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Dottie West

Dottie West (born Dorothy Marie Marsh; October 11, 1932 – September 4, 1991[1]) was an American country singer and songwriter. She also had several credits as an actress. A distinguished figure in the country genre, West was among several people who helped to elevate the platform of female country artists. She was also known for mentoring up-and-coming artists and being the first woman to win a country music accolade from the Grammy Awards.

Dottie West

(1932-10-11)October 11, 1932

Frog Pond, Tennessee, U.S.

September 4, 1991(1991-09-04) (aged 58)

  • Singer
  • songwriter
  • actress

1956–1991

  • Bill West
    (m. 1953; div. 1972)
  • Byron Metcalf
    (m. 1973; div. 1981)
  • Al Winters
    (m. 1983; div. 1990)

4, including Shelly

  • Vocals
  • guitar

West's exposure to country music in childhood influenced her continued music education at Tennessee Polytechnic Institute. After marrying, the family moved to Ohio where West made her first appearances singing on regional television. Her aspirations to write and record country led to West getting a Starday Records recording contract in 1959. West and her family then moved to Nashville, Tennessee where she continued recording and releasing unsuccessful singles for Starday. In 1963, West signed with RCA Victor, where she had first success. Her self-penned "Here Comes My Baby" (1964) became a top ten US country song and won her a Grammy. Writing and co-writing her own material, West had more top ten Nashville Sound-influenced singles like "Would You Hold It Against Me", "Paper Mansions" and "Rings of Gold".


West continued recording for RCA through 1976, having a crossover pop single with 1973's "Country Sunshine". The latter was also a Coca-Cola commercial jingle that was played routinely on television. Moving to United Artists Records (which later bought Liberty Records, West had her peak success in her middle age. In the late 1970s, she recorded two albums with Kenny Rogers. Their first duet "Every Time Two Fools Collide" (1978) became her first chart-topping single and was followed by four more top ten songs. The newfound success led to her own solo career reigniting. In 1980, West had her first chart-topping solo single with "A Lesson in Leavin'" and was followed by several more top 20 songs.


In the early 1980s, West began an acting career, appearing on television shows such as The Love Boat and films like The Aurora Encounter. She signed a new recording contract with Permian Records and her last album was released there in 1984. West continued appearing on television and touring. However, her increased spending habits would lead to her filing for bankruptcy in 1990. Her personal possessions were sold in a public auction by the Internal Revenue Service and she was forced to sell her home. While in the midst of planning a career comeback, West was killed in a car accident in 1991. Following her death, her life was made into a television movie and she was inducted into the Country Music Hall of Fame.

Early life[edit]

Dorothy Marie Marsh was born in Frog Pond, Tennessee, a community roughly 64 miles (103 km) northeast of Nashville in Macon County. She was the eldest of ten children born to Pelina Artha (née Jones) and William Hollis Marsh.[1] Hollis Marsh was a musician who played the guitar and fiddle.[2] Pelina Marsh was a homemaker but also worked various odd jobs to support the family.[3] Hollis suffered from alcoholism which caused him to become abusive and unable to hold a job.[4] The Marsh family lived a reportedly impoverished life, often running out of food and other resources.[5][6][7] In Dorothy's early years, the family lived in dilapidated homes. At one point a new home was being constructed by Pelina's extended family but was burnt to the ground by Hollis before its completion.[8]


Hollis Marsh was drafted during World War II but was discharged after three months. The family received military allotment checks which provided enough financial stability to build their own home.[9] Pelina Marsh then took on a job at a tree nursery to provide for her children. Being the oldest child, Dorothy took on the responsibility of caring for her younger siblings while her mother worked.[10] Dorothy and Pelina also worked in the fields of their neighbor's farm, picking fruits and vegetables.[11] At age 12, Dorothy raised money through a school fundraiser to buy her first guitar.[12]


