The X-Files
The X-Files is an American science fiction drama television series created by Chris Carter. The original television series aired from September 1993 to May 2002 on Fox. During its original run, the program spanned nine seasons, with 202 episodes. A short tenth season consisting of six episodes ran from January to February 2016. Following the ratings success of this revival, The X-Files returned for an eleventh season of ten episodes, which ran from January to March 2018. In addition to the television series, two feature films have been released: The 1998 film The X-Files and the stand-alone film The X-Files: I Want to Believe, released in 2008, six years after the original television run had ended.
This article is about the television series. For the franchise, see The X-Files (franchise). For other uses, see The X-Files (disambiguation).The X-Files
"The X-Files"
United States
English
11
218 (list of episodes)
- Vancouver (seasons 1–5, 10–11)
- Los Angeles (seasons 6–9)
John Bartley
Bill Roe
Joel Ransom
Jon Joffin
Craig Wrobleski
Ron Stannett
Thomas Del Ruth
43–46 minutes
September 10, 1993
May 19, 2002
January 24, 2016
March 21, 2018
The series revolves around Federal Bureau of Investigation (FBI) Special Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson), who investigate the eponymous "X-Files": marginalized, unsolved cases involving paranormal phenomena. Mulder is a skilled criminal profiler, an ardent supernaturalist, and a conspiracy theorist who believes in the existence of the paranormal, whereas Scully is a medical doctor and a skeptic who has been assigned to scientifically analyze Mulder's discoveries. Early in the series, both agents become pawns in a larger conflict and come to trust only each other and a few select people. The agents also discover an agenda of the government to keep secret the existence of extraterrestrial life. Mulder and Scully's shared adventures lead them to develop a close platonic bond, which by series' end develops into a romantic relationship. Roughly one third of the series' episodes follow a complex mythopoeia-driven story arc about a planned alien invasion, whereas the other two-thirds are "monster of the week" episodes that each focus on a one-off villain, mutant, or monster.
The X-Files was inspired by earlier television series which featured elements of suspense and speculative fiction, including The Twilight Zone, Night Gallery, Tales from the Darkside, Twin Peaks, and especially Kolchak: The Night Stalker. When creating the main characters, Carter sought to reverse gender stereotypes by making Mulder a believer and Scully a skeptic. The first seven seasons featured Duchovny and Anderson equally. In the eighth and ninth seasons, Anderson took precedence while Duchovny appeared intermittently. New main characters were introduced: FBI Special Agents John Doggett (Robert Patrick) and Monica Reyes (Annabeth Gish). Mulder and Scully's boss, Assistant Director Walter Skinner (Mitch Pileggi), also became a main character. The first five seasons of The X-Files were filmed and produced in Vancouver, British Columbia, before production eventually moved to Los Angeles to accommodate Duchovny. The series later returned to Vancouver to film The X-Files: I Want to Believe as well as the tenth and eleventh seasons.
The X-Files was a hit for the Fox network and received largely positive reviews, although its long-term story arc was criticized near the conclusion. Initially considered a cult series, it turned into a pop culture touchstone that tapped into public mistrust of governments and large institutions and embraced conspiracy theories and spirituality. Both the series itself and lead actors Duchovny and Anderson received multiple awards and nominations, and by its conclusion the show was the longest-running science fiction series in U.S. television history. The series also spawned a franchise that includes Millennium and The Lone Gunmen spin-offs, two theatrical films, and accompanying merchandise.
Premise[edit]
General[edit]
The X-Files follows the careers and personal lives of FBI Special Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson). Special Agent Mulder is a talented profiler, conspiracy theorist, and an ardent supernaturalist. He is also adamant about the existence of intelligent extraterrestrial life and its presence on Earth. This set of beliefs earns him the nickname "Spooky Mulder" and an assignment to a little-known department that deals with unsolved cases, the X-Files. His belief in the paranormal springs from the claimed abduction of his sister Samantha Mulder by extraterrestrials when Mulder was 12. Her abduction drives Mulder throughout most of the series. Because of this, as well as more nebulous desires for vindication and the revelation of truths kept hidden by human authorities, Mulder struggles to maintain objectivity in his investigations.[5]
Special Agent Scully is a foil for Mulder in this regard. As a medical doctor and natural skeptic, Scully approaches cases with complete detachment, even when Mulder, despite his considerable training, loses his objectivity.[6] She is partnered with Mulder initially so that she can debunk Mulder's nonconforming theories, often supplying logical, scientific explanations for the cases' apparently unexplainable phenomena. Although she is frequently able to offer scientific alternatives to Mulder's deductions, she is rarely able to refute them completely. Over the course of the series, she becomes increasingly dissatisfied with her own ability to approach the cases scientifically.[7] After Mulder's abduction at the hands of aliens in the seventh season finale "Requiem", Scully becomes a "reluctant believer" who manages to explain the paranormal with science.[8]
