Bob Wills
James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the founder of Western swing,[1][2][3] he was known widely as the King of Western Swing (although Spade Cooley self-promoted the moniker "King of Western Swing" from 1942 to 1969). He was also noted for punctuating his music with his trademark "ah-haa" calls.[4]
This article is about the singer. For the 1975 Waylon Jennings song based upon Bob Wills, see Bob Wills Is Still the King.
Bob Wills
James Robert Wills
"King of Western Swing"
March 6, 1905
Kosse, Texas, U.S.
May 13, 1975 (aged 70)
Fort Worth, Texas, U.S.
Fiddle, vocals
1929‒1973
Wills formed several bands and played radio stations around the South and West until he formed the Texas Playboys in 1934 with Wills on fiddle, Tommy Duncan on piano and vocals, rhythm guitarist June Whalin, tenor banjoist Johnnie Lee Wills, and Kermit Whalin who played steel guitar and bass. Oklahoma guitar player Eldon Shamblin joined the band in 1937 bringing jazzy influence and arrangements. The band played regularly on Tulsa, Oklahoma, radio station KVOO and added Leon McAuliffe on steel guitar, pianist Al Stricklin, drummer Smokey Dacus, and a horn section that expanded the band's sound. Wills favored jazz-like arrangements and the band found national popularity into the 1940s with such hits as "Steel Guitar Rag", "San Antonio Rose", "Smoke on the Water", "Stars and Stripes on Iwo Jima", and "New Spanish Two Step".
Wills and the Texas Playboys recorded with several publishers and companies, including Vocalion, Okeh, Columbia, and MGM. In 1950, Wills had two top 10 hits, "Ida Red likes the Boogie" and "Faded Love", which were his last hits for a decade. Throughout the 1950s, he struggled with poor health and tenuous finances. He continued to perform frequently despite a decline in the popularity of his earlier hit songs, and the growing popularity of rock and roll. Wills had a heart attack in 1962, and a second one the next year, which forced him to disband the Texas Playboys. Wills continued to perform solo.
The Country Music Hall of Fame inducted Wills in 1968 and the Texas State Legislature honored him for his contribution to American music.[5]
In 1972, Wills accepted a citation from the American Society of Composers, Authors and Publishers in Nashville. He recorded an album with fan Merle Haggard in 1973. Wills suffered two strokes that left him partially paralyzed, and unable to communicate. He was comatose the last two months of his life, and died in a Fort Worth nursing home in 1975.[6] The Rock and Roll Hall of Fame inducted Wills and the Texas Playboys in 1999.[7]
Biography[edit]
Early years[edit]
He was born on a cotton farm in Kosse, Texas,[8] to Emma Lee Foley and John Tompkins Wills.[9] His parents were both of primarily English ancestry but had distant Irish ancestry as well.[10][11] The entire Wills family was musically inclined. His father was a statewide champion fiddle player, and several of his siblings played musical instruments.[12] The family frequently held country dances in their home, and while living in Hall County, Texas, they also played at "ranch dances", which were popular throughout west Texas. In this environment, Wills learned to play the fiddle and the mandolin early.[13]
Wills not only learned traditional music from his family, but he also learned some blues songs directly from African American families who worked in the cotton fields near Lakeview, Texas. As a child, he mainly interacted with African American children, learning their musical styles and dances such as jigs. Aside from his own family, he knew few other white children until he was seven or eight years old.[14][15]
New Mexico and Texas[edit]
The family moved to Hall County in the Texas Panhandle in 1913,[16] and in 1919 they bought a farm between the towns of Lakeview, Texas, and Turkey, Texas.[17] At the age of 16, Wills left the family and hopped a freight train, travelling under the name Jim Rob. He drifted from town to town trying to earn a living for several years, once nearly falling from a moving train.[18][19]
In his 20s, he attended barber school, married his first wife Edna,[20] and moved first to Roy, New Mexico, then returned to Turkey in Hall County (now considered his home town) to work as a barber at Hamm's Barber Shop. He alternated barbering and fiddling even when he moved to Fort Worth, Texas, after leaving Hall County in 1929. There he played in minstrel and medicine shows, and, as with other Texas musicians such as Ocie Stockard, continued to earn money as a barber. He wore blackface makeup to appear in comedy routines, something that was common at the time. Wills played the violin and sang, and had two guitarists and a banjo player with him. "Bob was in blackface and was the comic; he cracked jokes, sang, and did an amazing jig dance."[21]
Since there was already a Jim on the show, the manager began calling him Bob.[21] However, it was as Jim Rob Wills, paired with Herman Arnspiger, that he made his first commercial (though unissued) recordings in November 1929 for Brunswick/Vocalion.[22] Wills quickly became known for being talkative on the bandstand, a tendency he picked up from family, local cowboys, and the style of Black musicians he had heard growing up.[23][24]
While in Fort Worth, Wills added the "rowdy city blues" of Bessie Smith and Emmett Miller, whom he idolized, to a repertoire of mainly waltzes and breakdowns he had learned from his father, and patterned his vocal style after that of Miller and other performers such as Al Bernard.[25] His 1935 version of "St. Louis Blues" replicates Al Bernard's patter from the 1928 version of the song.[26] He described his love of Bessie Smith's music with an anecdote: "I rode horseback from the place between the rivers to Childress to see Bessie Smith... She was about the greatest thing I had ever heard. In fact, there was no doubt about it. She was the greatest thing I ever heard."[27]
In Fort Worth, Wills met Herman Arnspiger and formed The Wills Fiddle Band. In 1930 Milton Brown joined the group as lead vocalist and brought a sense of innovation and experimentation to the band, which became known as the Aladdin Laddies and then soon renamed itself the Light Crust Doughboys because of radio sponsorship by the makers of Light Crust Flour. Brown left the band in 1932 to form the Musical Brownies, the first true Western swing band. Brown added twin fiddles, tenor banjo and slap bass, pointing the music in the direction of swing, which they played on local radio and at dancehalls.[28]
Bob Wills was married six times and divorced five times. He was twice married to, and twice divorced from, Mary Helen Brown, the widow of Wills' ex-band member Milton Brown.
