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Edna O'Brien

Josephine Edna O'Brien DBE (born 15 December 1930) is an Irish novelist, memoirist, playwright, poet and short-story writer. Elected to Aosdána by her fellow artists, she was honoured with the title Saoi in 2015 and the biennial "UK and Ireland Nobel"[1] David Cohen Prize in 2019, whilst France made her Commandeur de l'Ordre des Arts et des Lettres in 2021.

Edna O'Brien

(1930-12-15) 15 December 1930
Tuamgraney, County Clare, Ireland

  • Novelist
  • memoirist
  • playwright
  • poet
  • short story writer

English (Hiberno-English)

1960–

The Yorkshire Post Book Award (Book of the Year)
1970
Los Angeles Times Book Prize for Fiction
1990
Premio Grinzane Cavour
1991
Writers' Guild Award
1993
European Prize for Literature
1995
Irish PEN Award
2001
Ulysses Medal
2006
Lifetime Achievement Award in Irish Literature
2009
Frank O'Connor International Short Story Award
2011
Saoi of Aosdána
2015
David Cohen Prize
2019
Commandeur de l'Ordre des Arts et Lettres
2021

O'Brien's works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole.[2] Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following the Second World War. The book was banned, burned and denounced from the pulpit.[3] Faber and Faber published her memoir, Country Girl, in 2012. O'Brien lives in London.


O'Brien has been mentioned as a candidate for the Nobel Prize in literature.[4][5] Philip Roth described her as "the most gifted woman now writing in English",[6] while a former President of Ireland, Mary Robinson, cited her as "one of the great creative writers of her generation".[7] Others to hail her as one of the greatest writers alive include John Banville, Michael Ondaatje and Sir Ian McKellen.[5] O'Brien received the Irish PEN Award in 2001. Saints and Sinners won the 2011 Frank O'Connor International Short Story Award, the world's richest prize for a short-story collection.

Life and career[edit]

Josephine Edna O'Brien was born in 1930 to farmer[8] Michael O'Brien and Lena Cleary at Tuamgraney, County Clare, Ireland, a place she would later describe as "fervid" and "enclosed". The family lived at "Drewsborough" (also "Drewsboro"), a "large two-storey house", which her mother kept in "semi-grandeur".[9] Michael O'Brien, "whose family had seen wealthier times" as landowners,[10] had inherited a "thousand acres or more" and "a fortune from rich uncles", but was a "profligate" hard-drinker who gambled away his inheritance, the land "sold off in bits ... or bartered to pay debts";[11] Lena "came from a poorer background".[12] According to O'Brien, her mother was a strong, controlling woman who had emigrated temporarily to America, and worked for some time as a maid in Brooklyn, New York, for a well-off Irish-American family before returning to Ireland to raise her family. O'Brien was the youngest child of "a strict, religious family". From 1941 to 1946 she was educated by the Sisters of Mercy at the Convent of Mercy boarding school[13] at Loughrea, County Galway[14] – a circumstance that contributed to a "suffocating" childhood. "I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I'm glad it has gone."[15] She was fond of a nun as she deeply missed her mother and tried to identify the nun with her.[16] In 1950, having studied at night at pharmaceutical college and worked in a Dublin pharmacy during the day,[17] O'Brien was awarded a licence as a pharmacist. In Ireland, she read such writers as Tolstoy, Thackeray, and F. Scott Fitzgerald.[2]


In Dublin, O'Brien bought Introducing James Joyce, with an introduction written by T. S. Eliot, and said that when she learned that James Joyce's A Portrait of the Artist as a Young Man was autobiographical, it made her realise where she might turn, should she want to write herself. "Unhappy houses are a very good incubation for stories", she said.[15] In London she started work as a reader for Hutchinson, where on the basis of her reports she was commissioned, for £50, to write a novel. She published her first book, The Country Girls, in 1960.[18] This was the first part of a trilogy of novels (later collected as The Country Girls Trilogy), which included The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books were banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. O'Brien herself was accused of "corrupting the minds of young women"; she later said: "I felt no fame. I was married. I had young children. All I could hear out of Ireland from my mother and anonymous letters was bile and odium and outrage."[19]


