Katana VentraIP

Das Lied von der Erde

Das Lied von der Erde (The song of the Earth) is an orchestral song cycle for two voices and orchestra written by Gustav Mahler between 1908 and 1909. Described as a symphony when published, it comprises six songs for two singers who alternate movements. Mahler specified that the two singers should be a tenor and an alto, or else a tenor and a baritone if an alto is not available.[1]

Das Lied von der Erde

From Hans Bethge's Die chinesische Flöte

1908 (1908): Toblach

c. 60 minutes

six

  • contralto
  • tenor
  • orchestra

20 November 1911 (1911-11-20)

Munich Tonhalle, Munich

Sara Cahier, William Miller

Mahler composed this work following the most painful period in his life, and the songs address themes such as those of living, parting and salvation. On the centenary of Mahler's birth, the composer and prominent Mahler conductor Leonard Bernstein described Das Lied von der Erde as Mahler's "greatest symphony".[2] As with his later Symphony No. 9, Mahler did not live to hear Das Lied von der Erde performed.

History[edit]

Composition[edit]

Three disasters befell Mahler during the summer of 1907. Political maneuvering and antisemitism forced him to resign as Director of the Vienna Court Opera, his eldest daughter Maria died from scarlet fever and diphtheria, and Mahler himself was diagnosed with a congenital heart defect. "With one stroke", he wrote to his friend Bruno Walter, "I have lost everything I have gained in terms of who I thought I was, and have to learn my first steps again like a newborn."[3]


The same year saw the publication of Hans Bethge's Die chinesische Flöte, a free rewriting of others' translations of classical Chinese poems. Mahler was captivated by the vision of earthly beauty and transience expressed in these verses[4] and chose seven of the poems to set to music as Das Lied von der Erde. Mahler completed the work in 1909.


Mahler was aware of the so-called "curse of the ninth",[5] a superstition arising from the fact that no major composer since Beethoven had successfully completed more than nine symphonies: he had already written eight symphonies before composing Das Lied von der Erde. Fearing his subsequent demise, he decided to subtitle the work A Symphony for Tenor, Alto (or Baritone) Voice and Orchestra, rather than numbering it as a symphony.[6] His next symphony, written for purely instrumental forces, was numbered his Ninth. That was indeed the last symphony he fully completed, because only portions of the Tenth had been fully orchestrated at the time of his death.

Reception[edit]

The first public performance was given on 20 November 1911 in the Tonhalle in Munich, sung by Sara Cahier and William Miller (both Americans) with Bruno Walter conducting. Mahler had died six months earlier, on 18 May.[7] One of the earliest performances in London (possibly the first) occurred in January 1913 at the Queen's Hall under conductor Henry Wood, where it was sung by Gervase Elwes and Doris Woodall. Wood reportedly thought that the work was "excessively modern but very beautiful".[8]

Movements[edit]

1. "Das Trinklied vom Jammer der Erde"[edit]

The first movement, "The Drinking Song of Earth's Misery" (in A minor), continually returns to the refrain, Dunkel ist das Leben, ist der Tod (literally, "Dark is life, is death"), which is pitched a semitone higher on each successive appearance.

with Alice Coote and Burkhard Fritz, Netherlands Philharmonic Orchestra (Pentatone 3530480)

Marc Albrecht

with Waltraud Meier and Siegfried Jerusalem, Chicago Symphony Orchestra (Erato CD D-2292-45624-2)

Daniel Barenboim

with Nan Merriman and Ernst Haefliger, Concertgebouw Orchestra, Amsterdam (Fontana LP 894 120 ZKY)

Eduard van Beinum

with Christa Ludwig and René Kollo, Israel Philharmonic Orchestra (Sony CD 88697806222)

Leonard Bernstein

with Marjana Lipovšek and Ben Heppner, Cologne Radio Symphony Orchestra (EMI Classics 0946 3 40238 2 5, 11-CD box set)

Gary Bertini

with Violeta Urmana and Michael Schade, Vienna Philharmonic (DGG, CD E4695262)

Pierre Boulez

with Jessye Norman and Jon Vickers, London Symphony Orchestra (Philips 441 474-2)

Colin Davis

with Yvi Jänicke and Christian Elsner, Stuttgart Radio Symphony Orchestra (Orfeo C494001B; live recording from 1996)

Dietrich Fischer-Dieskau

with Gerhild Romberger and Robert Dean Smith, Budapest Festival Orchestra (Channel Classics CCS SA 40020)

Iván Fischer

with Cornelia Kalisch and Siegfried Jerusalem, SWR Sinfonieorchester Baden-Baden und Freiburg (SWR Music 93.269)

Michael Gielen

with Brigitte Fassbaender and Francisco Araiza, Berlin Philharmonic (DGG CD 413 459-2)

