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Symphony No. 9 (Mahler)

The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. A typical performance takes about 75 to 90 minutes. A survey of conductors voted Mahler's Symphony No. 9 the fourth greatest symphony of all time in a ballot conducted by BBC Music Magazine in 2016.[1] As in the case of his earlier Das Lied von der Erde, Mahler did not live to see his Symphony No. 9 performed.

Symphony No. 9

1909 (1909): Toblach

Bruno Walter, Vienna Philharmonic Orchestra, 1938

4

26 June 1912 (1912-06-26)

Though the work is often described as being in the key of D major, the tonal scheme of the symphony as a whole is progressive. While the opening movement is in D major, the finale is in D major.[2]

Mahler's death[edit]

Mahler died in May 1911, without ever hearing his Ninth Symphony performed. The work's ending is usually interpreted as his conscious farewell to the world,[9] as it was composed following the death of his beloved daughter Maria Anna in 1907 and the diagnosis of his fatal heart disease. However, this notion is disputed inasmuch as Mahler felt that he was in good health at the time of the composition of the Ninth Symphony; he had had a very successful season (1909–10) as the conductor of the New York Philharmonic Orchestra and, before that, the Metropolitan Opera (New York). In his last letters, Mahler indicated that he was looking forward to an extensive tour with the orchestra for the 1910–11 season.[10] Moreover, Mahler worked on his unfinished Tenth Symphony until his death from endocarditis in May 1911.[11]


Mahler was a superstitious man and believed in the so-called curse of the ninth, which he thought had already killed Beethoven, Schubert and Bruckner; this is proven by the fact that he refused to number his previous work Das Lied von der Erde as his ninth symphony, although it is often considered a symphony.[12]

Dutch premiere: 2 May 1918, , with the Royal Concertgebouw Orchestra conducted by Willem Mengelberg

Amsterdam

UK premiere: 27 February 1930, with The Hallé conducted by Hamilton Harty[14]

Manchester

American premiere: 16 October 1931, , with the Boston Symphony Orchestra, conducted by Serge Koussevitzky[15]

Boston

Japanese premiere: 16 April 1967, Tokyo, with the conducted by Kirill Kondrashin

Moscow Philharmonic Orchestra

The work was premiered on 26 June 1912, at the Vienna Festival by the Vienna Philharmonic conducted by Bruno Walter.[13] It was first published in the same year by Universal Edition.

I have once more played through Mahler's Ninth. The first movement is the most glorious he ever wrote. It expresses an extraordinary love of the earth, for Nature. The longing to live on it in peace, to enjoy it completely, to the very heart of one's being, before death comes, as irresistibly it does.  – [17][18]

Alban Berg

It is music coming from another world, it is coming from eternity. – [19]

Herbert von Karajan

It is terrifying, and paralyzing, as the strands of sound disintegrate ... in ceasing, we lose it all. But in Mahler's ceasing, we have gained everything. – [20]

Leonard Bernstein

[Mahler's] Ninth is most strange. In it, the author hardly speaks as an individual any longer. It almost seems as though this work must have a concealed author who used Mahler merely as his spokesman, as his mouthpiece. – [21]

Arnold Schoenberg

Mahler's Ninth Symphony is not about death, but about dying. Death and dying are two entirely different matters. While working on the Ninth, I realized that I know of no other language apart from German in which the words death (Tod) and dying (sterben) have entirely different etymologies. ... the finale is just one sole extended act of dying, the disintegration of life. The last section, particularly the last page in the orchestra score, describes that situation so perfectly that it surpasses any other depiction, whether it be in literature or the fine arts. – [22]

Ádám Fischer

The enjoyment of Mahler's Ninth Symphony prompted the essayist Lewis Thomas to write the title essay in his Late Night Thoughts on Listening to Mahler's Ninth Symphony.[16]


Many Mahler interpreters have been moved to speak with similar profundity about the work:


