FX (TV channel)
FX (Fox eXtended)[2][3][4] is an American pay television channel owned by FX Networks, LLC, a subsidiary of the Disney Entertainment business segment and division of The Walt Disney Company. It is based at the Fox Studios lot in Century City, California. FX was originally launched by News Corporation on June 1, 1994,[5] and later became one of the properties that was included in the acquisition of 21st Century Fox by Disney in 2019. The network's original programming aspires to the standards of premium cable channels in regard to mature themes and content, high-quality writing, directing and acting. Sister channels FXM and FXX were launched in 1994 and 2013, respectively. FX also carries reruns of theatrical films and terrestrial-network sitcoms. Advertising-free content was available through the FX+ premium subscription service until it was shut down on August 21, 2019.
This article is about the American television channel launched in 1994. For related channels of this name in other countries, see FX (international).Country
United States
Nationwide
- 10201 West Pico Boulevard
- Building 103, 4th Floor
- Los Angeles, CA 90035, United States[1]
English
HDTV 720p
(downscaled to letterboxed 480i for the SD feed)
June 1, 1994
fX (1994–1997)
As of September 2018, FX is available to approximately 89.2 million television households (96.7% of households with cable) in the United States.[6] In addition to the flagship U.S. network, the "FX" name is licensed to a number of related pay television channels in various countries around the world.
History
1994–1997: "TV Made Fresh Daily"
FX, originally stylized as "fX", launched on June 1, 1994. Broadcasting from a large "apartment" in Manhattan's Flatiron District, fX was one of the first forays into large-scale interactive television. The channel centered on original programming, which was broadcast live every day from the "fX Apartment", and rebroadcasts of classic television shows from the 1960s, 1970s and 1980s, such as Batman, Wonder Woman, Eight Is Enough, Nanny and the Professor and The Green Hornet.[5] fX had two taglines during this period: "TV Made Fresh Daily" and "The World's First Living Television Network".[7] The "f" in the channel's name and logo was rendered in lower-case to portray a type of relaxed friendliness; the stylized "X" represented the channel's roots: the crossing searchlights of the 20th Century Fox logo.
The live shows were each mostly focused on one broad topic. Shows included Personal fX (collectibles and antiques), The Pet Department (pets), Under Scrutiny with Jane Wallace (news) and Sound fX (music). The channel's flagship show, Breakfast Time, hosted by Laurie Hibberd and Tom Bergeron and inspired by the British morning show The Big Breakfast, was formatted like an informal magazine show. Breakfast Time and Personal fX would regularly feature the channel's "roving reporters" – which included Suzanne Whang, John Burke and Phil Keoghan – visiting unique places around the United States live via satellite. Other notable fX personalities included Karyn Bryant and Orlando Jones, who were panelists on Sound fX.
The channel prided itself on its interactivity with viewers. fX, in 1994, was an early adopter of the internet, embracing e-mail and the World Wide Web as methods of feedback. Most of the shows would feature instant responses to e-mailed questions, and one show, Backchat (hosted by Jeff Probst), was exclusively devoted to responding to viewer mail, whether sent through e-mail or traditional postal mail. Select viewers were allowed to spend a day at the "apartment" and take part in all of the channel's shows. Inside the channel's syndicated programming blocks, channel hosts would frequently appear during commercial breaks to read news headlines, respond to e-mails from viewers about the episode that was airing, or to promote upcoming programming.
In 1995, Liberty Media purchased a 50% stake in the network as part of their alliance with News Corporation to form Fox Sports Net; as a part of this plan, fX became the national home for Fox Sports programming over the next few years.[8]
The first incarnation of fX was not available on Time Warner Cable, one of the major cable systems in New York City, where its programming originated. TWC would not carry the channel until September 2001.[9]
The live shows gradually disappeared one by one until only Personal fX remained. Breakfast Time was moved to the Fox network and renamed Fox After Breakfast in mid-1996. It underwent several format changes, but never found a substantial audience and was canceled less than a year later. By the time that all live programming (with the exception of Personal fX) was dropped, the channel focused entirely on its classic television shows until its relaunch in mid-1997. Personal fX remained on the refocused FX until May 1, 1998. FX vacated the "apartment" in the summer of 1998 and the channel's operations were streamlined with the other Fox-owned subscription channels.