Carlo Maria Giulini

Carlo Maria Giulini, with Brigitte Fassbaender and Francisco Araiza, Berlin Philharmonic (Testament Records SBT1465; live recording from February 1984)

Carlo Maria Giulini, with Brigitte Fassbaender and Francisco Araiza, (Orfeo C 654 052 B; live recording from 2 August 1987)

Vienna Philharmonic

with Jane Henschel and Gregory Kunde, Houston Symphony (Naxos 8.527498)

Hans Graf

with Janet Baker and James King, Concertgebouw Orchestra, Amsterdam, 1975 (Philips LP 6500 831)

Bernard Haitink

with Ruxandra Donose and Thomas Harper, National Symphony Orchestra of Ireland (Naxos 8.550933)

Michael Halász

with Alfreda Hodgson and John Mitchinson, BBC Northern Symphony Orchestra (BBC Legends BBC 4042)

Jascha Horenstein

with Jard van Nes and Peter Schreier, Frankfurt Radio Symphony Orchestra (Denon 72605) (1988)

Eliahu Inbal

with Iris Vermillion and Robert Gambill, Tokyo Metropolitan Symphony Orchestra (Exton OVCL-00473) (live recording 2012)

Eliahu Inbal

with Nan Merriman and Ernst Haefliger, Concertgebouw Orchestra, Amsterdam (DGG 289 46362822)

Eugen Jochum

with Dame Sarah Connolly and Robert Dean Smith, Berlin Radio Symphony Orchestra (Pentatone PTC 5186 760)

Vladimir Jurowski

with Christa Ludwig and René Kollo, Berlin Philharmonic (DGG CD 419 058-2)

Herbert von Karajan

with Věra Soukupová and Reiner Goldberg, Leipzig Radio Symphony Orchestra (Weitblick SSS0052-2)

Herbert Kegel

with Janet Baker and Ludovic Speiss, BBC Symphony Orchestra (BBC Legends BBCL41292)

Rudolf Kempe

with Christa Ludwig and Waldemar Kmentt, Vienna Symphony (live recording from 1967)

Carlos Kleiber

with Christa Ludwig and Fritz Wunderlich, New Philharmonia and Philharmonia Orchestras (HMV LP Angel Series SAN 179)

Otto Klemperer

Otto Klemperer, with and Anton Dermota, Vienna Symphony (Vox Legends CDX2-5521 [2-CD reissue])

Elsa Cavelti

with Oralia Domínguez and Set Svanholm, Vienna Symphony (Orfeo C748071B; live recording from 12 November 1954)

Paul Kletzki

with Anna Reynolds and Jess Thomas, Vienna Symphony (Orfeo C278921B; live recording)

Josef Krips

with Janet Baker and Waldemar Kmentt, Symphonie-Orchester des Bayerischen Rundfunks (Audite B0000669K1)

Rafael Kubelík

Rafael Kubelík, with and Waldemar Kmentt, Vienna Philharmonic (Orfeo C820102B; live recording from 30 August 1959)

Hilde Rössel-Majdan

with Janet Baker and John Mitchinson, BBC Northern Symphony (BBC Legends BBCL 4243-2)

Raymond Leppard

with Jessye Norman and Siegfried Jerusalem, Berlin Philharmonic (DG 289 439-948-2)

James Levine

with Waltraud Meier and Ben Heppner, Symphonie-Orchester des Bayerischen Rundfunks (RCA Red Seal 74321 67957 2)

Lorin Maazel

with Glenys Linos and Zeger Vandersteene, RTV Slovenia Symphony Orchestra, (Pilz CD 160 124)

Anton Nanut

with Sarah Connolly and Toby Spence, London Philharmonic Orchestra (LPO-0073)

Yannick Nézet-Séguin

with Lili Chookasian and Richard Lewis, Philadelphia Orchestra (Sony CD SBK 53518)

Eugene Ormandy

with Michelle DeYoung and Jon Villars, Minnesota Orchestra (Reference Recordings RR-88CD)

Eiji Oue

Sir , with Magdalena Kožená and Stuart Skelton, Bavarian Radio Symphony Orchestra (BR Klassik 900172)

Simon Rattle

with Maureen Forrester and Richard Lewis, Chicago Symphony Orchestra (RCA 60178-2-RG)

Fritz Reiner

with Grace Hoffman and Helmut Melchert, SWR Sinfonieorchester Baden-Baden (Vox Turnabout LP, TV 34220S)

Hans Rosbaud

Sir , with Marjana Lipovšek and Thomas Moser, Royal Concertgebouw Orchestra (Decca 440 314-2)

Georg Solti

Sir Georg Solti, with and René Kollo, Chicago Symphony Orchestra (Decca CD 414 066-2)

Yvonne Minton

with Birgit Finnilä and Peter Schreier, Berlin Symphony Orchestra (Berlin Classics 0094022BC)

Kurt Sanderling

with Kerstin Thorborg and Carl Martin Öhmann, Royal Concertgebouw Orchestra Amsterdam (October 1939 broadcast concert, live). (Bel Age CD, from acetates.)