In the early half of the twentieth century, less favourable opinions of Mahler's symphonies as finished works were common. This quote, from 1932, is typical:

with the Vienna Philharmonic, 1938

Bruno Walter

with the Vienna Symphony, 1950

Hermann Scherchen

with the Vienna Symphony, 1952

Jascha Horenstein

with the Israel Philharmonic Orchestra, 1954

Paul Kletzki

with the Südwestfunk Symphonie Orchester, Baden-Baden, 1957

Hans Rosbaud

with the New York Philharmonic, 1960

Dimitri Mitropoulos

and the London Symphony Orchestra, 1960

Leopold Ludwig

with the Vienna Philharmonic, 1960

Dimitri Mitropoulos

with the Columbia Symphony Orchestra, 1962

Bruno Walter

with the Berlin Philharmonic, 1964

Sir John Barbirolli

with the Moscow State Philharmonic, 1964

Kirill Kondrashin

with the New York Philharmonic, 1965

Leonard Bernstein

with the London Symphony Orchestra, April, 1966

Jascha Horenstein

with the London Symphony Orchestra, September, 1966

Jascha Horenstein

with the Czech Philharmonic, 1966

Karel Ančerl

and the New Philharmonia Orchestra, 1967.

Otto Klemperer

with the Bavarian Radio Symphony Orchestra, 1967

Rafael Kubelík

with the London Symphony Orchestra, 1967

Georg Solti

with the Leipzig Gewandhaus Orchestra, 1967

Václav Neumann

with the Cleveland Orchestra, 1968

George Szell

with the Royal Concertgebouw Orchestra, 1969

Bernard Haitink

with the Utah Symphony, 1969

Maurice Abravanel

with the Vienna Philharmonic, 1971

Leonard Bernstein

with the Chicago Symphony Orchestra, 1976 (Grammy Award winner)

Carlo Maria Giulini

with the Sinfonica of London, 1978

Wyn Morris

with the Philadelphia Orchestra, 1979

James Levine

with the Berlin Symphony Orchestra, 1979

Kurt Sanderling

with the London Philharmonic Orchestra, 1979

Klaus Tennstedt

with the Berlin Philharmonic, 1979 (Grammy Award winner)

Leonard Bernstein

with the Japan Philharmonic Orchestra, 1979

Eliahu Inbal

with the Berlin Philharmonic, 1979–80

Herbert von Karajan

with the Czech Philharmonic, 1982

Václav Neumann

with the Chicago Symphony Orchestra, 1982 (Grammy Award winner)

Georg Solti

with the Berlin Philharmonic, 1982 (Gramophone Record of the Year)

Herbert von Karajan

with the Vienna Philharmonic, 1984

Lorin Maazel

with the Royal Concertgebouw Orchestra, 1985

Leonard Bernstein

with the New Japan Philharmonic, 1986

Kazuo Yamada

with the Frankfurt Radio Symphony Orchestra, 1986

Eliahu Inbal

with the Vienna Philharmonic, 1986

Claudio Abbado

with the Royal Concertgebouw Orchestra, 1987

Bernard Haitink

with the New York Philharmonic, 1988

Klaus Tennstedt

with the Südwestfunk Symphonie Orchester, Baden-Baden, 1990

Michael Gielen

with the Gustav Mahler Jugendorchester, 1990

James Judd

with the Royal Liverpool Philharmonic Orchestra, 1990

Libor Pešek

with the Kölner Rundfunk Sinfonie Orchester, 1991

Gary Bertini

with the Danish Radio Symphony Orchestra, 1991

Leif Segerstam

with the Philharmonia Orchestra, 1992

Kurt Sanderling

with the Russian State Symphony Orchestra, 1992

Yevgeny Svetlanov

with the Vienna Philharmonic, 1993

Sir Simon Rattle

with the European Community Youth Orchestra, 1993

Bernard Haitink

with the Moscow Radio Symphony Orchestra, 1993

Rudolf Barshai

with the Philharmonia Orchestra, 1993

Giuseppe Sinopoli

with the New York Philharmonic, 1994

Kurt Masur

with the Polish National Radio Symphony Orchestra, NAXOS 8.550535-36, 1994

Michael Halász

with the Chicago Symphony Orchestra, 1995 (Grammy Award winner)

