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Ennio Morricone

Ennio Morricone OMRI[1] (Italian: [ˈɛnnjo morriˈkoːne]; 10 November 1928 – 6 July 2020) was an Italian composer, orchestrator, conductor, trumpeter, and pianist who wrote music in a wide range of styles. With more than 400 scores for cinema and television, as well as more than 100 classical works, Morricone is widely considered one of the most prolific and greatest film composers of all time.[2][3] He received numerous accolades including two Academy Awards, three Grammy Awards, three Golden Globes, six BAFTAs, ten David di Donatello, eleven Nastro d'Argento, two European Film Awards, the Golden Lion Honorary Award, and the Polar Music Prize in 2010.

Ennio Morricone

Ennio Morricone

  • Maestro
  • Dan Savio
  • Leo Nichols

(1928-11-10)10 November 1928
Rome, Kingdom of Italy

6 July 2020(2020-07-06) (aged 91)
Rome, Italy

Trumpet, piano

1946–2020

Maria Travia
(m. 1956)

His filmography includes more than 70 award-winning films, all Sergio Leone's films since A Fistful of Dollars, all Giuseppe Tornatore's films since Cinema Paradiso, Dario Argento's Animal Trilogy, as well as The Battle of Algiers (1968), 1900 (1976), La Cage aux Folles (1978), Le Professionnel (1981), The Thing (1982), and Tie Me Up! Tie Me Down! (1989). He received Academy Award for Best Original Score nominations for Days of Heaven (1978), The Mission (1986), The Untouchables (1987), Bugsy (1991), Malèna (2000) and The Hateful Eight (2015), winning for the latter.[4] He won the Academy Honorary Award in 2007.[5] His score to The Good, the Bad and the Ugly (1966) is regarded as one of the most recognizable and influential soundtracks in history.[6] It was inducted into the Grammy Hall of Fame.[7]


After playing the trumpet in jazz bands in the 1940s, he became a studio arranger for RCA Victor and in 1955 started ghost writing for film and theatre.[8] Throughout his career, he composed music for artists such as Paul Anka, Mina, Milva, Zucchero, and Andrea Bocelli. From 1960 to 1975, Morricone gained international fame for composing music for Westerns and—with an estimated 10 million copies sold—Once Upon a Time in the West is one of the best-selling scores worldwide.[9] From 1966 to 1980, he was a main member of Il Gruppo, one of the first experimental composers collectives, and in 1969 he co-founded Forum Music Village, a prestigious recording studio. He continued to compose music for European productions, such as Marco Polo, La piovra, Nostromo, Fateless, Karol, and En mai, fais ce qu'il te plait.


Morricone composed for Hollywood directors such as Don Siegel, Mike Nichols, Brian De Palma, Barry Levinson, Oliver Stone, Warren Beatty, John Carpenter, and Quentin Tarantino. He has also worked with directors such as Bernardo Bertolucci, Mauro Bolognini, Giuliano Montaldo, Roland Joffé, Roman Polanski, Henri Verneuil, Mario Bava, Lucio Fulci, Umberto Lenzi, Gillo Pontecorvo, and Pier Paolo Pasolini. His best-known compositions include "The Ecstasy of Gold", "Se telefonando", "Man with a Harmonica", "Here's to You", "Chi Mai", "Gabriel's Oboe", and "E Più Ti Penso". He has influenced many artists including Hans Zimmer,[10] Danger Mouse,[11] Dire Straits,[12] Muse,[13] Metallica,[14] Fields of the Nephilim,[15] and Radiohead.[16]

Career[edit]

First compositions[edit]

Morricone wrote his first compositions when he was six years old and he was encouraged to develop his natural talents.[23] In 1946, he composed "Il Mattino" ("The Morning") for voice and piano on a text by Fukuko, first in a group of seven "youth" Lieder.[24]


In the following years, he continued to write music for the theatre as well as classical music for voice and piano, such as "Imitazione", based on a text by Italian poet Giacomo Leopardi, "Intimità", based on a text by Olinto Dini, "Distacco I" and "Distacco II" with words by R. Gnoli, "Oboe Sommerso" for baritone and five instruments with words by poet Salvatore Quasimodo, and "Verrà la Morte", for alto and piano, based on a text by novelist Cesare Pavese.[24]


In 1953, Morricone was asked by Gorni Kramer and Lelio Luttazzi to write an arrangement for some medleys in an American style for a series of evening radio shows. The composer continued with the composition of other 'serious' classical pieces, thus demonstrating the flexibility and eclecticism that always has been an integral part of his character. Many orchestral and chamber compositions date, in fact, from the period between 1954 and 1959: Musica per archi e pianoforte (1954), Invenzione, Canone e Ricercare per piano; Sestetto per flauto, oboe, fagotto, violino, viola, e violoncello (1955), Dodici Variazione per oboe, violoncello, e piano; Trio per clarinetto, corno, e violoncello; Variazione su un tema di Frescobaldi (1956); Quattro pezzi per chitarra (1957); Distanze per violino, violoncello, e piano; Musica per undici violini, Tre Studi per flauto, clarinetto, e fagotto (1958); and the Concerto per orchestra (1957), dedicated to his teacher Goffredo Petrassi.[24][25]


Morricone soon gained popularity by writing his first background music for radio dramas and quickly moved into film.[26]

Personal life and death[edit]

On 13 October 1956, Morricone married Maria Travia (born 31 December 1932), whom he had met in 1950. Travia wrote lyrics to complement her husband's pieces. Her works include the Latin texts for The Mission. Together, they had four children: Marco (b. 1957), Alessandra (b. 1961), conductor and film composer Andrea (b. 1964) and Giovanni (b. 1966), a filmmaker who lives in New York City.[149] They remained married for 63 years until his death.


