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Digital preservation

In library and archival science, digital preservation is a formal process to ensure that digital information of continuing value remains accessible and usable in the long term.[1] It involves planning, resource allocation, and application of preservation methods and technologies,[2] and combines policies, strategies and actions to ensure access to reformatted and "born-digital" content, regardless of the challenges of media failure and technological change. The goal of digital preservation is the accurate rendering of authenticated content over time.[3]

For broader coverage of this topic, see Preservation (library and archival science).

The Association for Library Collections and Technical Services Preservation and Reformatting Section of the American Library Association defined digital preservation as combination of "policies, strategies and actions that ensure access to digital content over time."[4] According to the Harrod's Librarian Glossary, digital preservation is the method of keeping digital material alive so that they remain usable as technological advances render original hardware and software specification obsolete.[5]


The need for digital preservation mainly arises because of the relatively short lifespan of digital media. Widely used hard drives can become unusable in a few years due to a variety of reasons such as damaged spindle motors, and flash memory (found on SSDs, phones, USB flash drives, and in memory cards such as SD, microSD, and CompactFlash cards) can start to lose data around a year after its last use, depending on its storage temperature and how much data has been written to it during its lifetime. Currently, archival disc-based media is available, but it is only designed to last for 50 years and it is a proprietary format, sold by just two Japanese companies, Sony and Panasonic. M-DISC is a DVD-based format that claims to retain data for 1,000 years, but writing to it requires special optical disc drives and reading the data it contains requires increasingly uncommon optical disc drives, in addition the company behind the format went bankrupt. Data stored on LTO tapes require periodic migration, as older tapes cannot be read by newer LTO tape drives. RAID arrays could be used to protect against failure of single hard drives, although care needs to be taken to not mix the drives of one array with those of another.

Fundamentals[edit]

Appraisal[edit]

Archival appraisal (or, alternatively, selection[6]) refers to the process of identifying records and other materials to be preserved by determining their permanent value. Several factors are usually considered when making this decision.[7] It is a difficult and critical process because the remaining selected records will shape researchers' understanding of that body of records, or fonds. Appraisal is identified as A4.2 within the Chain of Preservation (COP) model[8] created by the InterPARES 2 project.[9] Archival appraisal is not the same as monetary appraisal, which determines fair market value.


Archival appraisal may be performed once or at the various stages of acquisition and processing. Macro appraisal,[10] a functional analysis of records at a high level, may be performed even before the records have been acquired to determine which records to acquire. More detailed, iterative appraisal may be performed while the records are being processed.


Appraisal is performed on all archival materials, not just digital. It has been proposed that, in the digital context, it might be desirable to retain more records than have traditionally been retained after appraisal of analog records, primarily due to a combination of the declining cost of storage and the availability of sophisticated discovery tools which will allow researchers to find value in records of low information density.[11][12] In the analog context, these records may have been discarded or only a representative sample kept. However, the selection, appraisal, and prioritization of materials must be carefully considered in relation to the ability of an organization to responsibly manage the totality of these materials.


Often libraries, and to a lesser extent, archives, are offered the same materials in several different digital or analog formats. They prefer to select the format that they feel has the greatest potential for long-term preservation of the content. The Library of Congress has created a set of recommended formats for long-term preservation.[13] They would be used, for example, if the Library was offered items for copyright deposit directly from a publisher.

Identification (identifiers and descriptive metadata)[edit]

In digital preservation and collection management, discovery and identification of objects is aided by the use of assigned identifiers and accurate descriptive metadata. An identifier is a unique label that is used to reference an object or record, usually manifested as a number or string of numbers and letters. As a crucial element of metadata to be included in a database record or inventory, it is used in tandem with other descriptive metadata to differentiate objects and their various instantiations.[14]


Descriptive metadata refers to information about an object's content such as title, creator, subject, date etc...[14] Determination of the elements used to describe an object are facilitated by the use of a metadata schema. Extensive descriptive metadata about a digital object helps to minimize the risks of a digital object becoming inaccessible.[15]


Another common type of file identification is the filename. Implementing a file naming protocol is essential to maintaining consistency and efficient discovery and retrieval of objects in a collection, and is especially applicable during digitization of analog media. Using a file naming convention, such as the 8.3 filename or the Warez standard naming, will ensure compatibility with other systems and facilitate migration of data, and deciding between descriptive (containing descriptive words and numbers) and non-descriptive (often randomly generated numbers) file names is generally determined by the size and scope of a given collection.[16] However, filenames are not good for semantic identification, because they are non-permanent labels for a specific location on a system and can be modified without affecting the bit-level profile of a digital file.