During her teen years, Dorothy attended Central High School in McMinnville, Tennessee.[13] During this period, her father continued abusing alcohol and physically abusing his children including Dorothy. On some occasions, Hollis Marsh would hold his wife and children at gunpoint.[14] Around age 11, Dorothy began being repeatedly molested by her father. Too afraid to report it, the abuse continued for several years. She never spoke of the abuse during her lifetime. As a result of her father's sexual abuse, Dorothy had a miscarriage at age 15.[15]


At age 17, her father had found a job working for the Ford Motor Company in Detroit, Michigan. He threatened to take Dorothy out of school so she could move to Detroit with him. After being told the news by her father, Dorothy became uncontrollably emotional at school.[13] The same day, she confessed the molestation to her high school teachers.[15] Hollis Marsh was then arrested on rape and incest charges. Dorothy subsequently went to live with the county sheriff for several weeks while her mother moved the family into a McMinnville apartment.[16] Dorothy later testified in court against her father.[17] Hollis was ultimately found guilty of all charges and sentenced to 40 years at Tennessee State Prison. He eventually died in prison in 1967.[18][15][19]


Dorothy eventually moved back into her mother's McMinnville apartment. Her mother had to go on welfare to support her family. Along with her mother, Dorothy became a waitress at a local restaurant.[4] Her mother eventually moved the family into a house and opened up her own restaurant in McMinnville.[20][21][22] During this time, Dorothy began going by the name of Dottie. She also began singing and playing guitar in a high school band called The Coonskins.[4] The group played at high school events and also at square dances, picnics and other local events.[23] Following high school graduation, a McMinnville businessman got Dottie a music scholarship to attend Tennessee Polytechnic Institute. During her first day, Dottie met fellow student and steel guitar player Bill West[24] whom she later married. As a result, she changed her name to Dottie West.[25]

Career[edit]

1956–1962: Regional TV in Ohio and beginnings in Nashville[edit]

In 1956, the West family moved to Cleveland, Ohio.[26] Bill West found work in a steel facility and Dottie obtained a five-year contract on the regional country music television program Landmark Jamboree.[15] On the show, West formed a singing duo called The Kay-Dots with Kathy Dee.[27] The Landmark Jamboree often had mainstream country artists appear including The Carter Sisters, whom West met later worked with.[15] West also had aspirations of mainstream country stardom herself. Along with her husband and children, the family spent numerous weekends traveling to Nashville, Tennessee where she attempted to score a recording contract.[27][17][22] On one 1959 trip, West went into every Nashville record label but still could not get signed. Feeling discouraged, the family was about to drive back to Cleveland when they spotted the office of Starday Records. Auditioning live for Starday's Don Pierce, she was signed to the label on the spot.[28][15]


One week later, West self-financed $511 to record her first Starday single titled "An Angel on Paper".[28] The single, along with several further releases, failed to gain commercial success.[22] However, "An Angel on Paper" did receive occasional local Nashville airplay. Ott Devine of the Grand Ole Opry heard the song and had West make her debut appearance on the show in 1960. She traveled with her family for several more sporadic Opry appearances during the year. After saving nearly a $1000, the West family officially moved to Nashville in 1961. They temporarily lived with West's in-laws before finding their own small house in West Nashville.[29] The same year, West was hired by booking agent Lucky Moeller who arranged her first tours and shows in the United States.[30]


During this period, West and her husband met aspiring Nashville songwriters Hank Cochran, Red Lane, Roger Miller, Willie Nelson and Justin Tubb.[15] The family often brought songwriters back to their home where West would cook for them and in return learn to write songs.[4][31] West also became close friends with Patsy Cline during this time.[22] Struggling financially, Cline on occasion brought the West's on the road with her to help provide work.[32] West also toured with several other Grand Ole Opry performers and was now being managed by the Jim Denny Artist Bureau. In July 1962, moved to Atlantic Records, becoming the label's first country music artist on the roster.[33] However, the label also failed to generate any commercial success for her.[27]