Various episodes also deal with the relationship between Mulder and Scully, originally platonic, but that later develops romantically.[9] Mulder and Scully are joined by John Doggett (Robert Patrick) and Monica Reyes (Annabeth Gish) late in the series, after Mulder is abducted. Doggett replaces him as Scully's partner and helps her search for him, later involving Reyes, of whom Doggett had professional knowledge.[10][11] The initial run of The X-Files ends when Mulder is secretly subjected to a military tribunal for breaking into the top secret Mount Weather Emergency Operations Center and viewing plans for alien invasion and colonization of Earth. He is found guilty and sentenced to death but escapes punishment with the help of the other agents, and he and Scully become fugitives.[12]
Spin-offs[edit]
The Lone Gunmen[edit]
The Lone Gunmen is an American science fiction television series created by Carter and broadcast on Fox and was crafted as a more humorous spin-off of The X-Files. The series starred the eponymous Lone Gunmen and was first broadcast in March 2001, during The X-Files's month-long hiatus.[68] Although the debut episode garnered 13.23 million viewers, its ratings began to steadily drop.[219] The program was cancelled after thirteen episodes.[220] The last episode was broadcast in June 2001 and ended on a cliffhanger which was partially resolved in a ninth-season episode of The X-Files titled "Jump the Shark", included in the DVD release of the series.[221]
Critical reception[edit]
Overall[edit]
The X-Files received positive reviews from television critics, with many calling it one of the best series that aired on American television in the 1990s. Ian Burrell from the British newspaper The Independent called the show "one of the greatest cult shows in modern television".[232] Richard Corliss from Time magazine called the show the "cultural touchstone of" the 1990s.[233] Hal Boedeker from the Orlando Sentinel said in 1996 that the series had grown from a cult favorite to a television "classic".[234] The Evening Herald said the show had "overwhelming influence" on television, in front of such shows as The Simpsons.[235] In 2012, Entertainment Weekly listed the show at #4 in the "25 Best Cult TV Shows from the Past 25 Years", describing it as "a paean to oddballs, sci-fi fans, conspiracy theorists and Area 51 pilgrims everywhere. Ratings improved every year for the first five seasons, while Mulder and Scully's believer-versus-skeptic dynamic created a TV template that's still in heavy use today."[236]
In 2004 and 2007, The X-Files ranked #2 on TV Guide's "Top Cult Shows Ever".[237] In 2002, the show ranked as the 37th best television show of all time.[238] In 1997, the episodes "Clyde Bruckman's Final Repose" and "Small Potatoes" respectively ranked #10 and #72 on "TV Guide's 100 Greatest Episodes of All Time".[239] In 2013, TV Guide included it in its list of the "60 Greatest Dramas of All Time"[240] and ranked it as the #4 science fiction show[241] and the #25 best series of all time.[242] In 2007, Time included it on a list of the "100 Best TV Shows of All Time".[243] In 2008, Entertainment Weekly named it the fourth-best piece of science fiction media,[244] the fourth best TV show in the last 25 years[245] and in 2009, named it the fourth-best piece of science fiction, in their list of the "20 Greatest Sci-fi TV Shows" in history.[246] Empire magazine ranked The X-Files ninth best TV show in history, further claiming that the best episode was the third season entry "Jose Chung's From Outer Space".[247] In 2013, the Writers Guild of America ranked The X-Files #26 on their list of the 101 Best Written TV Series.[248] In 2015, on The Hollywood Reporter's entertainment-industry ranked TV list "Hollywood's 100 Favorite TV Shows", The X-Files appeared at #3.[249] According to The Guardian, MediaDNA research discovered that The X-Files was on top of the list of the most innovative TV brands.[250] In 2009, it was announced that the show's catchphrase "The Truth Is Out There" was among Britain's top 60 best-known slogans and quotes.[251]
The X-Files has been criticized for being unscientific and privileging paranormal and supernatural ideas (e.g. the hypotheses made by Mulder). For instance, in 1998, Richard Dawkins wrote that "The X-Files systematically purveys an anti-rational view of the world which, by virtue of its recurrent persistence, is insidious."[252]
First seven seasons[edit]
The pilot episode was generally well received by fans and critics. Variety criticized the episode for "using reworked concepts", but praised the production and noted its potential. Of the acting, Variety said "Duchovny's delineation of a serious scientist with a sense of humor should win him partisans and Anderson's wavering doubter connects well. They're a solid team..." Variety praised the writing and direction: "Mandel's cool direction of Carter's ingenious script and the artful presentation itself give TV sci-fi a boost." The magazine concluded, "Carter's dialogue is fresh without being self-conscious and the characters are involving. Series kicks off with drive and imagination, both innovative in recent TV."[253] Entertainment Weekly said that Scully "was set up as a scoffing skeptic" in the pilot but progressed toward belief throughout the season.[254] After the airing of four episodes, the magazine called The X-Files "the most paranoid, subversive show on TV", noting the "marvelous tension between Anderson—who is dubious about these events—and Duchovny, who has the haunted, imploring look of a true believer".[255] Virgin Media said the most memorable "Monster-of-the-Week" was Eugene Tooms from "Squeeze" and "Tooms".[256]
