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Bonnie and Clyde (film)

Bonnie and Clyde is a 1967 American biographical neo-noir crime film directed by Arthur Penn and starring Warren Beatty and Faye Dunaway as the title characters Clyde Barrow and Bonnie Parker. The film also features Michael J. Pollard, Gene Hackman, and Estelle Parsons. The screenplay is by David Newman and Robert Benton. Robert Towne and Beatty provided uncredited contributions to the script; Beatty produced the film. The music is by Charles Strouse.

Bonnie and Clyde

  • August 4, 1967 (1967-08-04) (Montreal)
  • August 13, 1967 (1967-08-13) (United States)

111 minutes

United States

English

$2.5 million[1][2]

$70 million[2]

Bonnie and Clyde is considered one of the first films of the New Hollywood era and a landmark picture. It broke many cinematic taboos and for some members of the counterculture, the film was considered a "rallying cry".[3] Its success prompted other filmmakers to be more open in presenting sex and violence in their films. The film's ending became iconic as "one of the bloodiest death scenes in cinematic history".[4]


The film received Academy Awards for Best Supporting Actress (Estelle Parsons) and Best Cinematography (Burnett Guffey).[5] In 1992, it was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".[6][7] It was ranked 27th on the American Film Institute's 1998 list of the 100 greatest American films of all time and 42nd on its 2007 list.

Plot[edit]

During the Great Depression, Clyde Barrow and Bonnie Parker of Texas meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde and decides to take up with him and become his partner in crime. They pull off some holdups, but their amateur efforts, while exciting, are not very lucrative. Bonnie and Clyde turn from small-time heists to bank robbing.


The duo's crime spree shifts into high gear once they hook up with a dim-witted gas station attendant, C.W. Moss. Their exploits also become more violent. After C.W. botches parking during a bank robbery and delays their escape, Clyde shoots the bank manager in the face when he jumps onto the slow-moving car's running board. Clyde's older brother Buck and his wife, Blanche, a preacher's daughter, also join them. The two women dislike each other at first sight, and their antipathy escalates. Blanche has nothing but disdain for Bonnie, Clyde, and C.W., while Bonnie sees Blanche's flightiness as a constant danger to the gang's survival.


In Joplin, Missouri, local police show up at the gang's rented house after being alerted by a grocery delivery boy; two policemen are killed in a shootout. The gang is pursued by law enforcement, including Texas Ranger Frank Hamer, whom they capture and humiliate before setting him free. The five outlaws then pull a heist, during which a police chase disables their vehicle. They steal Eugene Grizzard's car and take him and his girlfriend captive before quickly abandoning them when they learn he is an undertaker.


Bonnie wants to visit her family in Texas and give them part of the heist funds, to which Clyde reluctantly acquiesces despite the risk. The gang is caught off guard by an ambush by law enforcement overnight, resulting in many casualties. Buck is mortally wounded by a shot to his head, and Blanche is injured in one eye, losing sight in it. Bonnie, Clyde, and C.W. barely escape alive, while Blanche falls into police custody. Hamer then tricks her into revealing C.W.'s name (until then he was only an "unidentified suspect").


C.W. takes the wounded Bonnie and Clyde to hide out at the house of his father Ivan, who thinks the couple have corrupted his son (as evidenced by an ornate tattoo Bonnie convinced C.W. to get). The elder Moss makes a deal with Hamer: in exchange for leniency for C.W., he sets a trap for the outlaws. When Bonnie and Clyde stop on the side of the road to help Mr. Moss fix a flat tire, as a nearby flock of swallows flies away, the posse in the bushes gun the couple down. Hamer and his men come out of hiding and gather around the couple's bodies.

Release[edit]

The film premiered as the opening film of the Montreal International Film Festival on August 4, 1967.[36]


At first, Warner Bros. did not promote Bonnie and Clyde[12] for general release, but mounted only limited regional releases that seemed to confirm its misgivings about the film's lack of commercial appeal. The film quickly did excellent sustained business in select urban theatres.[37] While Jack Warner was selling the studio to Seven Arts Productions, he would have dumped the film but for the fact that Israel, of which Warner was a major supporter, had recently triumphed in the Six-Day War. Warner was feeling too defiant to sell any of his studio's films.[38]


Meanwhile, Beatty complained to Warner Bros. that if the company was willing to go to so much trouble for Reflections in a Golden Eye (it had changed the coloration scheme at considerable expense), their neglect of his film, which was getting excellent press, suggested a conflict of interest; he threatened to sue the company. Warner Bros. gave Beatty's film a general release. Much to the surprise of Warner Bros.' management, the film became a major box-office success.[39]

1998 – – #27

AFI's 100 Years...100 Movies

2001 – – #13

AFI's 100 Years...100 Thrills

2002 – – #65

AFI's 100 Years...100 Passions

2007 – – #42

AFI's 100 Years...100 Movies (10th Anniversary Edition)

2008 – – #5 Gangster film[67]

AFI's 10 Top 10

In popular culture[edit]

The "Storage Jars" skit of episode 33 of Monty Python's Flying Circus features a brief still shot of Beatty as Clyde firing a Thompson submachine gun as he escapes from the Red Crown Tourist Court.[71]

List of American films of 1967

Heist film

Friedman, Lester D. (2000). . Cambridge, UK: Cambridge University Press. ISBN 0-521-59697-1.

Arthur Penn's Bonnie and Clyde

Desilet, Gregory (2005). "Modern 'Noir' Melodrama: Bonnie and Clyde". Our Faith in Evil: Melodrama and the Effects of Entertainment Violence. McFarland. pp. 288–298.  078642348X.

ISBN

Leggett, B.J. (2005). "Convergence and Divergence in the Movie Review: Bonnie and Clyde". Film Criticism. 30 (2): 1–23.  24777277.

JSTOR

at AllMovie

Bonnie and Clyde

at the American Film Institute Catalog

Bonnie and Clyde

at IMDb

Bonnie and Clyde

at Metacritic

Bonnie and Clyde

at Rotten Tomatoes

Bonnie and Clyde

at the TCM Movie Database

Bonnie and Clyde

essay by Richard Schickel on the National Film Registry website

Bonnie and Clyde

essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 626-627

Bonnie and Clyde

Bosley Crowther's , The New York Times, April 14, 1967, and his follow-up of September 3, 1967.

original review

Film website

Literature on Bonnie and Clyde