In the 1960s, she was a patient of R.D. Laing: "I thought he might be able to help me. He couldn't do that – he was too mad himself – but he opened doors", she later said.[15] Her novel, A Pagan Place (1970), was about her repressive childhood. Her parents were vehemently against all things related to literature; her mother strongly disapproved of her daughter's career as a writer. Once when her mother found a Seán O'Casey book in her daughter's possession, she tried to burn it.[2]


Alongside Teddy Taylor (Conservative), Michael Foot (Labour) and Derek Worlock (Catholic Archbishop of Liverpool), O'Brien was a panel member for the first edition of the BBC's Question Time in 1979 and was awarded the first answer in the programme's history ("Edna O'Brien, you were born there", referring to Ireland).[20] Taylor's death in 2017 left her as the sole surviving member. In 1980, she wrote a play, Virginia, about Virginia Woolf, and it was staged originally in June 1980 at the Stratford Festival, Ontario, Canada and subsequently in the West End of London at the Theatre Royal Haymarket with Maggie Smith and directed by Robin Phillips.[21] It was staged at The Public Theater in New York in 1985. Also in 1980 O'Brien appeared alongside Patrick McGoohan in the TV movie The Hard Way. Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run (part of her research involved visiting Irish republican Dominic McGlinchey, later shot dead, whom she called "a grave and reflective man"), marked a new phase in her writing career. Down by the River (1996) concerned an underage rape victim who sought an abortion in England, the "Miss X case". In the Forest (2002) dealt with the real-life case of Brendan O'Donnell, who abducted and murdered a woman, her three-year-old son, and a priest, in rural Ireland.[15]


In September 2021, it was announced that O'Brien would be donating her archive to the National Library of Ireland. The Library will hold papers from O'Brien covering the period of 2000 to 2021[22] and includes correspondence, drafts, notes, and revisions. O'Brien's papers from 1939 to 2000 are held by Emory University in Atlanta, Georgia.[23]

Awards and honours[edit]

O'Brien's awards include the Yorkshire Post Book Award in 1970 (for A Pagan Place), and the Los Angeles Times Book Prize in 1990 for Lantern Slides. In 2006, she was appointed adjunct professor of English Literature in University College, Dublin.[24]


In 2009, O'Brien was honoured with the Bob Hughes Lifetime Achievement Award during a special ceremony at the year's Irish Book Awards in Dublin.[25] Her collection Saints and Sinners won the 2011 Frank O'Connor International Short Story Award,[26] with judge Thomas McCarthy referring to her as "the Solzhenitsyn of Irish life". RTÉ aired a documentary on her as part of its Arts strand in early 2012.[27][28] On 10 April 2018, for her contributions to literature, she was appointed an honorary Dame of the Order of the British Empire.[29]


In 2019, O'Brien was awarded the David Cohen Prize for Literature at a ceremony in London. The £40,000 prize, awarded every two years in recognition of a living writer's lifetime achievement in literature, has been described as the "UK and Ireland Nobel in literature". Judge David Park said "In winning the David Cohen Prize, Edna O’Brien adds her name to a literary roll call of honour".[1]


In March 2021, France announced that it would be awarding O'Brien Ordre des Arts et des Lettres, France's highest honour for the arts.[30]

Legacy[edit]

According to Scottish novelist Andrew O'Hagan, O'Brien's place in Irish letters is assured. "She changed the nature of Irish fiction; she brought the woman's experience and sex and internal lives of those people on to the page, and she did it with style, and she made those concerns international." Irish novelist Colum McCann avers that O'Brien has been "the advance scout for the Irish imagination" for over fifty years.[15]


Emory University (Atlanta, Georgia) holds her papers up to 2000. More recent papers are at University College Dublin[31]

Personal life[edit]