1997–2001: "Fox Gone Cable"
In early 1997, fX was relaunched as "FX: Fox Gone Cable",[10] refocusing the channel's target audience towards men aged 18 to 49. During the first few years after its relaunch, FX was known for little else than airing reruns of such Fox shows as The X-Files and Married... with Children, as well as 20th Century Fox-produced shows such as M*A*S*H and Buffy the Vampire Slayer. The channel also added Major League Baseball games to its lineup at that time (at one point sharing rights with then-sister network Fox Family), and eventually expanded its sports programming to include NASCAR races in 2001.
In the summer of 1998, FX debuted three original series: Bobcat's Big Ass Show, Instant Comedy with the Groundlings and Penn & Teller's Sin City Spectacular. All three series were cancelled the following year. Soon after its relaunch, the "Fox Gone Cable" tagline was dropped. By 1999, new original TV shows were added with the debut of shows such as Son of the Beach (a Baywatch parody that starred Timothy Stack and was executive produced by Howard Stern) and The X Show (a male-oriented late night panel talk show).[11] The channel also acquired the pay-TV syndication rights to reruns of series such as Ally McBeal, NYPD Blue and The Practice for then-record high prices then unseen in the pay-TV industry despite all three 20th Century Fox Television series being under common ownership; when these shows expensively fumbled in primetime, FX predominantly ran movies in its more high-profile time periods, though with the move of premiere film rights from free-to-air broadcast networks to basic cable channels, FX unexpectedly would end up a benefactor of this change.
2002–2007: emergence in original programming
Beginning in 2002, the channel emerged as a major force in original pay-TV programming, gaining both acclaim and notoriety for edgy dramas. That year, FX debuted the police drama The Shield, which became a breakout hit. This trend continued the following year with Nip/Tuck, a drama about two plastic surgeons, and the Denis Leary-helmed Rescue Me, about the lives of a crew of firemen from the New York City Fire Department post-9/11. Both shows were lauded by critics, and achieved equal success with viewers. Rescue Me was one of the few television series to be given an order for an additional season prior to the broadcast of its most recent season: in June 2009 FX renewed the show for an 18-episode sixth season, although the fifth season had not premiered at the time.[12]
Unlike many broadcast networks, FX has chosen to take risks with its programming and push the envelope of what can be shown on television; as a result, most (though not all) of the channel's original series are rated TV-MA, often for strong profanity, sexual content, and/or violence. Family organizations such as the Parents Television Council and American Family Association, have asked advertisers to boycott these shows due to their graphic content.[13][14] Despite this, FX's original programming output, outside of a few shows, has been critically acclaimed for their strong storylines and characters.
Capitalizing on the success of the hit documentary Super Size Me, filmmaker Morgan Spurlock launched a new series, 30 Days, which debuted on FX in June 2005. The series place its subjects in situations uncomfortable to them for 30 days, such as making millionaires work for minimum wage, and having Christians live in a Muslim community.
In the summer of 2005, FX debuted two new comedy series, Starved, about the daily lives of four friends with eating disorders who live in New York City; and It's Always Sunny in Philadelphia, about the usually very politically incorrect comic misadventures of four people who own a bar in the titular city. Both of these shows feature frank sexual dialogue and strong language, and were pitched as "The Dark Side of Comedy". Starved was derided by groups that sought to publicize eating disorders and was cancelled after its first season due to low ratings. Conversely, Sunny quickly became a critical darling, consistently achieved high viewership, and was picked up for a second season within days of its first-season finale. The second season added veteran actor Danny DeVito to the cast, and the show, still airing as of 2023, is the longest-running live-action sitcom in history.
In 2006, FX debuted two new series, the reality series Black. White. and the drama Thief; neither series was picked up for a second season. During 2007, FX introduced three new dramas: Dirt, starring Courteney Cox; The Riches, starring Eddie Izzard and Minnie Driver; and Damages, starring Glenn Close, Ted Danson and Rose Byrne. All three performed well in the ratings and were renewed for second seasons. By 2008, FX was available in 90.6 million homes in the U.S.
High definition
FX began broadcasting a 720p HD channel in 2007, which is available on the majority of pay television providers. The SD channel, as was standard with all of Fox's broadcast and pay-TV networks (and also its new Disney siblings, which also all operate in 720p), is now merely downscaled from the HD feed at the provider headend level rather than having a devoted SD feed.