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Dogon people

The Dogon are an ethnic group indigenous to the central plateau region of Mali, in West Africa, south of the Niger bend, near the city of Bandiagara, and in Burkina Faso. The population numbers between 400,000 and 800,000.[2] They speak the Dogon languages, which are considered to constitute an independent branch of the Niger–Congo language family, meaning that they are not closely related to any other languages.[3]

For the ethnic group of the Kingdom of Dagbon in the north of Ghana, see Dagomba people.

Total population

1,751,965 (8.7%)[1]

The Dogon are best known for their religious traditions, their mask dances, wooden sculpture, and their architecture. Since the twentieth century, there have been significant changes in the social organisation, material culture and beliefs of the Dogon, in part because Dogon country is one of Mali's major tourist attractions.[4]

Kanaga mask in three pieces; 20th century; 108 x 59.1 x 22.9 cm (4212 x 2314 x 9 in); Brooklyn Museum (New York City)

Kanaga mask in three pieces; 20th century; 108 x 59.1 x 22.9 cm (421⁄2 x 231⁄4 x 9 in); Brooklyn Museum (New York City)

Person wearing a Satimbe mask

Person wearing a Satimbe mask

Person wearing a Walu mask, based on an antelope

Person wearing a Walu mask, based on an antelope

Door of the hogon box of Sangha village

Door of the hogon box of Sangha village

Figure of a seated musician (koro player); late 18th century; 55.8 x 17.7 x 10.8 cm (22 x 7 x 414 in.); Brooklyn Museum (New York City)

Figure of a seated musician (koro player); late 18th century; 55.8 x 17.7 x 10.8 cm (22 x 7 x 41⁄4 in.); Brooklyn Museum (New York City)

Female or male figure; probably early 17th century; 40.0 x 7.3 x 7.8 cm (1534 x 2 7/8 x 3 in.); Brooklyn Museum

Female or male figure; probably early 17th century; 40.0 x 7.3 x 7.8 cm (153⁄4 x 2 7/8 x 3 in.); Brooklyn Museum

Sculpture, probably an ancestor figure; 17th–18th century; wood; height: 59 cm (23 in.); from Mali

Sculpture, probably an ancestor figure; 17th–18th century; wood; height: 59 cm (23 in.); from Mali

Figure of a kneeling woman; c. 1500; wood; height: 35.2 cm (1378 in.); Metropolitan Museum of Art (New York City)

Figure of a kneeling woman; c. 1500; wood; height: 35.2 cm (137⁄8 in.); Metropolitan Museum of Art (New York City)

Dogon art consists primarily of sculptures. Dogon art revolves around religious values, ideals, and freedoms (Laude, 19). Dogon sculptures are not made to be seen publicly, and are commonly hidden from the public eye within the houses of families, sanctuaries, or kept with the Hogon (Laude, 20). The importance of secrecy is due to the symbolic meaning behind the pieces and the process by which they are made.


Themes found throughout Dogon sculpture consist of figures with raised arms, superimposed bearded figures, horsemen, stools with caryatids, women with children, figures covering their faces, women grinding pearl millet, women bearing vessels on their heads, donkeys bearing cups, musicians, dogs, quadruped-shaped troughs or benches, figures bending from the waist, mirror-images, aproned figures, and standing figures (Laude, 46–52).


Signs of other contacts and origins are evident in Dogon art. The Dogon people were not the first inhabitants of the cliffs of Bandiagara. Influence from Tellem art is evident in Dogon art because of its rectilinear designs (Laude, 24).

The sect of the Amma. The celebration is once a year and consists of offering boiled millet on the conical altar of Amma, colouring it white. All other sects are directed to the god Amma.

creator god

Sigui is the most important of the Dogon. It takes place every 60 years and can take several years. The last one started in 1967 and ended in 1973; the next one will start in 2027. The Sigui ceremony symbolises the death of the first ancestor (not to be confused with Lébé) until the moment that humanity acquired the use of the spoken word. The Sigui is a long procession that starts and ends in the village of Youga Dogorou, and goes from one village to another during several months or years. All men wear masks and dance in long processions. The Sigui has a secret language, Sigui So, which women are not allowed to learn. The secret Society of Sigui plays a central role in the ceremony. They prepare the ceremonies a long time in advance, and they live for three months hidden outside of the villages while nobody is allowed to see them. The men from the Society of Sigui are called the Olubaru. The villagers are afraid of them, and fear is cultivated by a prohibition to go out at night, when sounds warn that the Olubaru are out. The most important mask that plays a major role in the Sigui rituals is the Great Mask, or the Mother of Masks. It is several meters long, held by hand, and not used to hide a face. This mask is newly created every 60 years.