Integrity[edit]

The cornerstone of digital preservation, "data integrity" refers to the assurance that the data is "complete and unaltered in all essential respects"; a program designed to maintain integrity aims to "ensure data is recorded exactly as intended, and upon later retrieval, ensure the data is the same as it was when it was originally recorded".[17]


Unintentional changes to data are to be avoided, and responsible strategies should be put in place to detect unintentional changes and react as appropriately determined. However, digital preservation efforts may necessitate modifications to content or metadata through responsibly-developed procedures and by well-documented policies. Organizations or individuals may choose to retain original, integrity-checked versions of content and/or modified versions with appropriate preservation metadata. Data integrity practices also apply to modified versions, as their state of capture must be maintained and resistant to unintentional modifications.


The integrity of a record can be preserved through bit-level preservation, fixity checking, and capturing a full audit trail of all preservation actions performed on the record. These strategies can ensure protection against unauthorised or accidental alteration.[18]

Intellectual foundations[edit]

Preserving Digital Information (1996)[edit]

The challenges of long-term preservation of digital information have been recognized by the archival community for years.[38] In December 1994, the Research Libraries Group (RLG) and Commission on Preservation and Access (CPA) formed a Task Force on Archiving of Digital Information with the main purpose of investigating what needed to be done to ensure long-term preservation and continued access to the digital records. The final report published by the Task Force (Garrett, J. and Waters, D., ed. (1996). "Preserving digital information: Report of the task force on archiving of digital information."[39]) became a fundamental document in the field of digital preservation that helped set out key concepts, requirements, and challenges.[38][40]


The Task Force proposed development of a national system of digital archives that would take responsibility for long-term storage and access to digital information; introduced the concept of trusted digital repositories and defined their roles and responsibilities; identified five features of digital information integrity (content, fixity, reference, provenance, and context) that were subsequently incorporated into a definition of Preservation Description Information in the Open Archival Information System Reference Model; and defined migration as a crucial function of digital archives. The concepts and recommendations outlined in the report laid a foundation for subsequent research and digital preservation initiatives.[41][42]

OAIS[edit]

To standardize digital preservation practice and provide a set of recommendations for preservation program implementation, the Reference Model for an Open Archival Information System (OAIS) was developed, and published in 2012. OAIS is concerned with all technical aspects of a digital object's life cycle: ingest, archival storage, data management, administration, access and preservation planning.[43] The model also addresses metadata issues and recommends that five types of metadata be attached to a digital object: reference (identification) information, provenance (including preservation history), context, fixity (authenticity indicators), and representation (formatting, file structure, and what "imparts meaning to an object's bitstream").[44]

Trusted Digital Repository Model[edit]

In March 2000, the Research Libraries Group (RLG) and Online Computer Library Center (OCLC) began a collaboration to establish attributes of a digital repository for research organizations, building on and incorporating the emerging international standard of the Reference Model for an Open Archival Information System (OAIS). In 2002, they published "Trusted Digital Repositories: Attributes and Responsibilities." In that document a "Trusted Digital Repository" (TDR) is defined as "one whose mission is to provide reliable, long-term access to managed digital resources to its designated community, now and in the future." The TDR must include the following seven attributes: compliance with the reference model for an Open Archival Information System (OAIS), administrative responsibility, organizational viability, financial sustainability, technological and procedural suitability, system security, procedural accountability. The Trusted Digital Repository Model outlines relationships among these attributes. The report also recommended the collaborative development of digital repository certifications, models for cooperative networks, and sharing of research and information on digital preservation with regard to intellectual property rights.[45]


In 2004 Henry M. Gladney proposed another approach to digital object preservation that called for the creation of "Trustworthy Digital Objects" (TDOs). TDOs are digital objects that can speak to their own authenticity since they incorporate a record maintaining their use and change history, which allows the future users to verify that the contents of the object are valid.[46]

InterPARES[edit]

International Research on Permanent Authentic Records in Electronic Systems (InterPARES) is a collaborative research initiative led by the University of British Columbia that is focused on addressing issues of long-term preservation of authentic digital records. The research is being conducted by focus groups from various institutions in North America, Europe, Asia, and Australia, with an objective of developing theories and methodologies that provide the basis for strategies, standards, policies, and procedures necessary to ensure the trustworthiness, reliability, and accuracy of digital records over time.[47]


Under the direction of archival science professor Luciana Duranti, the project began in 1999 with the first phase, InterPARES 1, which ran to 2001 and focused on establishing requirements for authenticity of inactive records generated and maintained in large databases and document management systems created by government agencies.[48] InterPARES 2 (2002–2007) concentrated on issues of reliability, accuracy and authenticity of records throughout their whole life cycle, and examined records produced in dynamic environments in the course of artistic, scientific and online government activities.[49] The third five-year phase (InterPARES 3) was initiated in 2007. Its goal is to utilize theoretical and methodological knowledge generated by InterPARES and other preservation research projects for developing guidelines, action plans, and training programs on long-term preservation of authentic records for small and medium-sized archival organizations.[50]

Assessing the risks for loss of content posed by technology variables such as commonly used proprietary file formats and software applications.

Evaluating the digital content objects to determine what type and degree of or other preservation actions should be applied.

format conversion

Determining the appropriate metadata needed for each object type and how it is associated with the objects.

Providing access to the content.

