Chained to the Rhythm
"Chained to the Rhythm" is a song by American singer Katy Perry from her fifth studio album, Witness (2017). The track was released on February 10, 2017, through Capitol Records as the lead single from the album. It features vocals from Jamaican singer Skip Marley. The artists co-wrote the track with its producers Max Martin and Ali Payami, with additional writing from Sia. "Chained to the Rhythm" is a dance-pop, disco and dancehall song, with lyrics about political awareness.
"Chained to the Rhythm"
February 10, 2017
2017
- MXM Studios (Los Angeles, California)
- Wolf Cousins (Stockholm, Sweden)
3:57
- Max Martin
- Ali Payami
The track reached number one in Poland and Hungary, as well as the top five in Australia, Canada, the United Kingdom, and the United States and the top 10 in Austria, Belgium, the Czech Republic, Denmark, Finland, Germany, Ireland, Italy, the Netherlands, New Zealand, Norway, Sweden, and Switzerland.
Mathew Cullen directed the song's music video, which was released on February 21, 2017. The video features Perry in an amusement park called "Oblivia". It was nominated for three awards at the 2017 MTV Video Music Awards. Perry and Marley promoted the song with live performances at the 59th Annual Grammy Awards, the 2017 Brit Awards, and the 2017 iHeartRadio Music Awards.
Production and release[edit]
Perry described her fifth album Witness as a "360-degree liberation" record, with "Chained to the Rhythm" representing a "political liberation".[1] The singer felt "kind of depressed" after Donald Trump was elected President of the United States in November 2016, and "definitely didn't want to write a club banger" when the "world" was "on fire". She "channeled her frustration into new music" and said creating the track "was a nice exercise of like writing a song that at first listen is a really fun song, but I guess the more you dive into it, it has a different sub-text".[2] Skip Marley told Billboard he and Perry made the song together after she heard his track "Lions" and wanted to collaborate with him. After the two spoke in January 2017, he "delivered the message that I had to deliver" while recording the track, describing it as "one of unification and love".[3]
On February 8, 2017, in a promotional campaign for "Chained to the Rhythm," disco balls playing the song were left in various international cities.[4] Capitol Records released the song for download two days later as the album's lead single[1][5] and onto American radio stations on February 14.[6] The song earned over three million streams within twenty-four hours of its Spotify release, breaking the record for the highest first-day streaming for a single track by a female artist.[7] Aya Tanimura directed an accompanying lyric video. It features a hamster inside a doll house while a pair of human hands prepares miniature food for the hamster.[8] Erin Jansen from USA Today wrote "we're shown footage of a hamster running tirelessly on a hamster wheel, a visualization of the popular idiom meaning to perform activities repetitiously without progress." She also mentioned that, "Paired with Perry's lyrics, there's definitely a message to be absorbed."[9]
Critical reception[edit]
In a positive review, E!'s Samantha Scnurr wrote the song "sounds like a soon-to-be party classic with its easy pulse and disco elements, layered underneath the upbeat veneer, Perry delivers a strong message about awareness and activism—and, according to her, how it's lacking."[19] NME reviewer Jordan Bassett praised the track as "like Daft Punk, but fun", and felt the production was "crisp-as-fuck".[20] Writing for Vulture, Karen Brill was less favorable, questioning if the track was "pretty much just dance, without much subtext?"[21] Another positive review came from Jason Lipshutz of Billboard, who felt it amplified "Perry's new musical agenda at a time when she needed one" with its political themes. According to him, "the single is built around lyrics chastising us for being 'happily numb' and 'tone deaf,' and tries to gently puncture the bubble that we create when we drown out the world's issues."[13]
Sal Cinquemani from Slant Magazine praised "Chained to the Rhythm", writing, "a track with a hook that implores listeners to 'Come on, turn it up/Keep it on repeat' had better deliver the goods, and this one most definitely does."[17] Josh Duboff from Vanity Fair considered the song "a departure from straight-forward firework metaphors and nostalgic teenage romance anthems." He noted, "the idea of the song is that we are chained to the 'rhythm,' perhaps not questioning our daily lives and existences as much as we should be."[22] MTV's Anne T. Donahue gave a positive review for the song, calling it a "hardly new terrain for Perry." She described it as a "totally fine song that's easy to listen and dance to, and one that does justice to her career in pop."[23]
NME ranked "Chained to the Rhythm" as their 17th best song of 2017, praising its "catchy-as-chlamydia" rhythm and "fine message".[24]
Chart performance[edit]
In the United States, "Chained to the Rhythm" debuted and peaked at number four on the Billboard Hot 100. It was the highest debuting song by a female artist since Adele's "Hello" entered at number one on November 14, 2015. It debuted at number three on Digital Songs chart with 108,000 downloads sold in its first week, number 15 on Streaming Songs with 14.7 million US streams, and rose from 35 to 20 on Radio Songs with fifty million in audience after its first full week of tracking. "Chained to the Rhythm" became Perry's 14th Hot 100 top 10, and the third-highest-debut of her 25 Hot 100 entries, only behind "Part of Me" (which debuted at number one in 2012) and "California Gurls" featuring Snoop Dogg (which debuted at number two in 2010). The track is Perry's first top 10 since "Dark Horse" featuring Juicy J.[25][26] It also became Marley's first top 10 entry in the nation.[27] The song debuted at number 20 on the Adult Pop Songs chart,[28] where it peaked at number seven.[29] In its fourth week, the song reached 62 million audience impressions and became her 16th top 10 entry on the Pop Songs chart, tying with Maroon 5 and Usher for the most top 10 on the chart, and her first top 10 since "Birthday" in 2014.[30] It since reached number eight on the Pop Songs chart[31] and number nine on the Radio Songs chart with 65 million audience impressions. As a result, "Chained to the Rhythm" became her 15th top 10 Radio Songs entry where it became her first to reach the top 10 since "Dark Horse" topped the chart in 2014.[32][33] On the Billboard Dance Club Songs chart, it became her 17th consecutive number-one song in the magazine's April 22, 2017 issue, tying with Mariah Carey for the fifth most number-one entries on the chart and extending her record for most consecutive tracks to top the chart.[34] On October 29, 2019, "Chained to the Rhythm" was certified double platinum by the Recording Industry Association of America for shipments of two million units.[35]
In Canada, the song debuted and peaked at number three on the Canadian Hot 100.[36][37] On November 7, 2017, Music Canada certified the track double platinum for shipments of 160,000 units.[38] In Mexico, "Chained to the Rhythm" peaked at number 17 on the Mexico Airplay chart.[39]
"Chained to the Rhythm" also became Perry's 14th top 10 entry in the United Kingdom, where it debuted at number seven on the UK Singles Chart.[40] The following week, it rose to number five in the nation after her performance at the 2017 Brit Awards.[41] The track remained at number five during its third week[42] before descending to number 17 a week later.[43] On April 28, 2017, the British Phonographic Industry certified the song Gold for shipments of 400,000 units.[44]
In Australia, the song reached number four on the ARIA Charts,[45] and certified double platinum by the Australian Recording Industry Association for shipments of 140,000 units.[46] It also reached number twenty in France[47] and number eight in New Zealand.[48]
In Russia, "Chained to the Rhythm" debuted at number 4 on Top Hit Weekly General. It peaked at number two with overall 955,608 plays, became Perry's only second song to reach it.[49]
Recording
Management
Personnel
Credits and personnel adapted from Witness album liner notes.[14]