ceremony

The uses totems: common ones for the entire village and individual ones for totem priests. A totem animal is worshiped on a Binou altar. Totems are, for example, the buffalo for Ogol-du-Haut and the panther for Ogol-du-Bas. Normally, no one is harmed by their totem animal, even if this is a crocodile, as it is for the village of Amani (where there is a large pool of crocodiles that do not harm villagers). However, a totem animal might exceptionally harm if one has done something wrong. A worshiper is not allowed to eat his totem. For example, an individual with a buffalo as totem is not allowed to eat buffalo meat, to use leather from its skin, nor to see a buffalo die. If this happens by accident, he has to organise a purification sacrifice at the Binou altar. Boiled millet is offered, and goats and chickens are sacrificed on a Binou altar. This colours the altar white and red. Binou altars look like little houses with a door. They are bigger when the altar is for an entire village. A village altar also has the 'cloud hook', to catch clouds and make it rain.

Binou sect

The Lébé sect worships the ancestor Lébé Serou, the first mortal human being, who, in Dogon myth, was transformed into a snake. The celebration takes place once a year and lasts for three days. The altar is a pointed conic structure on which the Hogon offers boiled millet while mentioning in his eight grains plus one. Afterwards, the Hogon performs some rituals in his house, which is the home of Lébé. The last day, all the village men visit all the Binou altars and dance three times around the Lébé altar. The Hogon invites everybody who assisted to drink the millet beer.

benediction

The twin sect: The birth of is a sign of good luck. The extended Dogon families have common rituals, during which they evoke all their ancestors back to their origin—the ancient pair of twins from the creation of the world.

twins

The Mono sect: The Mono altar is at the entry of every village. Unmarried young men celebrate the Mono sect once a year in January or February. They spend the night around the altar, singing and screaming and waving with fire . They hunt for mice that will be sacrificed on the altar at dawn.

torches

Male granary: storage place for pearl millet and other grains. Building with a pointed roof. This building is well protected from mice. The number of filled male granaries is an indication for the size and the richness of a guinna.

Female granary: storage place for a woman's things, her husband has no access. Building with a pointed roof. It looks like a male granary but is less protected against mice. Here, she stores her personal belongings such as clothes, jewelry, money and some food. A woman has a degree of economic independence, and earnings and things related to her merchandise are stored in her personal granary. She can for example make cotton or . The number of female granaries is an indication for the number of women living in the guinna.

pottery

Tógu nà (a kind of case à palabres): a building only for men. They rest here much of the day throughout the heat of the dry season, discuss affairs and take important decisions in the .[37] The roof of a toguna is made by 8 layers of millet stalks. It is a low building in which one cannot stand upright. This helps with avoiding violence when discussions get heated.

toguna

Punulu (a house for women): this house is on the outside of the village. It is constructed by women and is of lower quality than the other village buildings. Women having their period are considered to be unclean and have to leave their family house to live during five days in this house. They use kitchen equipment only to be used here. They bring with them their youngest children. This house is a gathering place for women during the evening. This hut is also thought to have some sort of reproductive symbolism due to the fact that the hut can be easily seen by the men who are working the fields who know that only women who are on their period, and thus not pregnant, can be there.

menstruating

Villages are built along escarpments and near a source of water. On average, a village contains around 44 houses organized around the 'ginna', or head man's house. Each village is composed of one main lineage (occasionally, multiple lineages make up a single village) traced through the male line. Houses are built extremely close together, many times sharing walls and floors.


Dogon villages have different buildings:

Astronomical beliefs[edit]

Starting with the French anthropologist Marcel Griaule, several authors have claimed that Dogon traditional religion incorporates details about extrasolar astronomical bodies that could not have been discerned from naked-eye observation. The idea has entered the New Age and ancient astronaut literature as evidence that extraterrestrial aliens visited Mali in the distant past. Other authors have argued that previous 20th-century European visitors to the Dogon are a far more plausible source of such information and dispute whether Griaule's account accurately describes Dogon myths at all.