[65]

Guidelines on the Production and Preservation of Digital Audio Objects IASA-TC 04 (2009), which sets out the international standards for optimal audio signal extraction from a variety of audio source materials, for analogue to digital conversion and for target formats for audio preservation

[98]

Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Transferring Analog Discs and Tapes (2006), which defined procedures for reformatting sound from analog to digital and provided recommendations for best practices for digital preservation

[99]

Digital Audio Best Practices (2006) prepared by the Collaborative Digitization Program Digital Audio Working Group, which covers best practices and provides guidance both on digitizing existing analog content and on creating new digital audio resources

[100]

Sound Directions: Best Practices for Audio Preservation (2007) published by the Sound Directions Project, which describes the audio preservation workflows and recommended best practices and has been used as the basis for other projects and initiatives[101][102]

[94]

Documents developed by the (IASA), the European Broadcasting Union (EBU), the Library of Congress, and the Digital Library Federation (DLF).

International Association of Sound and Audiovisual Archives

Education[edit]

The Digital Preservation Outreach and Education (DPOE), as part of the Library of Congress, serves to foster preservation of digital content through a collaborative network of instructors and collection management professionals working in cultural heritage institutions. Composed of Library of Congress staff, the National Trainer Network, the DPOE Steering Committee, and a community of Digital Preservation Education Advocates, as of 2013 the DPOE has 24 working trainers across the six regions of the United States.[136] In 2010 the DPOE conducted an assessment, reaching out to archivists, librarians, and other information professionals around the country. A working group of DPOE instructors then developed a curriculum [137] based on the assessment results and other similar digital preservation curricula designed by other training programs, such as LYRASIS, Educopia Institute, MetaArchive Cooperative, University of North Carolina, DigCCurr (Digital Curation Curriculum) and Cornell University-ICPSR Digital Preservation Management Workshops. The resulting core principles are also modeled on the principles outlined in "A Framework of Guidance for Building Good Digital Collections" by the National Information Standards Organization (NISO).[138]


In Europe, Humboldt-Universität zu Berlin and King's College London offer a joint program in Digital Curation Archived 2015-12-26 at the Wayback Machine that emphasizes both digital humanities and the technologies necessary for long term curation. The MSc in Information Management and Preservation (Digital) offered by the HATII at the University of Glasgow has been running since 2005 and is the pioneering program in the field.

The founded the National Digital Stewardship Alliance which is now hosted by the Digital Library Federation.

Library of Congress

The is responsible for several programmes in the area of digital preservation and is a founding member of the Digital Preservation Coalition and Open Preservation Foundation. Their digital preservation strategy is publicly available. The National Archives of the United Kingdom have also pioneered various initiatives in the field of digital preservation.

British Library

Centre of Excellence for Digital Preservation is established at , Pune, India as a flagship project under National Digital Preservation Program (NDPP) sponsored by Ministry of Electronics & Information Technology, Government of India.

C-DAC

A number of open source products have been developed to assist with digital preservation, including Archivematica, DSpace, Fedora Commons, OPUS, SobekCM and EPrints. The commercial sector also offers digital preservation software tools, such as Ex Libris Ltd.'s Rosetta, Preservica's Cloud, Standard and Enterprise Editions, CONTENTdm, Digital Commons, Equella, intraLibrary, Open Repository and Vital.[139]

Dobratz, S.; et al. (2009). (PDF). nestor materials, Deutsche Nationalbibliothek, Frankfurt (Main), Germany. Retrieved October 2, 2012.

"Catalogue of Criteria for Trusted Digital Repositories"

at the Library of Congress

National Digital Information Infrastructure and Preservation Program

at Library of Congress

DPOE - Digital Preservation Outreach & Education

from the Digital Library Federation

Digital Preservation page

"Thirteen Ways of Looking at...Digital Preservation"

Cornell University Library's Digital Imaging Tutorial

- an introduction to digital preservation by Digital Preservation Europe

What is Digital Preservation?

Science magazine article about prospective usage of sapphire in digital storage media technology

Macroscopic 10-Terabit–per–Square-Inch Arrays from Block Copolymers with Lateral Order.

Animations introducing digital preservation and curation

A CHIN (Canadian Heritage Information Network) Resource

Capture Your Collections: Planning and Implementing Digitization Projects

Archived 2018-02-02 at the Wayback Machine Digital preservation page by Hessisches Hauptstaatsarchiv Wiesbaden

Digitales Archiv Hessen

Nick del Pozo, Andrew Stawowczyk Long, David Pearson.

"Land of the lost" : a discussion of what can be preserved through digital preservation."

Various activities in digital preservation at the University of Cologne (professorship for Applied Computer Science in the Humanities)

Challenges in AV Digitization and Digital Preservation

on YouTube

Digital Amnesia (Bregtje van der Haak, VPRO)

. GitHub. Archived from the original on September 29, 2017. Retrieved May 17, 2018.

"Unofficial blackbox testing node.js for an API server of digital preservation"