Charlie Hunter
Charlie Hunter (born May 23, 1967) is an American guitarist, composer, producer and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off."[1] Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars.[2]
For the New Zealand racehorse trainer and driver, see Charlie Hunter (trainer). For the Scottish golfer, see Charlie Hunter (golfer).
Charlie Hunter
May 23, 1967
Rhode Island, U.S.
Musician, Producer
Guitar
1990–present
Blue Note, Ropeadope, Concord Records, SideHustle Records
Garage A Trois, Groundtruther, SuperBlue
T. J. Kirk
Equipment[edit]
Hunter currently plays 6 and 7 string guitars made by Hybrid Guitars Co. Hybrid Guitars was founded in 2015 when he teamed up with luthiers Clay Conner and Wes Lambe to produce fanned-fret instruments to his specifications. www.hybrid-guitars.com Previously, Hunter played custom-made seven-string guitar/s made by Jeff Traugott, eight-string guitar/s made by luthier Ralph Novak of Novax Guitars. He played chords and lead guitar solos on the bottom five strings (tuned ADGBE), and simultaneously played bass lines on the top three strings (tuned EAD). With the addition of a Hughes & Kettner Tube Rotosphere (a Leslie rotary speaker simulator), his unique style produced a sound similar to that of a Hammond organ—an instrument he set out to imitate.[6]
In 2006, Hunter removed the top guitar string and had the neck of his guitar reworked and now plays a modified 7-string on the formerly-8 string body. Hunter has mentioned that because of his small hands, he had to move out of position to make use of the 8th string and thus wasn't using it much. A change in Hunter's style away from the organ sound into a more blues and distortion based sound happened at the same time. After removing the 8th string, Hunter retuned all of the strings up a half step: F-Bb-Eb on the bass and Bb-Eb-Ab-C on the guitar. As of 2008, he had once again retuned up another whole step: G-C-F on the bass and C-F-Bb-D on the guitar.[7]