Morricone lived in Italy his entire life and never desired to live in Hollywood. He described himself as a Christian leftist,[150] stating that he voted for the Christian Democracy (DC) for more than 40 years[151] and then, after its dissolution in 1994, he approached the centre-left coalition.[152]


Morricone loved chess,[153] having learned the game when he was 11. Before his musical career took off, he played in club tournaments in Rome in the mid-1950s. His first official tournament was in 1964, where he won a prize in the third category for amateurs. He was even coached by 12-time Italian champion IM Stefano Tatai for a while. Soon he got too busy for chess, but he would always keep a keen interest in the game and estimated his peak Elo rating to be nearly 1700.[154] Over the years, Morricone played chess with many big names including GMs Garry Kasparov, Anatoly Karpov, Judit Polgar, and Peter Leko.[154] He once held GM Boris Spassky to a draw[154] in a simultaneous competition with 27 players, where Morricone was the last one standing.[155]


On 6 July 2020, Morricone died at the Università Campus Bio-Medico in Rome, aged 91, as a result of injuries sustained to his femur during a fall.[156][157] Following a private funeral in the hospital's chapel, he was entombed in Cimitero Laurentino.[158]

Morricone's influence extends into the realm of pop music. had a hit with a version of the main theme from The Good, the Bad and the Ugly in both the United Kingdom and the United States. This was followed by his album of Morricone's music in 1968.

Hugo Montenegro

Morricone's film music was also recorded by many artists. recorded an album of Morricone's music, The Big Gundown, with Keith Rosenberg in the mid-1980s.[159]

John Zorn

Morricone's Sergio Leone Suite of haunting melodies from the scores he composed for several of the films by , and performed by Morricone, Roma Sinfonietta Orchestra, and Yo-Yo Ma on cello, was recorded by CBS/Sony (93456) and is featured on Classical radio stations such as WSMR,[160] a Sarasota, Florida radio station.

Leone

Morricone collaborated with world music artists, such as Portuguese singer Dulce Pontes (in 2003 with Focus, an album praised by Paulo Coelho and where his songbook can be sampled) and virtuoso cellist Yo-Yo Ma (in 2004), who both recorded albums of Morricone classics with the Roma Sinfonietta Orchestra and Morricone himself conducting. The album Yo-Yo Ma Plays Ennio Morricone sold more than 130,000 copies in 2004.[161]

fado

uses Morricone's "The Ecstasy of Gold" as an intro at their concerts since 1983 (shock jocks Opie and Anthony also used the song at the start of their XM Satellite Radio and CBS Radio shows.) The San Francisco Symphony Orchestra also played it on Metallica's live albums S&M and S&M2.[162] The theme from A Fistful of Dollars is also used as a concert intro by The Mars Volta.[163]

Metallica

Morricone inspired the namesake of , a New York band dedicated to playing music from film and television, founded by musician and radio host Devon E. Levins in 1999. In addition to composers like Lalo Schifrin and Jerry Goldsmith, the band has performed music from a large spectrum of Morricone's film career, ranging from his work in the spaghetti westerns to The Exorcist II, as well as original Morricone-inspired pieces.[164]

Morricone Youth

The is an Australian tribute band started in 2004.

Spaghetti Western Orchestra

drew inspiration from the recording style of Morricone for their 1997 album OK Computer.[165]

Radiohead

Singer and composer was heavily influenced by Morricone's more experimental oeuvre[166] and in 2005 he commissioned a compilation album, Crime and Dissonance, of the lesser-known soundtracks by "E Maestro" that was released on his own Ipecac Recordings label.[167]

Mike Patton

's hit single "Crazy" (2006) was musically inspired by Morricone.[168]

Gnarls Barkley

cites Morricone as an influence for the songs "City of Delusion", "Hoodoo", and "Knights of Cydonia" on their 2006 album Black Holes and Revelations. The band went on to perform the song "Man with a Harmonica" live played by Chris Wolstenholme, as an intro to "Knights of Cydonia".[169]

Muse

In 2007, the tribute album was released, featuring performances by various artists, including Sarah Brightman, Andrea Bocelli, Celine Dion, Bruce Springsteen and Metallica.[170]

We All Love Ennio Morricone

has noted Morricone's influence on his writing, in particular on The Last Shadow Puppets album The Age of the Understatement of 2008.[171]

Alex Turner

"", a song released in 2014 by French music producer David Guetta, is influenced by Morricone's western scores.[172]

Lovers on the Sun

repurposed Morricone's score from 1966's La Resa Dei Conti (Seconda Caccia) for "The Big Gundown" on 2009's Invaders Must Die.

