Katana VentraIP

Digital audio

Digital audio is a representation of sound recorded in, or converted into, digital form. In digital audio, the sound wave of the audio signal is typically encoded as numerical samples in a continuous sequence. For example, in CD audio, samples are taken 44,100 times per second, each with 16-bit sample depth. Digital audio is also the name for the entire technology of sound recording and reproduction using audio signals that have been encoded in digital form. Following significant advances in digital audio technology during the 1970s and 1980s, it gradually replaced analog audio technology in many areas of audio engineering, record production and telecommunications in the 1990s and 2000s.

This article is about the technology used to record sound. For the defunct magazine originally named "Digital Audio", see CD Review.

In a digital audio system, an analog electrical signal representing the sound is converted with an analog-to-digital converter (ADC) into a digital signal, typically using pulse-code modulation (PCM). This digital signal can then be recorded, edited, modified, and copied using computers, audio playback machines, and other digital tools. For playback, a digital-to-analog converter (DAC) performs the reverse process, converting a digital signal back into an analog signal, which is then sent through an audio power amplifier and ultimately to a loudspeaker.


Digital audio systems may include compression, storage, processing, and transmission components. Conversion to a digital format allows convenient manipulation, storage, transmission, and retrieval of an audio signal. Unlike analog audio, in which making copies of a recording results in generation loss and degradation of signal quality, digital audio allows an infinite number of copies to be made without any degradation of signal quality.

via Bluetooth

A2DP

(Audio Codec 1997) interface between integrated circuits on PC motherboards

AC'97

interface

ADAT Lightpipe

interface with XLR connectors, common in professional audio equipment

AES3

- professional AES3-style digital audio over Asynchronous Transfer Mode networks

AES47

- modern replacement for AC'97

Intel High Definition Audio

(Inter-IC sound) interface between integrated circuits in consumer electronics

I²S

(Multichannel Audio Digital Interface)

MADI

- low-bandwidth interconnect for carrying instrument data; cannot carry sound but can carry digital sample data in non-real time

MIDI

- either over coaxial cable or TOSLINK, common in consumer audio equipment and derived from AES3

S/PDIF

TASCAM proprietary format with D-sub cable

TDIF

For personal computers, USB and IEEE 1394 have provisions to deliver real-time digital audio. USB interfaces have become increasingly popular among independent audio engineers and producers due to their small size and ease of use. In professional architectural or installation applications, many audio over Ethernet protocols and interfaces exist. In broadcasting, a more general audio over IP network technology is favored. In telephony voice over IP is used as a network interface for digital audio for voice communications.


Several interfaces are engineered to carry digital video and audio together, including HDMI and DisplayPort. Some interfaces offer MIDI support as well as XLR and TRS analog ports.


Digital-audio-specific interfaces include:

Digital audio editor

Digital synthesizer

Frequency modulation synthesis

Sound chip

Sound Card

Audio Interface

Quantization

Sampling

Multitrack recording

Digital audio workstation

Borwick, John, ed., 1994: Sound Recording Practice (Oxford: Oxford University Press)

Bosi, Marina, and Goldberg, Richard E., 2003: Introduction to Digital Audio Coding and Standards (Springer)

Ifeachor, Emmanuel C., and Jervis, Barrie W., 2002: Digital Signal Processing: A Practical Approach (Harlow, England: Pearson Education Limited)

Rabiner, Lawrence R., and Gold, Bernard, 1975: Theory and Application of Digital Signal Processing (Englewood Cliffs, New Jersey: Prentice-Hall, Inc.)

Watkinson, John, 1994: The Art of Digital Audio (Oxford: Focal Press)

Monty Montgomery (2012-10-24). . evolver.fm. Archived from the original on 2012-12-10. Retrieved 2012-12-07.

"Guest Opinion: Why 24/192 Music Downloads Make No Sense"

J. ROBERT STUART. (PDF). Archived from the original (PDF) on 2007-06-27. Retrieved 2012-12-07.

"Coding High Quality Digital Audio"

Dan Lavry. (PDF). Archived (PDF) from the original on 2012-09-16. Retrieved 2012-12-07.

"Sampling Theory For Digital Audio"