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Fiddle

A fiddle is a bowed string musical instrument, most often a violin.[1] It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings.[2] To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.[3]

This article is about the musical instrument and its playing styles. For the Indian film, see Fiddle (film).

Fiddling is the act of playing the fiddle, and fiddlers are musicians who play it. Among musical styles, fiddling tends to produce rhythms that focus on dancing, with associated quick note changes, whereas classical music tends to contain more vibrato and sustained notes. Fiddling is also open to improvisation and embellishment with ornamentation at the player's discretion, in contrast to orchestral performances, which adhere to the composer's notes to reproduce a work faithfully. It is less common for a classically trained violinist to play folk music, but today, many fiddlers (e.g., Alasdair Fraser, Brittany Haas, and Alison Krauss[4]) have classical training.

History[edit]

The medieval fiddle emerged in 10th-century Europe, deriving from the Byzantine lira (Ancient Greek: λύρα, Latin: lira, English: lyre), a bowed string instrument of the Byzantine Empire and ancestor of most European bowed instruments.[5][6]


The first recorded reference to the bowed lira was in the 9th century by the Persian geographer Ibn Khurradadhbih (d. 911); in his lexicographical discussion of instruments he cited the lira (lūrā) as a typical instrument of the Byzantines and equivalent to the rabāb played in the Islamic Empires.[7]


Lira spread widely westward to Europe; in the 11th and 12th centuries European writers use the terms fiddle and lira interchangeably when referring to bowed instruments.[5]


West African fiddlers have accompanied singing and dancing with one-string gourd fiddles since the twelfth century , and many black musicians in America learned on similar homemade fiddles before switching over to the European violin. As early as the mid-1600s, black fiddlers ("exquisite performers on three-stringed fiddles") were playing for both black and white dancers at street celebrations in the Dutch settlement of New Amsterdam (New York City), and by 1690 slave fiddlers were routinely providing the music at plantation balls in Virginia.[8]

Etymology[edit]

The etymology of fiddle is uncertain: it probably derives from the Latin fidula, which is the early word for violin, or it may be natively Germanic.[9]


The name appears to be related to Icelandic Fiðla and also Old English fiðele.[10] A native Germanic ancestor of fiddle might even be the ancestor of the early Romance form of violin.[11]


In medieval times, fiddle also referred to a predecessor of today's violin. Like the violin, it tended to have four strings, but came in a variety of shapes and sizes. Another family of instruments that contributed to the development of the modern fiddle are the viols, which are held between the legs and played vertically, and have fretted fingerboards.[12]

English folk music

Northumbrian

Scottish fiddling

Shetland

(Welsh Ffidil; see Ar Log), a recently revived tradition.

Welsh fiddling

Hardanger fiddle

or phonofiddle, known in Romanian as Vioara cu goarnă.

Stroh violin

Fleadh Cheoil

List of All-Ireland Champions

List of fiddlers

Jazz violin

The Fiddle Book, by Marion Thede, (1970), Oak Publications.  0-8256-0145-2.

ISBN

, by David Brody, (1983), Oak Publications. US ISBN 0-8256-0238-6; UK ISBN 0-7119-0309-3.

The Fiddler's Fakebook

Oldtime Fiddling Across America, by David Reiner and Peter Anick (1989), Mel Bay Publications.  0-87166-766-5. Has transcriptions (standard notation) and analysis of tunes from multiple regional and ethnic styles.

ISBN

The Portland Collection, by Susan Songer, (1997),  0-9657476-0-3 (Vol. 2 ISBN 0-9657476-1-1)

ISBN

North American Fiddle Music: a research and information guide by Drew Beisswenger (2011) Routledge.  978-0-415-99454-5

ISBN

fiddling

Faroese

an encyclopedia of historical notes on tunes from British, Celtic, and American traditions

The Fiddler's Companion

between fiddle and violin

Differences

- mazanki, złóbcoki

Polish Fiddles

Złóbcoki (fiddles) - “Instruments with Soul” documentary

background information on fiddlers of different French regions in the nineteenth and early twentieth century. In French.

Violoneux.fr