Carl Schuricht

Martin Sieghart, with Christianne Stotijn and Donald Litaker, Het Gelders Orkest (Arnhem Philharmonic Orchestra) (Exton HGO0702)

with Iris Vermillion and Keith Lewis, Staatskapelle Dresden (DG 289 453 437-2)

Giuseppe Sinopoli

with Lili Chookasian and Richard Cassilly, Cincinnati Symphony Orchestra (Vox VU 9040)

Walter Susskind

with Agnes Baltsa and Klaus König, London Philharmonic Orchestra (EMI Classics 5 74849 2, 2-CD set)

Klaus Tennstedt

with Kathleen Ferrier and Julius Patzak, Vienna Philharmonic (Decca LP LXT 2721–2722) 1952. Remastered in 2003 by Mark Obert-Thorn (Naxos Historical 8.110871).

Bruno Walter

Bruno Walter, with and Charles Kullman, Vienna Musikvereinsaal 1936 (live). (Columbia Records, 78rpm, 7x12" Mahler Society Issue)

Kerstin Thorborg

Bruno Walter, with and Set Svanholm, 1953 (live) New York Philharmonic Orchestra (Archipel ARPCD 0139)

Elena Nikolaidi

Bruno Walter, with and Ernst Haefliger, New York Philharmonic Orchestra (Sony CD SMK 64455)

Mildred Miller

Michael Zilm, with and Piotr Kusiewicz, Polish National Radio Symphony Orchestra Katowice (DUX 0810)

Jadwiga Rappé

with Susan Graham and Christian Elsner, Tonhalle-Orchester Zürich (RCA Red Seal 5438152)

David Zinman

(1960). Mahler: Eine musikalische Physiognomik. Suhrkamp.

Adorno, Theodor W.

Adorno, Theodor W. (1966). Wagner – Mahler: Due Studi. Turin: Einaudi, Saggi.

(2001) [1907]. Die Chinesische Flöte: Nachdichtungen von chinesischer Lyrik. Kelkheim: YinYang Media Verlag.

Bethge, Hans

(1937). Mahler's 'Song of the Earth'. Introduction by Bruno Walter. Hayes (Middlesex): Columbia Graphophone Company.

Blom, Eric

Chew, Teng-Leong (September 2004). (PDF). Naturlaut. 3 (2): 15–17. Archived from the original (PDF) on 22 December 2006 – via Mahler Archive.

"Perspectives: The Identity of the Chinese Poems Mahler adapted for 'Von der Jugend'"

Hamao, Fusako (Summer 1995). "The Sources of the Texts in Mahler's Lied von der Erde". . 19 (1): 83–94. doi:10.2307/746721. JSTOR 746721.

19th-Century Music

Johnson, Julian (2005). "Mahler and the idea of Nature". In Jeremy Barham (ed.). Perspectives on Gustav Mahler. Aldershot: Ashgate.  978-0-7546-0709-0.

ISBN

(1990) [1974]. The Dent Master Musicians: Mahler. London: Dent.

Kennedy, Michael

Kennedy, Michael; Kennedy, Joyce Bourne, eds. (2007). Concise Oxford Dictionary of Music. London: Oxford University Press.

Sheinbaum, John J. (2006). "Adorno's Mahler and the Timbral Outsider". . 131 (1): 38–82. doi:10.1093/jrma/fkl002.

Journal of the Royal Musical Association

Teng-Leong Chew,

"Das Lied von der Erde: the Literary Changes"

Gustav Mahler III: Le Génie Foudroyé (1907–1911) (Paris 1984).

Henry-Louis de La Grange

S. E. Hefling, Mahler: Das Lied von der Erde (The Song of the Earth), (Cambridge University Press 2000).

G. Mahler, Das Lied von der Erde in Full Score (Dover 1998).

Gustav Mahler: Songs and Symphonies of Life and Death (Berkeley and Los Angeles, 1985).

Donald Mitchell

Arthur B. Wenk, The composer as poet in Das Lied von der Erde, 1 Part 1 (1977), 33–47.

19th-Century Music

David Vernon, Beauty and Sadness: Mahler's 11 Symphonies (Edinburgh: Candle Row Press, 2022)

Media related to Das Lied von der Erde at Wikimedia Commons

: Scores at the International Music Score Library Project

Das Lied von der Erde

Peter Gutmann, classicalnotes.net

Gustav Mahler: Das Lied von der Erde

– synopsis of original Chinese poems, Bethge's translations and Mahler's changes

Das Lied von der Erde: The Literary Changes

German texts, with translations into several languages.

The LiederNet Archive: Das Lied von der Erde

by Mahler scholar Henry-Louis de La Grange

Extensive history and analysis