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Broadcasting

Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a one-to-many model.[1] Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and receivers. Before this, most implementations of electronic communication (early radio, telephone, and telegraph) were one-to-one, with the message intended for a single recipient. The term broadcasting evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about.[2] It was later adopted for describing the widespread distribution of information by printed materials[3] or by telegraph.[4] Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as early as 1898.[5]

"Broadcast" redirects here. For other uses, see Broadcast (disambiguation).

Over-the-air broadcasting is usually associated with radio and television, though more recently, both radio and television transmissions have begun to be distributed by cable (cable television). The receiving parties may include the general public or a relatively small subset; the point is that anyone with the appropriate receiving technology and equipment (e.g., a radio or television set) can receive the signal. The field of broadcasting includes both government-managed services such as public radio, community radio and public television, and private commercial radio and commercial television. The U.S. Code of Federal Regulations, title 47, part 97 defines broadcasting as "transmissions intended for reception by the general public, either direct or relayed".[6] Private or two-way telecommunications transmissions do not qualify under this definition. For example, amateur ("ham") and citizens band (CB) radio operators are not allowed to broadcast. As defined, transmitting and broadcasting are not the same.


Transmission of radio and television programs from a radio or television station to home receivers by radio waves is referred to as over the air (OTA) or terrestrial broadcasting and in most countries requires a broadcasting license. Transmissions using a wire or cable, like cable television (which also retransmits OTA stations with their consent), are also considered broadcasts but do not necessarily require a license (though in some countries, a license is required). In the 2000s, transmissions of television and radio programs via streaming digital technology have increasingly been referred to as broadcasting as well.[7]

vs. digital television

Analog television

Wireless

The earliest broadcasting consisted of sending telegraph signals over the airwaves, using Morse code, a system developed in the 1830s by Samuel Morse, physicist Joseph Henry and Alfred Vail. They developed an electrical telegraph system which sent pulses of electric current along wires which controlled an electromagnet that was located at the receiving end of the telegraph system. A code was needed to transmit natural language using only these pulses, and the silence between them. Morse therefore developed the forerunner to modern International Morse code. This was particularly important for ship-to-ship and ship-to-shore communication, but it became increasingly important for business and general news reporting, and as an arena for personal communication by radio amateurs.[2]


In 1894, Italian inventor Guglielmo Marconi began developing a wireless communication using the then-newly discovered phenomenon of radio waves, showing by 1901 that they could be transmitted across the Atlantic Ocean.[8] This was the start of wireless telegraphy by radio. Audio radio broadcasting began experimentally in the first decade of the 20th century. On 17 December 1902, a transmission from the Marconi station in Glace Bay, Nova Scotia, Canada, became the world's first radio message to cross the Atlantic from North America. In 1904, a commercial service was established to transmit nightly news summaries to subscribing ships, which incorporated them into their onboard newspapers.[9]


World War I accelerated the development of radio for military communications. After the war, commercial radio AM broadcasting began in the 1920s and became an important mass medium for entertainment and news. World War II again accelerated the development of radio for the wartime purposes of aircraft and land communication, radio navigation, and radar.[10] Development of stereo FM broadcasting of radio began in the 1930s in the United States and the 1970s in the United Kingdom, displacing AM as the dominant commercial standard.[11]


On 25 March 1925, John Logie Baird demonstrated the transmission of moving pictures at the London department store Selfridges. Baird's device relied upon the Nipkow disk and thus became known as the mechanical television. It formed the basis of experimental broadcasts done by the British Broadcasting Corporation beginning on 30 September 1929.[12] However, for most of the 20th century, televisions depended on the cathode ray tube invented by Karl Braun. The first version of such a television to show promise was produced by Philo Farnsworth and demonstrated to his family on 7 September 1927.[13] After World War II, interrupted experiments resumed and television became an important home entertainment broadcast medium, using VHF and UHF spectrum. Satellite broadcasting was initiated in the 1960s and moved into general industry usage in the 1970s, with DBS (Direct Broadcast Satellites) emerging in the 1980s.


Originally, all broadcasting was composed of analog signals using analog transmission techniques but in the 2000s, broadcasters switched to digital signals using digital transmission. An analog signal is any continuous signal representing some other quantity, i.e., analogous to another quantity. For example, in an analog audio signal, the instantaneous signal voltage varies continuously with the pressure of the sound waves.[14] In contrast, a digital signal represents the original time-varying quantity as a sampled sequence of quantized values which imposes some bandwidth and dynamic range constraints on the representation. In general usage, broadcasting most frequently refers to the transmission of information and entertainment programming from various sources to the general public:[15]


The world's technological capacity to receive information through one-way broadcast networks more than quadrupled during the two decades from 1986 to 2007, from 432 exabytes of (optimally compressed) information, to 1.9 zettabytes.[16] This is the information equivalent of 55 newspapers per person per day in 1986, and 175 newspapers per person per day by 2007.[17]

broadcasting (1881–1932): the earliest form of electronic broadcasting (not counting data services offered by stock telegraph companies from 1867, if ticker-tapes are excluded from the definition). Telephone broadcasting began with the advent of Théâtrophone ("Theatre Phone") systems, which were telephone-based distribution systems allowing subscribers to listen to live opera and theatre performances over telephone lines, created by French inventor Clément Ader in 1881. Telephone broadcasting also grew to include telephone newspaper services for news and entertainment programming which were introduced in the 1890s, primarily located in large European cities. These telephone-based subscription services were the first examples of electrical/electronic broadcasting and offered a wide variety of programming.