Pierre Boulez

with the Cleveland Orchestra, 1997

Christoph von Dohnányi

with the Cincinnati Symphony Orchestra, 1997

Jesús López Cobos

with the Staatskapelle Dresden, 1997

Giuseppe Sinopoli

with the Munich Philharmonic, 1999

James Levine

with the Philharmonia Orchestra, 1999

Benjamin Zander

with the Berlin Philharmonic, 1999

Claudio Abbado

with the Boston Symphony Orchestra, 2002

Seiji Ozawa

with the Südwestfunk Symphonie Orchester, Baden-Baden, 2003

Michael Gielen

with the Royal Concertgebouw Orchestra, 2004

Riccardo Chailly

with the Gustav Mahler Jugendorchester, 2004

Claudio Abbado

with the San Francisco Symphony, 2005

Michael Tilson Thomas

with the Royal Liverpool Philharmonic, 2006

Gerard Schwarz

with the Staatskapelle Berlin, 2006 (CD)

Daniel Barenboim

with the Japan Philharmonic Orchestra, 2006

Ken'ichiro Kobayashi

with the Czech Philharmonic, 2007

Zdeněk Mácal

with the Staatskapelle Berlin, 2007 (DVD)

Daniel Barenboim

with the Bamberg Symphony, 2008

Jonathan Nott

with the Berlin Philharmonic, 2009

Sir Simon Rattle

with the Philharmonia Orchestra, 2009

Esa-Pekka Salonen

with the Royal Stockholm Philharmonic, 2009

Alan Gilbert

with the Tonhalle Orchestra of Zurich, 2009

David Zinman

with the WDR Symphony Orchestra of Koln, 2009

Jukka-Pekka Saraste

with the Stuttgart Radio Symphony Orchestra, 2010

Sir Roger Norrington

with the Saito Kinen Orchestra, 2010

Seiji Ozawa

with the Lucerne Festival Orchestra, 2010[24]

Claudio Abbado

with the London Symphony Orchestra, 2011

Valery Gergiev

with the Bavarian Radio Symphony Orchestra, 2011

Bernard Haitink

with the Royal Concertgebouw Orchestra, 2011 (DVD & Blu-ray)

Bernard Haitink

with the Philharmonia Orchestra, 2011

Lorin Maazel

with the Auckland Philharmonia Orchestra, 2012

Eckehard Stier

with the Los Angeles Philharmonic Orchestra, 2013

Gustavo Dudamel

with the Tokyo Metropolitan Symphony Orchestra, 2014

Eliahu Inbal

with the Seoul Philharmonic Orchestra, 2014

Myung-whun Chung

with the Scottish Symphony Orchestra, 2014

Donald Runnicles

with the La Scala Philharmonic Orchestra, Milan 2014

Daniel Barenboim

with the Danish National Symphony Orchestra, 2014

Michael Schønwandt

with the Budapest Festival Orchestra, 2015

Iván Fischer

with the Hallé Orchestra, 2015

Sir Mark Elder

with the Düsseldorf Symphony, 2019

Ádám Fischer

with the Royal Concertgebouw Orchestra, 2019[25]

Bernard Haitink

with the Berlin Philharmonic, 2021

Bernard Haitink

with the Minnesota Orchestra, 2023

Osmo Vänskä

The Ninth Symphony has been recorded over a hundred times for commercial release on 78-rpm discs, LP, CD, or DVD. An incomplete list includes:

Vernon, David (2022). Beauty and Sadness: Mahler's 11 Symphonies. Edinburgh: Candle Row Press.  978-1739659905.

ISBN

at the Wayback Machine (archived 12 June 2008)

Extensive history and analysis