Bohemianism
Bohemianism is a social and cultural movement that has, at its core, a way of life away from society's conventional norms and expectations. The term originates from the French bohème and spread to the English-speaking world. It was used to describe mid-19th-century non-traditional lifestyles, especially of artists, writers, journalists, musicians, and actors in major European cities.
For other uses, see Bohemian (disambiguation).
Bohemian is a 19th-century historical and literary topos that places the milieu of young metropolitan artists and intellectuals—particularly those of the Latin Quarter in Paris—in a context of poverty, hunger, appreciation of friendship, idealization of art and contempt for money. Based on this topos, the most diverse real-world subcultures are often referred to as "bohemian" in a figurative sense, especially (but by no means exclusively) if they show traits of a precariat.
Bohemians were associated with unorthodox or anti-establishment political or social viewpoints expressed through free love, frugality, and—in some cases—simple living, van dwelling or voluntary poverty. A more economically privileged, wealthy, or even aristocratic bohemian circle is sometimes referred to as haute bohème[1] (literally "Upper Bohemian").[2]
The term bohemianism emerged in France in the early 19th century out of perceived similarities between the urban Bohemians and the Romani people; La bohème was a common term for the Romani people of France, who were thought to have reached France in the 15th century via Bohemia (the western part of modern Czech Republic). Bohemianism and its adjective bohemian in this specific context are not connected to the native inhabitants of the historical region of Bohemia (the Czechs).[3]
Origins[edit]
European bohemianism[edit]
Literary and artistic bohemians were associated in the French imagination with the roving Romani people, often pejoratively referred to as "gypsies". Romani were called bohémiens in French because they were believed to have come to France from Bohemia.[3][4]
The title character in Carmen (1875), a French opera by Georges Bizet set in the Spanish city of Seville, is referred to as a bohémienne in Meilhac and Halévy's libretto. Her signature aria declares love itself to be a "gypsy child" (enfant de Bohême), going where it pleases and obeying no laws.
The term has become associated with various artistic or academic communities and is used as a generalized adjective describing such people, environs, or situations: bohemian (boho—informal) is defined in The American College Dictionary as "a person with artistic or intellectual tendencies, who lives and acts with no regard for conventional rules of behavior".
Many prominent European and American figures of the 19th and 20th centuries belonged to the bohemian subculture, and any comprehensive "list of bohemians" would be tediously long. Bohemianism has been approved of by some bourgeois writers such as Honoré de Balzac, but most conservative cultural critics do not condone bohemian lifestyles.
In Bohemian Manifesto: a Field Guide to Living on the Edge, author Laren Stover breaks down the bohemian into five distinct mind-sets or styles, as follows:
Aimée Crocker, an American world traveler, adventuress, heiress, and mystic, was dubbed the "queen of Bohemia" in the 1910s by the world press for living an uninhibited, sexually liberated, and aggressively non-conformist life in San Francisco, New York, and Paris. She spent the bulk of her fortune inherited from her father Edwin B. Crocker, a railroad tycoon and art collector, on traveling all over the world (lingering the longest in Hawaii, India, Japan, and China) and partying with famous artists of her time such as Oscar Wilde, Robert Louis Stevenson, Mark Twain, the Barrymores, Enrico Caruso, Isadora Duncan, Henri Matisse, Auguste Rodin, and Rudolph Valentino. Crocker had countless affairs and married five times in five different decades of her life, each man being in his twenties. She was famous for her tattoos and pet snakes and was reported to have started the first Buddhist colony in Manhattan. Spiritually inquisitive, Crocker had a ten-year affair with occultist Aleister Crowley and was a devoted student of Hatha Yoga.
Maxwell Bodenheim, an American poet and novelist, was known as the king of Greenwich Village Bohemians during the 1920s and his writing brought him international fame during the Jazz Age.
In the 20th-century United States, the bohemian impulse was famously seen in the 1940s hipsters, the 1950s Beat generation (exemplified by writers such as William S. Burroughs, Allen Ginsberg, Jack Kerouac, and Lawrence Ferlinghetti), the much more widespread 1960s counterculture, and 1960s and 1970s hippies.
Rainbow Gatherings may be seen as another contemporary worldwide expression of the bohemian impulse.[22] An American example is Burning Man, an annual participatory arts festival held in the Nevada desert.
In 2001, political and cultural commentator David Brooks contended that much of the cultural ethos of well-to-do middle-class Americans is Bohemian-derived, coining the oxymoron "Bourgeois Bohemians" or "Bobos".[23] A similar term in Germany is Bionade-Biedermeier, a 2007 German neologism combining Bionade (a trendy lemonade brand) and Biedermeier (an era of introspective Central European culture between 1815 and 1848). The coinage was introduced in 2007 by Henning Sußebach, a German journalist, in an article that appeared in Zeitmagazin concerning Berlin's Prenzlauer Berg lifestyle.[24] The hyphenated term gained traction and has been quoted and referred to since. A German ARD TV broadcaster used the title Boheme and Biedermeier in a 2009 documentary about Berlin's Prenzlauer Berg.[25] The main focus was on protagonists, that contributed to the image of a paradise for the (organic and child-raising) well-to-do, depicting cafés where "Bionade-Biedermeier sips from Fair-Trade".[25]