Legacy[edit]
Wills' style influenced performers Buck Owens, Merle Haggard, and The Strangers and helped to spawn a style of music now known as the Bakersfield Sound. (Bakersfield, California, was one of Wills' regular stops in his heyday). A 1970 tribute album by Haggard, A Tribute to the Best Damn Fiddle Player in the World (or, My Salute to Bob Wills) directed a wider audience to Wills's music, as did the appearance of younger "revival" bands like Asleep at the Wheel and Commander Cody and His Lost Planet Airmen plus the growing popularity of longtime Wills disciple and fan Willie Nelson. By 1971, Wills recovered sufficiently to travel occasionally and appear at tribute concerts. In 1973, he participated in a final reunion session with members of some of the Texas Playboys from the 1930s to the 1960s. Merle Haggard was invited to play at this reunion. The session, scheduled for two days, took place in December 1973, with the album to be titled For the Last Time. Wills, speaking or attempting to holler, appeared on a couple tracks from the first day's session but suffered a stroke overnight. He had a more severe one a few days later. The musicians completed the album without him. Wills by then was comatose. He lingered until his death on May 13, 1975.
Reviewing For the Last Time in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote: "This double-LP doesn't represent the band at its peak. But though earlier recordings of most of these classic tunes are at least marginally sharper, it certainly captures the relaxed, playful, eclectic Western swing groove that Wills invited in the '30s."[56]
In addition to being inducted into the Country Music Hall of Fame in 1968,[57] Wills was inducted into the Nashville Songwriters Hall of Fame in 1970, the Rock and Roll Hall of Fame in the Early Influence category along with the Texas Playboys in 1999, and received the Grammy Lifetime Achievement Award in 2007.
From 1974 until his 2002 death, Waylon Jennings performed a song he had written called "Bob Wills Is Still the King". Released as the B-side of a single that was a double-sided hit, it went to number one on the country charts. The song has become a staple of classic country radio station formats. In addition, The Rolling Stones performed this song live in Austin, Texas, at Zilker Park on their A Bigger Bang Tour, a shout-out to Wills. This performance was included on their subsequent DVD The Biggest Bang. In a 1968 issue of Guitar Player, rock guitarist Jimi Hendrix said of Wills and the Playboys: "I dig them. The Grand Ole Opry used to come on, and I used to watch that. They used to have some pretty heavy cats, some heavy guitar players." In fact, Bob Wills and His Texas Playboys only performed on the Opry twice: in 1944 and 1948. Hendrix almost surely referred to Nashville guitarists.
Wills ranked #27 in CMT's 40 Greatest Men in Country Music in 2003.
Wills' upbeat 1938 song Ida Red was Chuck Berry's primary inspiration for creating his first rock-and-roll hit "Maybellene".
Fats Domino once remarked that he patterned his 1960 rhythm section after that of Bob Wills.[58]
During the 49th Grammy Awards in 2007, Carrie Underwood performed his song "San Antonio Rose".[59] Today, George Strait performs Wills' music on concert tours and records songs influenced by Wills and his Texas-style swing.[60]
The Austin-based Western swing band Asleep at the Wheel have honored Wills' music since the band's inception, mostly notably with their continuing performances of the musical drama A Ride with Bob,[61] which debuted in Austin in March 2005 to coincide with celebrations of Wills' 100th birthday.
The Bob Wills Birthday Celebration is held every year in March at the Cain's Ballroom in Tulsa, Oklahoma, with a Western swing concert and dance.
In 2004, a documentary film about his life and music, titled Fiddlin' Man: The Life and Music of Bob Wills, was released by VIEW Inc.
In 2011, Proper Records released an album by Hot Club of Cowtown titled What Makes Bob Holler: A Tribute to Bob Wills and His Texas Playboys and the Texas Legislature adopted a resolution designating western swing as the official State Music of Texas.[5][62]
The Greenville Chamber of Commerce hosts an annual Bob Wills Fiddle Festival and Contest in downtown Greenville, Texas, in November.[63][64]
Bob Wills was honored in Episode 2 of Ken Burn's 2019 series on PBS called Country Music.
In 2021, Wills was inducted into the Texas Cowboy Hall of Fame.[65]