According to West, the first song she ever wrote was "Is This Me?". She then recorded a demonstration tape with the help of steel guitarist Pete Drake.[4] "Is This Me?" was heard by Jim Reeves who chose to record it. Released as a single, the song became a commercial success for Reeves in 1963.[34] Reeves liked West's singing voice and brought her to the attention of Chet Atkins of RCA Victor records. Atkins signed her to his label shortly afterward. "Dottie was the best female singer in town [Nashville] and everybody knew it," he later said.[4]

1963–1968: "Here Comes My Baby" and success at RCA Victor[edit]

West's first RCA Victor recordings were released as singles in 1963: "Touch Me"[35] and "Let Me off at the Corner".[36] The latter became her first to make the US country chart[22] reaching number 29.[37] Her next release "Love Is No Excuse" was a duet with Jim Reeves that reached the top ten.[22] Yet it was the next single that was considered West's breakthrough solo recording: "Here Comes My Baby".[27][17][38] Co-written by West and her husband,[17] it reached number ten on the US country chart in late 1964.[37] "Here Comes My Baby" led to West winning the first-ever Grammy award given to a female country artist[39] and a membership to the Grand Ole Opry.[22] "Here Comes My Baby" was then included on West's debut studio album of the same name (1965), which was produced by Chet Atkins and included five self-composed songs.[40] The disc reached number 12 on the US country albums chart, as did her next studio album Dottie West Sings.[41] Her follow-up singles reached the US country top 40 through 1966: "Didn't I", "Gettin' Married Has Made Us Strangers", "No Sign of Living" and "Before the Ring on Your Finger Turns Green".[37]

Death[edit]

In July 1991, West lost control of a Chevrolet Camaro she was driving and crashed into a concrete wall. She was given a ticket for "careless driving" and for not wearing a seat belt.[91] A second car accident a month later would take her life.[87] On August 30, 1991, West was running late for a scheduled performance at the Grand Ole Opry. While driving herself to the venue, West's vehicle stalled. West then flagged down a passing driver, who happened to be her neighbor George Thackston. He agreed to drive her to the Opry.[92] While attempting to take the Opryland highway exit ramp, Thackston lost control of the vehicle. The car then went airborne and hit an embankment.[93][94] It was later reported that Thackston had taken the 25 mile-per-hour exit ramp at an estimated speed of 55 miles per hour.[93]


Thackston was taken to the hospital in critical condition.[95] Thackston ultimately survived the crash. He was later charged with reckless endangerment and pleaded no contest. He was ultimately sentenced to 11 months probation and to complete an alcohol recovery program.[96] At the scene of the accident, West did not appear to have any injuries. However, she was admitted to the hospital with a ruptured spleen and a lacerated liver.[90] Doctors also initially believed she might have been paralyzed. At Vanderbilt University Medical Center, West underwent a 90-minute surgery and was then taken to the surgical intensive care unit.[95] West underwent a second operation but lost a significant amount of blood and doctors did not think she would survive.[97] On the morning of September 4, 1991, West was being prepared for her next surgery. However, her heart stopped on the operating table at 9:43 AM, and she was unable to be revived. She was 58 years old.[98][99]


West's funeral was held at Nashville's Christ Church on September 7, 1991.[100] West was honored by her granddaughters with an original song paying tribute to her, which was played at the funeral.[101] Steve Wariner sang "Amazing Grace" during the services. Kenny Rogers eulogized her in a speech: "When she sang about pain, she felt pain; when she sang about love, she felt love; when she sang about beauty, she felt that beauty. While some performers sang words, she sang emotions."[87] West was then buried at Mount View Cemetery in her hometown of McMinnville.[102]

Personal life[edit]

Marriages and children[edit]

West was married and divorced three times.[103] Her first marriage was to Bill West in 1953, whom she met on her first day of classes at Tennessee Tech.[104] The couple wed during her sophomore year and were pictured together in their 1953 college yearbook.[105] Bill was also a steel guitarist who became a member of his wife's touring band and co-wrote many of her early songs.[106] In their first years in Nashville, the Wests rented a pink cottage on the western side of the city.[29] A home they later bought in Nashville caught fire in 1969. The family then purchased a home located in the Greenhills neighborhood of Nashville.[107] In 1972, the West's divorced. Dottie later claimed that she caught Bill cheating on her.[68] Bill West later died in 2013.[106]


