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Confessions (Augustine)

Confessions (Latin: Confessiones) is an autobiographical work by Augustine of Hippo, consisting of 13 books written in Latin between AD 397 and 400.[1] The work outlines Augustine's sinful youth and his conversion to Christianity. Modern English translations of it are sometimes published under the title The Confessions of Saint Augustine in order to distinguish the book from other books with similar titles. Its original title was Confessions in Thirteen Books, and it was composed to be read out loud with each book being a complete unit.[2]

"The Confessions" redirects here. For other uses, see Confessions (disambiguation).

Confessions is generally considered one of Augustine's most important texts. It is widely seen as the first Western autobiography ever written (Ovid had invented the genre at the start of the first century AD with his Tristia) and was an influential model for Christian writers throughout the Middle Ages. Henry Chadwick wrote that Confessions will "always rank among the great masterpieces of western literature".[3]

Summary[edit]

The work is not a complete autobiography, as it was written during Augustine's early 40s and he lived long afterwards, producing another important work, The City of God. Nonetheless, it does provide an unbroken record of his development of thought and is the most complete record of any single person from the 4th and 5th centuries. It is a significant theological work, featuring spiritual meditations and insights.


In the work, Augustine writes about how he regrets having led a sinful and immoral life. He discusses his regrets for following the Manichaean religion and believing in astrology. He writes about his friend Nebridius's role in helping to persuade him that astrology was not only incorrect but evil, and Saint Ambrose's role in his conversion to Christianity. The first nine books are autobiographical and the last four are commentary and significantly more philosophical. He shows intense sorrow for his sexual sins and writes on the importance of sexual morality. The books were written as prayers to God, thus the title, based on the Psalms of David; and it begins with "For Thou hast made us for Thyself and our hearts are restless till they rest in Thee."[4] The work is thought to be divisible into books which symbolize various aspects of the Trinity and trinitarian belief.

Purpose[edit]

Confessions was not only meant to encourage conversion, but it offered guidelines for how to convert. Augustine extrapolates from his own experiences to fit others' journeys. Augustine recognizes that God has always protected and guided him. This is reflected in the structure of the work. Augustine begins each book within Confessions with a prayer to God. For example, both books VIII and IX begin with "you have broken the chains that bound me; I will sacrifice in your honor".[13] Because Augustine begins each book with a prayer, Albert C. Outler, a professor of theology at Southern Methodist University, argues that Confessions is a "pilgrimage of grace… [a] retrac[ing] [of] the crucial turnings of the way by which [Augustine] had come. And since he was sure that it was God's grace that had been his prime mover in that way, it was a spontaneous expression of his heart that cast his self-recollection into the form of a sustained prayer to God."[14] Not only does Confessions glorify God but it also suggests God’s help in Augustine's path to redemption.


Written after the legalization of Christianity, Confessions dated from an era where martyrdom was no longer a threat to most Christians as was the case two centuries earlier. Instead, a Christian's struggles were usually internal. Augustine clearly presents his struggle with worldly desires such as lust. Augustine's conversion was quickly followed by his ordination as a priest in 391 AD and then appointment as bishop in 395 AD. Such rapid ascension certainly raised criticism of Augustine. Confessions was written between 397–398 AD, suggesting self-justification as a possible motivation for the work. With the words "I wish to act in truth, making my confession both in my heart before you and in this book before the many who will read it" in Book X Chapter 1,[15] Augustine both confesses his sins and glorifies God through humility in His grace, the two meanings that define "confessions",[16] in order to reconcile his imperfections not only to his critics but also to God.

Hermeneutics[edit]

St. Augustine suggested a method to improve the Biblical exegesis in presence of particularly difficult passages. Readers shall believe all the Scripture is inspired by God and that each author wrote nothing in which he did not believe personally, or that he believed to be false. Readers must distinguish philologically, and keep separate, their own interpretations, the written message and the originally intended meaning of the messenger and author (in Latin: intentio).[17]


Disagreements may arise "either as to the truth of the message itself or as to the messenger's meaning" (XII.23). The truthfulness of the message itself is granted by God who inspired it to the extensor and who made possible the transmission and spread of the content across centuries and among believers.[17]


In principle, the reader isn't capable of ascertaining what the author had in mind when he wrote a biblical book, but he has the duty to do his best to approach that original meaning and intention without contradicting the letter of the written text. The interpretation must stay "within the truth" (XII.25) and not outside it.[17]

Audience[edit]

