Symphony No. 9 (Mahler)
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. A typical performance takes about 75 to 90 minutes. A survey of conductors voted Mahler's Symphony No. 9 the fourth greatest symphony of all time in a ballot conducted by BBC Music Magazine in 2016.[1] As in the case of his earlier Das Lied von der Erde, Mahler did not live to see his Symphony No. 9 performed.
Symphony No. 9
D major (– D-flat major)
1909 (1909): Toblach
1912, Universal Edition
Bruno Walter, Vienna Philharmonic Orchestra, 1938
4
26 June 1912 (1912-06-26)
Though the work is often described as being in the key of D major, the tonal scheme of the symphony as a whole is progressive. While the opening movement is in D major, the finale is in D♭ major.[2]
Mahler's death[edit]
Mahler died in May 1911, without ever hearing his Ninth Symphony performed. The work's ending is usually interpreted as his conscious farewell to the world,[9] as it was composed following the death of his beloved daughter Maria Anna in 1907 and the diagnosis of his fatal heart disease. However, this notion is disputed inasmuch as Mahler felt that he was in good health at the time of the composition of the Ninth Symphony; he had had a very successful season (1909–10) as the conductor of the New York Philharmonic Orchestra and, before that, the Metropolitan Opera (New York). In his last letters, Mahler indicated that he was looking forward to an extensive tour with the orchestra for the 1910–11 season.[10] Moreover, Mahler worked on his unfinished Tenth Symphony until his death from endocarditis in May 1911.[11]
Mahler was a superstitious man and believed in the so-called curse of the ninth, which he thought had already killed Beethoven, Schubert and Bruckner; this is proven by the fact that he refused to number his previous work Das Lied von der Erde as his ninth symphony, although it is often considered a symphony.[12]
Dutch premiere: 2 May 1918, , with the Royal Concertgebouw Orchestra conducted by Willem Mengelberg
Amsterdam
American premiere: 16 October 1931, , with the Boston Symphony Orchestra, conducted by Serge Koussevitzky[15]
Boston
Japanese premiere: 16 April 1967, Tokyo, with the conducted by Kirill Kondrashin
Moscow Philharmonic Orchestra
The work was premiered on 26 June 1912, at the Vienna Festival by the Vienna Philharmonic conducted by Bruno Walter.[13] It was first published in the same year by Universal Edition.
I have once more played through Mahler's Ninth. The first movement is the most glorious he ever wrote. It expresses an extraordinary love of the earth, for Nature. The longing to live on it in peace, to enjoy it completely, to the very heart of one's being, before death comes, as irresistibly it does. – [17][18]
Alban Berg
It is terrifying, and paralyzing, as the strands of sound disintegrate ... in ceasing, we lose it all. But in Mahler's ceasing, we have gained everything. – [20]
Leonard Bernstein
[Mahler's] Ninth is most strange. In it, the author hardly speaks as an individual any longer. It almost seems as though this work must have a concealed author who used Mahler merely as his spokesman, as his mouthpiece. – [21]
Arnold Schoenberg
Mahler's Ninth Symphony is not about death, but about dying. Death and dying are two entirely different matters. While working on the Ninth, I realized that I know of no other language apart from German in which the words death (Tod) and dying (sterben) have entirely different etymologies. ... the finale is just one sole extended act of dying, the disintegration of life. The last section, particularly the last page in the orchestra score, describes that situation so perfectly that it surpasses any other depiction, whether it be in literature or the fine arts. – [22]
Ádám Fischer
The enjoyment of Mahler's Ninth Symphony prompted the essayist Lewis Thomas to write the title essay in his Late Night Thoughts on Listening to Mahler's Ninth Symphony.[16]
Many Mahler interpreters have been moved to speak with similar profundity about the work:
In the early half of the twentieth century, less favourable opinions of Mahler's symphonies as finished works were common. This quote, from 1932, is typical:
with the Columbia Symphony Orchestra, 1962
Bruno Walter
with the Sinfonica of London, 1978
Wyn Morris
with the Royal Concertgebouw Orchestra, 2011 (DVD & Blu-ray)
Bernard Haitink
with the Tokyo Metropolitan Symphony Orchestra, 2014
Eliahu Inbal
with the Düsseldorf Symphony, 2019
Ádám Fischer
The Ninth Symphony has been recorded over a hundred times for commercial release on 78-rpm discs, LP, CD, or DVD. An incomplete list includes:
Vernon, David (2022). Beauty and Sadness: Mahler's 11 Symphonies. Edinburgh: Candle Row Press. 978-1739659905.