The Wests had four children together by 1958: Morris, Kerry and Shelly.[108] Their fourth child Dale was born in 1962.[109] The couple's children also became involved with the music business. Kerry West became an audio engineer and found employment running sound equipment during shows for Ronnie Milsap. Mo West was a songwriter and guitarist, notably for the American rock band Thunder, which was briefly signed to Atlantic Records.[106] Shelly West was a recording artist during the 1980s, topping the US country charts as a duet team with David Frizzell and as a solo artist.[110]


In 1972, West married her band's drummer Byron Metcalf. Metcalf was 12 years younger.[4] During their wedding ceremony, West changed the phrase "'til death do us part" to "as long as love shall last". When commenting on her new marriage, West said, "I'm attracted to younger men and I'm not afraid to admit it...I don't mind saying it. I have nothing to hide."[68] In 1980, West filed for divorce from Metcalf, citing his drinking and infidelity.[111] In 1981, the divorce became final. It was agreed that West would give Metcalf $55,000, along with $10,000 provided to Metcalf's lawyer. "I work. He doesn't," she told the press.[112] In 1983, West wed sound engineer Al Winters.[87] The couple had a 23-year age difference. In 1988, West filed for divorce, citing "irreconcilable differences" and "cruel and inhuman treatment".[113] Their divorce became final in January 1990.[87]

Financial challenges and bankruptcy[edit]

In her later years, West became known for her spending habits.[87][18][114] In some instances, stores would remain open through midnight so she could shop alone.[115] "I can spend money real quick, I'm good at that. And there's been times that maybe I spent it in a way that I shouldn't. But I've always enjoyed it," she later commented.[4] By the 1980s, West was bringing in between one and two million dollars yearly.[116][117] During this period, West purchased a colonial mansion in Williamson County, Tennessee. The home was equipped with a bowling alley, closets organized with designer clothes and a nursery for her two grandchildren.[118] West also had a mirror built on the ceiling above her master bed.[87]


In August 1990, West filed for chapter 11 bankruptcy, owing the US Internal Revenue Service one million dollars.[119] She later switched to chapter seven, which allowed her to liquidate her assets.[1] Her management company claimed West "breached" her contract and sued her for $130,000. Her former manager Michael Brokaw claimed that he was due 15 percent of her earnings and had yet to be paid. He sued her for $110,295.[120] In September 1990, the First American National Bank seized her colonial mansion after previously buying it for $800,000.[121] Her Chevrolet Corvette was also seized and Kenny Rogers loaned her a car instead.[87] West then moved into Nashville's Wessex Towers condominiums.[122] Several months later, an unknown caller informed bankruptcy trustee John McLemore that West was secretly hiding personal possessions in storage to avoid being seized by the IRS. In April 1991, several porcelain objects and a guitar were found in a storage facility.[123]


In June 1991, the IRS held a public auction where people bought West's personal possessions. Some fans bought items and returned them to West.[124] Items sold at the auction included West's baby grand piano and her 1976 Cadillac Fleetwood. Despite the proceeds from the auction, West was still left with debt.[91]

Artistry[edit]

Influences[edit]

From an early age, West was routinely exposed to country music.[125][126] West's father routinely played the fiddle during her childhood. He often performed songs by Jimmie Rodgers on the instrument while West's mother would sing along.[127] Because the family was one of few to own a radio, neighbors would gather at her childhood home every Saturday evening to listen to the Grand Ole Opry.[128] Among her earliest influences was the Carter Family and The Carter Sisters.[129][15] West later commented that she would cry when hearing Anita Carter's "pure sweet voice" in the family group.[130] She was most especially influenced by the group's matriarch, Mother Maybelle Carter. "She was very dedicated to her career, but she was also a very good mama. She really took care of those girls. I watched how she handled the business part, the stage, the performance, and the traveling."[15]

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Dottie West