DeFord Bailey
DeFord Bailey (December 14, 1899 – July 2, 1982)[4] was an American country music and blues star from the 1920s until 1941. He was one of the first performers to be introduced on Nashville radio station WSM's Grand Ole Opry,[5] the first African-American performer to appear on the show, and the first performer to have his music recorded in Nashville.[6] Bailey played several instruments in his career but is best known for playing the harmonica, often being referred to as a "harmonica wizard".
Born and raised in Tennessee, Bailey learned how to play the harmonica while recuperating from polio as a young child. He moved to Nashville with relatives in his late teens and was an important early contributor to Nashville's burgeoning music industry. Among the first generation of entertainers to perform live on the radio, his recorded compositions were well-known and popular.
Bailey toured and performed with many well-known country artists during the 1930s. As a result of the 1941 royalties disagreement between Broadcast Music, Inc. (BMI) and American Society of Composers, Authors and Publishers (ASCAP), he was fired by WSM and stopped making his living as an entertainer. Afterwards, he supported himself and his family by shining shoes and renting out rooms in his home. He returned to sporadic public performances in 1974 when he was invited to participate in the Opry's first Old-Timers show and in 2005 was posthumously inducted into the Country Music Hall of Fame.
Early life[edit]
A grandson of slaves,[7] Bailey was born on December 14, 1899,[4] near the Bellwood community in Smith County, Tennessee.[2][8] His mother died when he was about a year old and he was then taken in by his aunt Barbara Lou. He learned to play the harmonica at the age of three[7][8] when he contracted polio.[8] Bailey was confined to bed for a year and could only move his head and arms. His style of playing the harmonica evolved, as he imitated the sounds of the natural world around him and of the trains traveling through the countryside.[9] Though Bailey did recover from his bout with polio, there were some long-term consequences. His back remained slightly misshapen and he only grew to be 4 feet, 10 inches. He was so short and slender as a teenager he was mistaken to be an underage child by railroad ticket agents.[10] His foster father Clark Odom was hired as a manager for a farm near Nashville and in 1908 the family made the move from Smith County.[11] The Odoms and their foster son lived on Nashville and Franklin Tennessee farms Clark Odom managed for several years. In 1918, the family moved to Nashville when Clark Odom got a city job and Bailey started to perform locally there as an amateur.[12]
Influence and posthumous accolades[edit]
Bailey himself said that he came from a tradition of "black hillbilly music".[2] His family members had played a variety of instruments, including a grandfather who had been a well-known local fiddler in Smith County, Tennessee. He said later when referring to playing the harmonica when he was growing up "Oh, I wore it out trying to imitate everything I hear! Hens, foxes, hounds, turkeys, and all those trains and things on the road. Everything around me."
[29] Along with performing well-known genre classics such as "Cow-Cow Blues", Bailey also wrote his own signature Opry songs, like the train-imitating "Pan American Blues" and the "Dixie Flyer Blues".[6] When WSM's power increased to 50,000 watts, Bailey's influence increased as well, with harmonica enthusiasts listening to his performances and studying his recordings.[2]
In 2005, Nashville Public Television produced the documentary DeFord Bailey: A Legend Lost.[30] The documentary was broadcast nationally through PBS. Bailey was inducted into the Country Music Hall of Fame on November 15, 2005. The DeFord Bailey Tribute Garden at the George Washington Carver Food Park in Nashville was dedicated on June 27, 2007.[31] The Encyclopedia of Country Music called him "the most significant black country star before World War II."[32] Bailey is still being referred to as a "harmonica wizard" more than three decades after his death.[33][34]