From 1931 to 1956, Griaule studied the Dogon in field missions ranging from several days to two months in 1931, 1935, 1937 and 1938[40] and then annually from 1946 until 1956.[41] In late 1946, Griaule spent a consecutive 33 days in conversations with the Dogon wiseman Ogotemmeli, the source of much of Griaule and Germaine Dieterlen's future publications.[42] They reported that the Dogon believe that the brightest star in the night sky, Sirius (Sigi Tolo or "star of the Sigui"[43]), has two companion stars, Pō Tolo (the Digitaria star), and ęmmę ya tolo, (the female Sorghum star), respectively the first and second companions of Sirius A.[44] Sirius, in the Dogon system, formed one of the foci for the orbit of a tiny star, the companionate Digitaria star. When Digitaria is closest to Sirius, that star brightens: when it is farthest from Sirius, it gives off a twinkling effect that suggests to the observer several stars. The orbit cycle takes 50 years.[45] They also claimed that the Dogon appeared to know of the rings of Saturn, and the moons of Jupiter.[46]


Griaule and Dieterlen were puzzled by this 'Sudanese' star system, and prefaced their analysis with the disclaimer, "The problem of knowing how, with no instruments at their disposal, men could know the movements and certain characteristics of virtually invisible stars has not been settled, nor even posed."[47]


More recently, doubts have been raised about the validity of Griaule and Dieterlen's work.[48][49] In a 1991 article in Current Anthropology, anthropologist Wouter van Beek concluded after his research among the Dogon that, "Though they do speak about Sigu Tolo [which is what Griaule claimed the Dogon called Sirius] they disagree completely with each other as to which star is meant; for some it is an invisible star that should rise to announce the sigu [festival], for another it is Venus that, through a different position, appears as Sigu Tolo. All agree, however, that they learned about the star from Griaule."[50]


Griaule's daughter Geneviève Calame-Griaule responded in a later issue, arguing that Van Beek did not go "through the appropriate steps for acquiring knowledge" and suggesting that van Beek's Dogon informants may have thought that he had been "sent by the political and administrative authorities to test the Dogon's Muslim orthodoxy".[51] An independent assessment is given by Andrew Apter of the University of California.[52]


In a 1978 critique, skeptic Ian Ridpath concluded: "There are any number of channels by which the Dogon could have received Western knowledge long before they were visited by Griaule and Dieterlen."[53] In his book Sirius Matters, Noah Brosch postulates that the Dogon may have had contact with astronomers based in Dogon territory during a five-week expedition, led by Henri-Alexandre Deslandres, to study the solar eclipse of 16 April 1893.[54]


Robert Todd Carroll also states that a more likely source of the knowledge of the Sirius star system is from contemporary, terrestrial sources who provided information to interested members of the tribes.[55] James Oberg, however, citing these suspicions notes their completely speculative nature, writing that, "The obviously advanced astronomical knowledge must have come from somewhere, but is it an ancient bequest or a modern graft? Although Temple fails to prove its antiquity, the evidence for the recent acquisition of the information is still entirely circumstantial."[56] Additionally, James Clifford notes that Griaule sought informants best qualified to speak of traditional lore, and deeply mistrusted converts to Christianity, Islam, or people with too much contact with whites.[57]


Oberg points out a number of errors contained in the Dogon beliefs, including the number of moons possessed by Jupiter, that Saturn was the furthest planet from the sun, and the only planet with rings. Interest in other seemingly falsifiable claims, namely concerning a red dwarf star orbiting around Sirius (not hypothesized until the 1950s), led him to entertain a previous challenge by Temple, asserting that "Temple offered another line of reasoning. 'We have in the Dogon information a predictive mechanism which it is our duty to test, regardless of our preconceptions.' One example: 'If a Sirius-C is ever discovered and found to be a red dwarf, I will conclude that the Dogon information has been fully validated.'


This alludes to reports that the Dogon knew of another star in the Sirius system, Ęmmę Ya, or a star "larger than Sirius B but lighter and dim in magnitude". In 1995, gravitational studies indeed showed the possible presence of a brown dwarf star orbiting around Sirius (a Sirius-C) with a six-year orbital period.[58] A more recent study using advanced infrared imaging concluded that the probability of the existence of a triple star system for Sirius is "now low" but could not be ruled out because the region within 5 AU of Sirius A had not been covered.[59]

Fula people

Toucouleur people

Jobawa

Sullubawa

The Dogon People of Bandiagara, Mali, The Dance of Masks of the Dogon People

The Dogon People of Bandiagara, Mali : the Dogon Fish Festival

African worlds : studies in the cosmological ideas and social values of African peoples

Photos of Dogon Country

Pictures of Dogon Country

Archived 8 August 2017 at the Wayback Machine

Dogon images from the Smithsonian National Museum of African Art

Dogon images & traditions

Pictures about Dogon dances