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English National Opera

English National Opera (ENO) is a British opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English.

The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively.


Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the company returned to its home, but it continued to expand and improve. By the 1960s, a larger theatre was needed. In 1968, the company moved to the London Coliseum and adopted its present name in 1974.


Among the conductors associated with the company have been Colin Davis, Reginald Goodall, Charles Mackerras, Mark Elder and Edward Gardner. The current music director of the ENO is Martyn Brabbins. Noted directors who have staged productions at the ENO have included David Pountney, Jonathan Miller, Nicholas Hytner, Phyllida Lloyd and Calixto Bieito. The ENO's current artistic director is Annilese Miskimmon. In addition to the core operatic repertoire, the company has presented a wide range of works, from early operas by Monteverdi to new commissions, operetta and Broadway shows.

Recordings[edit]

Recordings of individual scenes and numbers were made by Sadler's Wells singers from the company's earliest days. In 1972 an LP set was issued bringing together many of these recordings, prefaced with a tribute to Lilian Baylis recorded in 1936. Among the singers in the set are Joan Cross, Heddle Nash, Edith Coates, Joan Hammond, Owen Brannigan, Peter Pears, Peter Glossop and Charles Craig. The conductors include Lawrance Collingwood, Reginald Goodall and Michael Mudie.[177]


After the Second World War, the Sadler's Wells company made a 78 r.p.m. set of excerpts from Simon Boccanegra (1949),[178] but made no more recordings until the stereo LP era. In the 1950s and 1960s, the company recorded a series of abridged sets of operas and operettas for EMI, each occupying two LP sides. All were sung in English. The opera sets were Madame Butterfly (1960),[179] Il trovatore (1962),[180] and Hansel and Gretel (1966).[181] The abridged operetta recordings were Die Fledermaus (1959), The Merry Widow (1959), The Land of Smiles (1960), La vie parisienne (1961), Orpheus in the Underworld (1960), Iolanthe (1962), La belle Hélène (1963) and The Gypsy Baron (1965).[182][183] A complete recording of The Mikado was released in 1962.[183]


Excerpts from the company's Twilight of the Gods were recorded in German under Mackerras (1972) and in English under Goodall (1973).[184] EMI recorded the complete Ring cycle during public performances at the Coliseum between 1973 and 1977.[n 18] Chandos Records has since reissued the cycle on CD,[185] and also produced the first official release of a live 1968 recording of the company's The Mastersingers, in a 2008 release.[186]


In the CD era, ENO was featured as part of a series of operatic recordings, sung in English, released by Chandos Records. Some were reissues of Sadler's Wells Opera or ENO recordings originally issued by EMI: Mary Stuart (recorded in 1982) and Julius Caesar (1985), both starring Janet Baker, and La traviata (1981), starring Valerie Masterson.[187] Newer recordings, made specifically for the Chandos series, whilst having no official connection with the ENO, featured many past and present members of the company. Conductors include Sir Charles Mackerras, Sir Mark Elder and Paul Daniel. Those in which the chorus and orchestra of the ENO appear are Lulu, The Makropoulos Affair, Werther, Dialogues of the Carmelites, The Barber of Seville, Rigoletto, Ernani, Otello and Falstaff, as well as the live recordings of The Ring and The Mastersingers.[188]

Education[edit]

In 1966, under the company's head of design, Margaret Harris, Sadler's Wells Theatre Design Course was founded; it later became Motley Theatre Design Course.[189] ENO Baylis, founded in 1985, is the education department of the ENO; it aims to introduce new audiences to opera and "to deepen and enrich the experience of current audiences in an adventurous, creative and engaging manner."[190] The programme offers training for students and young professionals, and also workshops, commissions, talks and debates, which is now called ENO Engage.[190]

(1898–1935)

Charles Corri

(chief conductor, 1931–1941, musical director 1941–1946)

Lawrance Collingwood

(1946–1954)

James Robertson

(1957–1959)

Alexander Gibson

(1961–1965)

Colin Davis

(1966–1968) and Bryan Balkwill (1966–1969), joint musical directors

Mario Bernardi

(1970–1977)

Charles Mackerras

(1978–1979)

Sir Charles Groves

(1979–1993)

Mark Elder

(1993–1995)

Sian Edwards

(1997–2005)

Paul Daniel

(2007–2015)

Edward Gardner

(2015–2016)

Mark Wigglesworth

(2016–2023)

Martyn Brabbins

(2005–2015)

John Berry

(2016–2020)

Daniel Kramer

Annilese Miskimmon (2020–present)

[151]

Banks, Paul (2000). The Making of Peter Grimes: Essays and Studies. Woodbridge: Boydell Press.  0-85115-791-2.

ISBN

Blyth, Alan (1972). Colin Davis. London: Ian Allan.  641971554.

OCLC

Chandos Records (2009). (PDF). London: Chandos Records. Archived from the original (PDF) on 22 August 2011.

Chandos catalogue 2009

Conrad, Peter (1987). A Song of Love and Death – The Meaning of Opera. London: Chatto and Windus.  0-7011-3274-4.

ISBN

Cox, David (1980). The Henry Wood Proms. London: BBC.  0-563-17697-0.

ISBN

Gilbert, Susie (2009). Opera for Everybody: The Story of English National Opera. London: Faber and Faber.  978-0-571-22493-7.

ISBN

Goodman, Lord; Lord Harewood (1969). A Report on Opera and Ballet in the United Kingdom, 1966–69. London: Arts Council of Great Britain.  81272.

OCLC

Haltrecht, Montague (1975). . London: Collins. ISBN 0-00-211163-2.

The Quiet Showman: Sir David Webster and the Royal Opera House

Jonas, Peter; Mark Elder; David Pountney (1992). Power house: the English National Opera experience. London: Lime Tree.  0-413-45631-5.

ISBN

Schafer, Elizabeth (2006). Lilian Baylis: A Biography. Hatfield: University of Hertfordshire Press.  1-902806-64-6.

ISBN

Official website of English National Opera

ENO history