The following four seasons received similar praise. During the show's second season, Entertainment Weekly named The X-Files the "Program of the Year" for 1994, stating "no other show on television gives off the vibe that The X-Files does".[257] The DVD Journal gave the second season four out of four stars, calling it a "memorable season". The review highlighted "The Host", "Duane Barry" and "Ascension", the cliffhanger finale "Anasazi", the "unforgettable" "Humbug" and meeting Mulder and Scully's families in "Colony" and "One Breath".[258] IGN gave the season a rating of 9 out of 10, with the reviewer noting it was an improvement upon the first as it had "started to explore a little" and the "evolution of the characters makes the product shine even though the plotlines have begun to seem familiar".[259] Emily VanDerWerff of The A.V. Club argued that the third season of The X-Files was the show's "best season and maybe one of the greatest TV seasons of all time", noting it was consistent and "[swung] from strength to strength" between mythology and stand-alone episodes.[260] Michael Sauter of Entertainment Weekly gave the fifth season an "A–", writing that it "proves the show was—even then—still at its creative peak (if only for another year or so) and full of surprises".[261] He praised the new additions to the series' mythology and concluded that "many stand-alone episodes now look like classics".[261] Francis Dass, writing for the New Straits Times, noted that the season was "very interesting" and possessed "some [...] truly inspiring and hilarious" episodes.[262]
After the 1998 film, the show began to receive increasingly critical reviews. Some longtime fans became alienated during the show's sixth season, due to the different tone taken by most stand-alone episodes after the move to Los Angeles.[263] Rather than adhering to the "Monsters-of-the-Week" style, they were often romantic or humorous or both, such as "Arcadia" or "Terms of Endearment". Some fans felt there was no coherent plan to the main storyline and that Carter was "making it all up as he goes along".[263] As for the seventh season, The A.V. Club noted that while most of the first eight seasons of The X-Files were "good-to-great", the seventh season of the show was "flagging" and possessed "significant problems".[264] Despite this, seasons six and seven included several episodes that were lauded by critics, including the sixth season entries "Triangle" and "The Unnatural",[265][266] as well as the seventh season installment "X-Cops".[267]
Eighth and ninth seasons[edit]
The show's eighth season received mixed to positive reviews from critics. The A.V. Club noted that the eighth season was "revitalized by the new 'search for Mulder' story-arc".[264] Amy H. Sturgis commended the eighth season, praising Anderson's performance as Scully as "excellence" and positively wrote that Doggett was "non-Mulderish".[268] Collin Polonowonski from DVD Times said that the season included "more hits than misses overall" but offered a negative word about the mythology episodes, claiming that they were the "weakest" episodes in the season.[269] Jesse Hassenger from PopMatters, however, criticized the new season, claiming that Patrick was miscast and calling Duchovny's appearances as Mulder shallow.[270]
The ninth season received mixed to negative reviews by critics, and garnered negative reaction from many long-time fans and viewers. Sabadino Parker from PopMatters, called the show "a pale reflection of the show it once was".[271] Elizabeth Weinbloom from The New York Times concluded, "shoddy writing notwithstanding, it was this halfhearted culmination of what was once a beautifully complicated friendship", between Mulder and Scully that ended remaining interest in what was a "waning phenomenon".[9] Another The New York Times review stated, "The most imaginative show on television has finally reached the limits of its imagination."[272] The A.V. Club listed the ninth season and the 2008 film The X-Files: I Want to Believe as the "bad apple" of The X-Files franchise, describing the ninth season as "clumsy mish-mash of stuff that had once worked and new serialized storylines about so-called 'super soldiers'".[264] Brian Linder from IGN, on the other hand, was more positive toward the ninth season, saying that the series could still have aired if the writers created a new storyline for Patrick and Gish's characters.[273]
Tenth and eleventh seasons[edit]
The 2016 revival of the show was met with mixed reviews; the first and last episodes were met with lukewarm to negative reviews from critics, whereas episodes two through five were generally well received.[274] The third episode in particular, named "Mulder and Scully Meet the Were-Monster", was praised by critics, with Alex McCown of The A.V. Club calling it an "instant classic".[275] Overall, the review aggregator Metacritic gave the season a score of 60 out of 100 based on 35 reviews, indicating "mixed or average reviews".[276] Likewise, Rotten Tomatoes gave the revival a 64% approval rating with an average score of 6.5 out of 10 based on 180 reviews. The site's consensus reads: "Gillian Anderson and David Duchovny's chemistry remains intact, but overall, The X-Files revival lacks the creative spark necessary to sustain the initial rush of nostalgia."[274]
The eleventh season received positive reviews from critics. Review aggregator Metacritic gave the season a score of 67 out of 100 based on 18 reviews, indicating "generally favorable reviews".[277] Rotten Tomatoes gave the season a rating of 77%, with an average score of 6.65 out of 10 based on 170 reviews. The site's consensus reads: "Although it may not make many new believers, The X-Files return to business as usual is a refreshing upgrade from the show's underwhelming previous outing."[278] Episodes "The Lost Art of Forehead Sweat", "Ghouli", "Rm9sbG93ZXJz", and "Nothing Lasts Forever" were praised, receiving a 100% approval rating on the website.[278]