the Royal Variety Performance on November 26, 1979,[23] Haley made his final performances in South Africa in May and June 1980. Just before the South African tour commenced, Haley was diagnosed with a brain tumor, and a planned tour of Germany in the autumn of 1980 was subsequently cancelled.
Despite his illness, Haley started compiling notes for possible use as a basis for either a biographical film based on his life, or a published autobiography (accounts differ), and there were plans for him to record an album in Memphis, Tennessee, when the brain tumor began affecting his behavior and he returned to his home in Harlingen, Texas.
The October 25, 1980, issue of German tabloid Bild reported that Haley had a brain tumor. Haley's British manager, Patrick Malynn, was quoted as saying that "Haley had taken a fit [and] didn't recognize anyone anymore." In addition, a doctor who examined Haley said that the tumor was inoperable.[24] The Berliner Zeitung reported a few days later that Haley had collapsed after a performance in Texas and was taken to the hospital in his hometown of Harlingen.[24] However, this account is questionable, as Bill Haley did not perform in the United States at all in 1980.
Haley's widow Martha, who was with him in these troubling times, denied he had a brain tumor, as did his close friend Hugh McCallum. Martha and friends related that Haley did not want to go on the road anymore and that ticket sales for that planned tour of Germany in the fall of 1980 were slow. McCallum said, "It's my unproven gut feeling that that [the brain tumor] was said to curtail talks about the tour and play the sympathy card."[21]
At the same time, Haley's alcoholism appeared to be worsening. According to Martha, by this time, she and Haley fought all the time and she told him to stop drinking or move out. Eventually, he moved into a room in their pool house. Martha still took care of him and sometimes, he would come in the house to eat, but he ate very little. "There were days we never saw him," said his daughter Martha Maria.[21] In addition to Haley's drinking problems, it was becoming evident that he was also developing serious mental health issues. Martha Maria said, "It was like sometimes he was drunk even when he wasn't drinking." After being picked up by the police in Harlingen several times for alleged intoxication, Martha had a judge put Haley in the hospital, where he was seen by a psychiatrist, who said Haley's brain was overproducing a chemical, like adrenaline. The doctor prescribed a medication to stop the overproduction, but said Haley would have to stop drinking. Martha said, "This is pointless." She took him home, however, fed him and gave him his first dose. As soon as he felt better, he went back out to his room in the pool house, and the downward spiral continued until his death.[21]
Media reports immediately following his death indicated that Haley displayed deranged and erratic behavior in the final weeks of his life. According to a biography of Haley by John Swenson, released in 1982,[25] Haley made a succession of bizarre, mostly monologue late-night phone calls to friends and relatives toward the end of his life in which he was semi-coherent. His first wife has been quoted as saying, "He would call you and ramble, dwelling on the past..." The biography also describes Haley painting the windows of his home black,[25] but there is little other information available about his final days.
Haley died at his home in Harlingen on February 9, 1981, aged 55.[26] He was discovered lying motionless on his bed by a friend who had stopped by to visit him. The friend immediately called the police and Haley was pronounced dead at the scene.[21] Haley's death certificate gave "natural causes, most likely a heart attack" as being the cause.[27] Following a small funeral service attended by 75 people,[21] Haley was cremated in Brownsville, Texas.[28]
Unlike his contemporaries, Haley has rarely been portrayed on screen. Following the success of The Buddy Holly Story in 1978, Haley expressed interest in having his life story committed to film, but this never came to fruition. In the 1980s and early 1990s, numerous media reports emerged stating that plans were underway to do a biopic based upon Haley's life, with Beau Bridges, Jeff Bridges and John Ritter all at one point being mentioned as actors in line to play Haley (according to Goldmine Magazine, Ritter attempted to buy the film rights to Sound and Glory).
Haley has been portrayed by:
Before the formation of Bill Haley and the Saddlemen, which later became the Comets, Haley released several singles with other groups. Dates are approximate due to lack of documentation.[37]
As Bill Haley and the Four Aces of Western Swing:
1948
1949
As Johnny Clifton and His String Band:
1950
Many Haley discographies list two 1946 recordings by the Down Homers released on the Vogue Records label as featuring Haley. Haley historian Chris Gardner, as well as surviving members of the group, have confirmed that the two singles: "Out Where the West Winds Blow"/"Who's Gonna Kiss You When I'm Gone" (Vogue R736) and "Boogie Woogie Yodel"/"Baby I Found Out All About You" (Vogue R786) do not feature Haley.[40] However, the tracks were nonetheless included in the compilation box set Rock 'n' Roll Arrives released by Bear Family Records in 2006.
Compositions[edit]
Haley's compositions included "Four Leaf Clover Blues" in 1948, "Rose of My Heart", "Yodel Your Blues Away", "Crazy Man, Crazy", "What'Cha Gonna Do", "Fractured", "Live It Up", "Farewell, So Long, Goodbye", "Real Rock Drive", "Rocking Chair on the Moon", "Sundown Boogie", "Green Tree Boogie", "Tearstains on My Heart", "Down Deep in My Heart", "Straight Jacket", "Birth of the Boogie", "Two Hound Dogs", "Rock-A-Beatin' Boogie", "Hot Dog Buddy Buddy", "R-O-C-K", "Rudy's Rock", "Calling All Comets", "Tonight's the Night", "Hook, Line and Sinker", "Sway with Me", "Paper Boy (On Main Street U.S.A.)", "Skinny Minnie", "B.B. Betty", "Eloise", "Whoa Mabel!", "Vive le Rock and Roll", "I've Got News For You", "So Right Tonight", "Jamaica D.J.", "Ana Maria", "Yucatán Twist", "Football Rock and Roll", "Let the Good Times Roll Again" in 1979, and "Chick Safari" in 1960.[41]
He also wrote or co-wrote songs for other artists such as "I've Got News for You" for Penny Smith in 1955 on Kahill, "Calypso Rock" for Dave Day and The Red Coats on Kapp in 1956, "Half Your Heart" with Robert J. Hayes for Kitty Nation in 1956 on Wing, "I Oughta" and "Everything But You" for Dotti Malone in 1956 also on Wing,[42] "A.B.C. Rock" and "Rocky the Rockin' Rabbit" (among others) for Sally Starr for an album she released on Haley's own label, Clymax Records, "A Sweet Bunch of Roses" for Country and Western singer Lou Graham, "Toodle-Oo-Bamboo" for Ray Coleman and His Skyrockets on Skyrocket Records in 1959, "Always Together" for the Cook Brothers on Arcade in 1960, "Crazy Street" for The Matys Brothers on Coral Records, "The Cat" for Cappy Bianco, and "(Ya Gotta) Sing For the Ladies" and "Butterfly Love" for Ginger Shannon and Johnny Montana in 1960 on Arcade as well as "I'm Shook" and "Broke Down Baby", both of which were recorded by The Tyrones in 1958–59.
Awards[edit]
In 1982, Haley's "Rock Around the Clock" was inducted into the Grammy Hall of Fame, a special Grammy award established in 1973 to honor recordings at least 25 years old and with "qualitative or historical significance".
In December 2017, Haley was inducted into the Rhythm and Blues Hall Of Fame.