Telephone

Radio broadcasting

Television

(also called cable FM, from 1928) and cable television (from 1932): both via coaxial cable, originally serving principally as transmission media for programming produced at either radio or television stations, but later expanding into a broad universe of cable-originated channels.

Cable radio

(DBS) (from c. 1974) and satellite radio (from c. 1990): meant for direct-to-home broadcast programming (as opposed to studio network uplinks and down-links), provides a mix of traditional radio or television broadcast programming, or both, with dedicated satellite radio programming. (See also: Satellite television)

Direct-broadcast satellite

of video/television (from c. 1993) and audio/radio (from c. 1994) streams: offers a mix of traditional radio and television station broadcast programming with dedicated Internet radio and Internet television.

Webcasting

In a broadcast system, the central high-powered broadcast tower transmits a high-frequency electromagnetic wave to numerous receivers. The high-frequency wave sent by the tower is modulated with a signal containing visual or audio information. The receiver is then tuned so as to pick up the high-frequency wave and a demodulator is used to retrieve the signal containing the visual or audio information. The broadcast signal can be either analog (signal is varied continuously with respect to the information) or digital (information is encoded as a set of discrete values).[18][19]


Historically, there have been several methods used for broadcasting electronic media audio and video to the general public:

: for-profit, usually privately owned stations, channels, networks, or services providing programming to the public, supported by the sale of air time to advertisers for radio or television advertisements during or in breaks between programs, often in combination with cable or pay cable subscription fees.

Commercial broadcasting

: usually non-profit, publicly owned stations or networks supported by license fees, government funds, grants from foundations, corporate underwriting, audience memberships, contributions or a combination of these.

Public broadcasting

Community broadcasting: a form of in which a television station, or a radio station, is owned, operated or programmed, by a community group to provide programs of local interest known as local programming. Community stations are most commonly operated by non-profit groups or cooperatives; however, in some cases they may be operated by a local college or university, a cable company or a municipal government.

mass media

Internet Webcast: the audience pays to recharge and buy virtual gifts for the anchor, and the platform converts the gifts into virtual currency. The anchor withdraws the virtual currency, which is drawn by the platform. If the anchor belongs to a trade union, it will be settled by the trade union and the live broadcasting platform, and the anchor will get the salary and part of the bonus. This is the most common profit model of live broadcast products.

There are several means of providing financial support for continuous broadcasting:


Broadcasters may rely on a combination of these business models. For example, in the United States, National Public Radio (NPR) and the Public Broadcasting Service (PBS, television) supplement public membership subscriptions and grants with funding from the Corporation for Public Broadcasting (CPB), which is allocated bi-annually by Congress. US public broadcasting corporate and charitable grants are generally given in consideration of underwriting spots which differ from commercial advertisements in that they are governed by specific FCC restrictions, which prohibit the advocacy of a product or a "call to action".

International bibliography – History of wireless and radio broadcasting

Barnouw Erik. The Golden Web (Oxford University Press, 1968); The Sponsor (1978); A Tower in Babel (1966).

Covert Cathy, and Stevens John L. Mass Media Between the Wars (Syracuse University Press, 1984).  978-0-8156-2307-6

ISBN

Tim Crook; International Radio Journalism: History, Theory and Practice Routledge, 1998

John Dunning; On the Air: The Encyclopedia of Old-Time Radio Oxford University Press, 1998

Ewbank Henry and Lawton Sherman P. Broadcasting: Radio and Television (Harper & Brothers, 1952).

Maclaurin W. Rupert. Invention and Innovation in the Radio Industry (The Macmillan Company, 1949).

Robert W. McChesney; Telecommunications, Mass Media, and Democracy: The Battle for the Control of U.S. Broadcasting, 1928–1935 Oxford University Press, 1994

Gwenyth L. Jackaway; Media at War: Radio's Challenge to the Newspapers, 1924–1939 Praeger Publishers, 1995

Lazarsfeld Paul F. The People Look at Radio (University of North Carolina Press, 1946).

Schramm Wilbur, ed. Mass Communications (University of Illinois Press, 1960).

Schwoch James. The American Radio Industry and Its Latin American Activities, 1900–1939 (University of Illinois Press, 1990).  978-0-252-01690-5

ISBN

Slater Robert. This ... is CBS: A Chronicle of 60 Years (Prentice Hall, 1988).  978-0-13-919234-0

ISBN

Sterling Christopher H. Electronic Media, A Guide to Trends in Broadcasting and Newer Technologies 1920–1983 (Praeger, 1984).  978-0-275-91277-2

ISBN

Sterling Christopher, and Kittross John M. Stay Tuned: A Concise History of American Broadcasting (Wadsworth, 1978).

Wells, Alan, , Greenwood Publishing Group, 1996. ISBN 1-56750-245-8

World Broadcasting: A Comparative View

for American radio station with format, power, and coverage information.

Radio Locator

– History of broadcast transmitter

Jim Hawkins' Radio and Broadcast Technology Page

– Broadcast Industry Glossary

Indie Digital Cinema Services