In 1954, O'Brien met and married, against her parents' wishes, the Irish writer Ernest Gébler, and the couple moved to London, where, as she later put it, "We lived in SW 20. Sub-urb-ia".[15] They had two sons, Carlo, a writer, and Sasha, an architect, but the marriage ended in 1964. In 2009, Carlo revealed that his parents' marriage had been volatile, with bitter rows between his mother and father over her success. Initially believing he deserved credit for helping her become an accomplished writer, Gébler came to believe he was the author of O'Brien's books.[32] He died in 1998.[33] Her great nephew Frank Blake is an actor.[34]

1962: [35]

non existent Kingsley Amis Award

1960: (ISBN 0-14-001851-4)

The Country Girls

1962: The Lonely Girl later published as Girl with Green Eyes ( 0-14-002108-6)

ISBN

1964: (ISBN 0-14-002649-5)

Girls in Their Married Bliss

1965: (ISBN 0-14-002720-3)

August Is a Wicked Month

1966: (ISBN 0-14-002875-7)

Casualties of Peace

1970: (ISBN 0-297-00027-6)

A Pagan Place

1972: Night ( 0-297-99541-3)

ISBN

1977: Johnny I Hardly Knew You ( 0 -297-77284-8); in US, "I Hardly Knew You" (ISBN 0-140-04772-7)

ISBN

1987: The Country Girls Trilogy with new epilogue ( 0-14-010984-6)

ISBN

1988: (ISBN 0-297-79493-0)

The High Road

1992: (ISBN 0-670-84552-3)

Time and Tide

1994: (ISBN 0-297-81460-5)

House of Splendid Isolation

1996: (ISBN 0-297-81806-6)

Down by the River

1999: (ISBN 0-297-64576-5)

Wild Decembers

2002: (ISBN 0-297-60732-4)

In the Forest

2006: (ISBN 0-618-71867-2)

The Light of Evening

2015: (ISBN 0-316-37823-2)

The Little Red Chairs

2019: (ISBN 0-374-16255-7)

Girl

Colletta, Lisa; O'Connor, Colletta, eds. (2006). Wild Colonial Girl: Essays on Edna O'Brien. Madison: . ISBN 978-0-299-21634-4.

University of Wisconsin Press

Eckley, Grace (1974). Edna O'Brien. Irish Writers Series. Lewisburg, PA: . ISBN 978-0-8387-7838-8.

Bucknell University Press

Laing, Kathryn; Mooney, Sinéad; O'Connor, Maureen, eds. (2006). Edna O'Brien: New Critical Perspectives. Dublin: Carysfort Press.  978-1-904505-20-4.

ISBN

O'Connor, Theresa, ed. (1996). The Comic Tradition in Irish Women Writers. Gainesville, FL: . ISBN 978-0-8130-1457-9.

University Press of Florida

Plimpton, George, ed. (1986). Writers at Work: The Paris Review Interviews (7th Series ed.). New York: . ISBN 978-0-670-80888-5.

Viking Press

Schrank, Bernice (1999). Edna O'Brien. ( 978-0805778205)

ISBN

Serafin, Steven R., ed. (1999). Encyclopedia of World Literature in the 20th century. Vol. 3 (3rd ed.). Detroit: St. James Press, an imprint of . ISBN 978-1-55862-376-7. LCCN 98040374.

Gale Cengage

Staley, Thomas F., ed. (1982). Twentieth-Century Women Novelists. London: . ISBN 978-0-333-28128-4.

Macmillan

(1976). "Edna O'Brien", in Contemporary Novelists.

Trevor, William

at IMDb

Edna O'Brien

O'Brien at Clare County Library

Shusha Guppy (Summer 1984). . The Paris Review. Summer 1984 (92).

"Edna O'Brien, The Art of Fiction No. 82"

at WiredForBooks, 22 May 1992

"Audio Interview with Edna O'Brien"

at salon.com, 2 December 1995

"Lit Chat"

for The Guardian, 7 December 2012

"You have to be lonely to be a writer" – O'Brien video interview

Video recording of O'Brien reads an extract from her autobiography Country Girl

Emory University: O'Brien papers, circa 1939-2000

Stuart A. Rose Manuscript, Archives, and Rare Book Library