Much of the information about Augustine comes directly from his own writing. Augustine's Confessions provide significant insight into the first thirty-three years of his life. Augustine does not paint himself as a holy man, but as a sinner. The sins that Augustine confesses are of many different severities and of many different natures, such as lust/adultery, stealing, and lies. For example, in the second chapter of Book IX Augustine references his choice to wait three weeks until the autumn break to leave his position of teaching without causing a disruption. He wrote that some "may say it was sinful of me to allow myself to occupy a chair of lies even for one hour".[18] In the introduction to the 1961 translation by R. S. Pine-Coffin he suggests that this harsh interpretation of Augustine's own past is intentional so that his audience sees him as a sinner blessed with God's mercy instead of as a holy figurehead.[19] Considering the fact that the sins Augustine describes are of a rather common nature (e.g. the theft of pears when a young boy), these examples might also enable the reader to identify with the author and thus make it easier to follow in Augustine's footsteps on his personal road to conversion. This identification is an element of the protreptic and paraenetic character of the Confessions.[20][21]


Due to the nature of Confessions, it is clear that Augustine was not only writing for himself but that the work was intended for public consumption. Augustine's potential audience included baptized Christians, catechumens, and those of other faiths. Peter Brown, in his book The Body and Society, writes that Confessions targeted "those with similar experience to Augustine's own."[22] Furthermore, with his background in Manichean practices, Augustine had a unique connection to those of the Manichean faith. Confessions thus constitutes an appeal to encourage conversion.

Legacy[edit]

Confessions is one of the most influential works in not only the history of Christian theology, but philosophy in general.


Kierkegaard and his Existentialist philosophy were substantially influenced by Augustine's contemplation of the nature of his soul.[23] Wittgenstein considered the book to be possibly "the most serious book ever written".[24]

The Confessions of St. Augustine, transl. Edward Bouverie Pusey, 1909.

(1960). The Confessions of St. Augustine. transl., introd. & notes, John K. Ryan. New York: Image Books. ISBN 0-385-02955-1.

St. Augustine

Maria Boulding, Saint Augustine: The Confessions, Hyde Park NY: New City Press (The Works of Saint Augustine I/1), 2002  1-56548154-2

ISBN

Confessions, ed. Michael P. Foley. 2nd ed., Hackett Publishing Co., 2006. ISBN 0-8722081-68

F. J. Sheed

Carolyn Hammond, Augustine: Confessions Vol. I Books 1–8, MA: Harvard University Press (Loeb Classical Library), 2014.  0-67499685-2

ISBN

Carolyn Hammond, Augustine: Confessions Vol. II Books 9–13, MA: Harvard University Press (Loeb Classical Library), 2016.  0-67499693-3

ISBN

Sarah Ruden, Augustine: Confessions, Modern Library (Penguin Random House), 2018.  978-0-81298648-8

ISBN

Imitation of Christ

Hermeneutic circle

Faith and reason

Soliloquies of Augustine

The City of God

Augustine (1966). Confessions. Translated by Bourke, Vernon J. Washington: Catholic University of America Press. eBook Collection (EBSCOhost). Web. 18 Feb. 2016.

Augustine (1955). "Introduction". Confessions and Enchiridion. Library of Christian Classics. Translated by Outler, Albert C. Philadelphia: Westminster Press. Print.

(2008). Saint Augustine: Confessions. Oxford: Oxford University Press. ISBN 978-0-19-953782-2. (Translation into English.)

Chadwick, Henry

Carolyn Hammond, Augustine: Confessions Vol. I Books 1-8, MA: Harvard University Press (Loeb Classical Library), 2014.  0674996852

ISBN

Carolyn Hammond, Augustine: Confessions Vol. II Books 9-13, MA: Harvard University Press (Loeb Classical Library), 2016.  0674996933

ISBN

(1963). The Confessions of St. Augustine. New York: Penguin Books. ISBN 0-451-62474-2. (Translation into English.)

Warner, Rex

Brown, Peter (2000). Augustine of Hippo (reprint ed.). Berkeley: University of California Press.

Brown, Peter (2008). The Body and Society: Men, Women, and Sexual Renunciation in Early Christianity (Twentieth Anniversary ed.). New York: Columbia University Press.

Augustine (1969). Confessions. Translated by (3rd ed.). Paris: Société d'édition "Les Belles Lettres. Print. Collection des Universités de France.

de Labriolle, Pierre

Augustine: Texts and translations

(in English) public domain audiobook at LibriVox

Confessions

(in Latin) public domain audiobook at LibriVox

Confessionum Libri Tredecim