The Prodigy

has cited Morricone as an influence.[173]

Anna Calvi

' song "Lonely" was written on the day of Morricone's death and is influenced by his music, particularly on the film The Good, the Bad and the Ugly. It was released as a single in February 2022.[174]

Sea Girls

, a 156-minute documentary by Giuseppe Tornatore was released on 22 April 2022 in cinemas and on digital platforms.[175]

Ennio

Ennio Morricone influenced many artists from other styles and genres, including Danger Mouse,[11] Dire Straits,[12] Muse,[13] Metallica,[14] Radiohead[16] and Hans Zimmer.[10]


Morricone's dynamic sound is from the various genres he both served and was inspired from. The diversity of his sound was consistently visual.

Morricone, Ennio; De Rosa, Alessandro. Ennio Morricone: In His Own Words. Ennio Morricone in conversation with Alessandro De Rosa. Translated from the Italian by M. Corbella. Oxford University Press (2019–2020).  978-0-19-068103-6.

ISBN

Horace, B. Music from the Movies, film music journal double issue 45/46, 2005:  0967-8131.

ISSN

Miceli, Sergio. Morricone, la musica, il cinema. Milan: Mucchi/Ricordi, 1994:  978-88-7592-398-3.

ISBN

Miceli, Sergio. "Morricone, Ennio". , 2nd edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.

The New Grove Dictionary of Music and Musicians

Poppi, R., M. Pecorari. Dizionario del cinema italiano. I film vol. 3. Dal 1960 al 1969. Gremese, 1993:  978-88-7605-593-5.

ISBN

Poppi, R., M. Pecorari. Dizionario del cinema italiano. I film vol. 4. Dal 1970 al 1979* A/L. Gremese, 1996:  978-88-7605-935-3.

ISBN

Poppi, R., M. Pecorari. Dizionario del cinema italiano. I film vol. 4. Dal 1970 al 1979** M/Z. Gremese, 1996:  978-88-7605-969-8.

ISBN

Poppi, R., M. Pecorari. Dizionario del cinema italiano. I film vol. 5. Dal 1980 al 1989* A/L. Gremese, 2000:  978-88-7742-423-5.

ISBN

Poppi, R., M. Pecorari. Dizionario del cinema italiano. I film vol. 5. Dal 1980 al 1989** M/Z. Gremese, 2000:  978-88-7742-429-7.

ISBN

. "A Talk With Ennio Morricone". In: Fagen, Donald: Eminent Hipsters. Penguin Group, 2013. ISBN 978-0-670-02551-0, pp. 59–62.

Fagen, Donald

Morricone, Ennio; De Rosa, Alessandro. "Ennio Morricone: In His Own Words. Ennio Morricone in conversation with Alessandro De Rosa". Translated from the Italian by M. Corbella. Oxford University Press (2019–2020).  978-0-19-068103-6

ISBN

Lhassa, Anne, and Jean Lhassa: Ennio Morricone: biographie. Les Planches. Lausanne: Favre; [Paris]: [diff. Inter-forum], 1989.  978-2-8289-0418-0.

ISBN

Sorbo, Lorenzo: 'The Dramatic Functions of Italian Spaghetti Western Soundtracks: A Comparison between Ennio Morricone and Francesco De Masi' In: Stoppe, Sebastian (2014). Film in Concert. Film Scores and their Relation to Classical Concert Music. Glücksstadt, Germany: VWH Verlag. pp. 161–174. :10.25969/mediarep/16802. ISBN 978-3-86488-060-5.

doi

Wagner, Thorsten. "Improvisation als 'weiteste Ausdehnung des Begriffs der aleatorischen Musik': Franco Evangelisti und die Improvisationsgruppe Nuova Consonanza". In ... hin zu einer neuen Welt: Notate zu Franco Evangelisti, edited by Harald Muenz.48–60, 2002. Saarbrücken: Pfau-Verlag.  978-3-89727-177-7.

ISBN

Webb, Michael D. Italian 20th Century Music: The Quest for Modernity. London: Kahn & Averill.  978-1-871082-89-0.

ISBN

Wenguang Han: Archived 26 December 2019 at the Wayback Machine, 2013 (China). ISBN 978-988-16794-2-0

Ennio Morricone Fans Handbook

Sorce Keller, Marcello. "The Morricone Paradox: A Film Music Genius Who Missed Writing Symphonies". Asian-European Music Research Journal (AEMR). 6 (2020): 111–113.

Official website

at IMDb

Ennio Morricone

discography at Discogs

Ennio Morricone

Myspace

Ennio Morricone

at the Wayback Machine (archived 27 December 2010)

Tête-à-Tête: Ennio Morricone

at the Wayback Machine (archived 30 July 2013)

Morricone Fans

Streaming audio of Morricone's "The Man with the Harmonica", from his soundtrack to Once upon a Time in the West