Cinema of South Africa
The cinema of South Africa refers to the films and film industry of South Africa. Films have been made in English and Afrikaans (List of Afrikaans-language films). Many foreign films have been produced about South Africa, including many involving race relations.
The first South African film to achieve international acclaim and recognition was the 1980 comedy The Gods Must Be Crazy, written, produced and directed by Jamie Uys. Set in the Kalahari, it told the story about how life in the community of Bushmen is changed when a Coke bottle, thrown out of an airplane, suddenly lands from the sky. Despite the fact that the film presented an incorrect perspective of the Khoisan san people, by framing them as a primitive society enlightened by the modernity of a falling Coke bottle. The late Jamie Uys, who wrote and directed The Gods Must Be Crazy, also had success overseas in the 1970s with his films Funny People and Funny People II, similar to the TV series Candid Camera in the United States. Leon Schuster's You Must Be Joking! films are in the same genre, and were popular among the white population of South Africa during apartheid.
Another high-profile film portraying South Africa was District 9 in 2009. Directed by Neill Blomkamp, a native South African, and produced by The Lord of the Rings trilogy director Peter Jackson, the action/science-fiction film depicts a sub-class of alien refugees forced to live in the slums of Johannesburg in what many saw as a creative allegory for apartheid. The film was a critical and commercial success worldwide, and was nominated for four Academy Awards, including Best Picture, at the 82nd Academy Awards.
Sound Era[edit]
Sarie Marais, directed by Joseph Albrecht, the first South African sound film and Afrikaans-language sound film, was released in 1931.[7] Subsequent sound releases such as Die Wildsboudjie (1948), a 1949 Sarie Marais remake, and Daar doer in die bosveld (1950) continued to cater primarily to white, Afrikaans-speaking audiences.
African Film Productions produced four musical films from 1949-1951: African Jim, The Magic Garden, Song of Africa and Zonk!
The 1950s saw an increased use of South African locations and talent by international filmmakers. British co-productions like Coast of Skeletons (1956) and American co-productions like The Cape Town Affair (1967) reflected a growing trend of shooting in real locations, rather than using backlots.
International Productions[edit]
From 2009, there was an increased use of South African locations and talent by international film studios. US productions like District 9 (2009), Chronicle (2012), Avengers: Age of Ultron (2015), The Dark Tower (2017), Tomb Raider (2018), The Kissing Booth (2018), Maze Runner: The Death Cure (2018), Escape Room (2019) and Bloodshot (2020) reflect a growing trend by large international houses to use Cape Town, Johannesburg and other South African locations for their film productions.[8][9]
Historiography[edit]
Jacqueline Maingard at the University of Bristol has written about the history of film in South Africa.
Listed alongside each distributor are the studios they represent:
Here are several notable South African filmmaker's that have added to South Africa's cinema history: