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Gangs of New York

Gangs of New York is a 2002 American historical drama film directed by Martin Scorsese and written by Jay Cocks, Steven Zaillian, and Kenneth Lonergan, based on Herbert Asbury's 1927 book The Gangs of New York.[6] The film stars Leonardo DiCaprio, Daniel Day-Lewis, and Cameron Diaz, along with Jim Broadbent, John C. Reilly, Henry Thomas, Stephen Graham, Eddie Marsan, and Brendan Gleeson in supporting roles.

For other uses, see Gangs of New York (disambiguation).

Gangs of New York

Jay Cocks

Miramax Films (United States)
Initial Entertainment Group (International)[2]

  • December 20, 2002 (2002-12-20)

167 minutes[3]

United States

English

$97-100 million[4][5]

$193.8 million[5]

The film is set in 1863, when a long-running Catholic–Protestant feud erupts into violence, just as an Irish immigrant group is protesting against the threat of conscription during the Civil War. Scorsese spent twenty years developing the project until Miramax Films acquired it in 1999. Principal photography took place in Cinecittà, Rome and Long Island City, New York City.


Gangs of New York was completed by 2001 but its release was delayed due to the September 11 attacks. The film was theatrically released in the United States on December 20, 2002, and grossed over $193 million worldwide. It was met with generally positive reviews and Day-Lewis's performance was highly acclaimed. It received ten nominations at the 75th Academy Awards, including Best Picture, Best Director for Scorsese and Best Actor for Day-Lewis.

Plot[edit]

In the 1846 slum of the Five Points, two rival gangs, the Anglo-Protestant Confederation of American Natives, led by William Cutting, and the Irish Catholic immigrant Dead Rabbits, led by "Priest" Vallon, engage in their final battle to determine which faction will hold sway over the territory. At the end of the battle, Bill kills Vallon and declares the Dead Rabbits outlawed. Having witnessed this, Vallon's young son hides the knife that killed his father and is taken to an orphanage on Blackwell's Island.


Sixteen years later in the year 1862, Vallon's son, "Amsterdam" returns to the Five Points seeking revenge and retrieves the knife. An old acquaintance, Johnny Sirocco, familiarizes him with the local clans of gangs, all of whom pay tribute to Bill, who remains in control of the territory. Amsterdam is introduced to Bill but keeps his past a secret as he seeks recruitment into the gang. He learns many of his father's former lieutenants are now in Bill's employ, despite his deep anti-Irish views. Each year, Bill celebrates the anniversary of his victory over the Dead Rabbits and Amsterdam secretly plans to kill him publicly during this celebration. Amsterdam soon becomes attracted to pickpocket and grifter Jenny Everdeane, with whom Johnny is also infatuated. Amsterdam gains Bill's confidence and becomes his protégé, involving him in the dealings of corrupt Tammany Hall politician William M. Tweed. Amsterdam saves Bill from an assassination attempt and is tormented by the thought that he may have done so out of honest devotion.


On the evening of the anniversary, Johnny, in a fit of jealousy over Jenny's affection for Amsterdam, reveals Amsterdam's true identity and intentions to Bill. Bill baits Amsterdam with a knife throwing act involving Jenny. As Bill toasts Priest Vallon, Amsterdam throws his knife, but Bill deflects it and wounds Amsterdam with a counter throw. Bill then beats him and burns his cheek with a hot blade before banishing him. Going into hiding, Jenny implores him to escape with her to San Francisco. Amsterdam, however, returns to the Five Points seeking vengeance and announces his return by hanging a dead rabbit in Paradise Square in front of several Irish gangs that were allied with the Dead Rabbits. Bill sends corrupt Irish policeman and former Dead Rabbit Mulraney to investigate, but Amsterdam garrotes him to death and hangs his body in the square. In retaliation, Bill has Johnny beaten and run through with a pike, leaving it to Amsterdam to end his suffering. When Amsterdam's gang beats McGloin, a former Dead Rabbit and one of Bill's lieutenants, Bill and the Natives march on the church and are met by Amsterdam and the Dead Rabbits. No violence ensues, but Bill promises to return soon. The incident garners newspaper coverage, and Amsterdam presents Tweed with a plan to defeat Bill's influence: Tweed will back the candidacy of Monk McGinn for sheriff and Amsterdam will secure the Irish vote for Tammany. Monk wins in a landslide, and a humiliated Bill murders him with his own club. McGinn's death prompts an angry Amsterdam to challenge Bill to a gang battle in Paradise Square, which Bill accepts.


The Civil War draft riots break out just as the gangs are preparing to fight, and Union Army soldiers are deployed to control the rioters. As the rival gangs fight, cannon fire from ships is directed into Paradise Square, interrupting their battle shortly before it begins. Many of the gang members are killed by the naval gunfire, soldiers, or rioters. Bill and Amsterdam face off against one another until Bill is wounded by shrapnel. Amsterdam then uses his father's knife to kill Bill.


Amsterdam buries the knife next to his father in a cemetery in Brooklyn, erecting a makeshift headstone with the name William Cutting over it now alongside the actual tombstone of Priest Vallon. As Amsterdam and Jenny leave, the skyline changes as modern New York City is built over the next century, from the Brooklyn Bridge to the Empire State Building to the World Trade Center, and the cemetery becomes overgrown and forgotten.

Release[edit]

The original target release date was December 21, 2001, in time for the 2001 Academy Awards but the production overshot that goal as Scorsese was still filming.[16][20] A twenty-minute clip, billed as an "extended preview", debuted at the 2002 Cannes Film Festival and was shown at a star-studded event at the Palais des Festivals et des Congrès with Scorsese, DiCaprio, Diaz and Weinstein in attendance.[20]


Harvey Weinstein then wanted the film to open on December 25, 2002, but a potential conflict with another film starring Leonardo DiCaprio, Catch Me If You Can produced by DreamWorks, caused him to move the opening day to an earlier position. After negotiations between several parties, including the interests of DiCaprio, Weinstein and DreamWorks' Jeffrey Katzenberg, the decision was made on economic grounds: DiCaprio did not want to face a conflict of promoting two movies opening against each other; Katzenberg was able to convince Weinstein that the violence and adult material in Gangs of New York would not necessarily attract families on Christmas. Of main concern to all involved was attempting to maximize the film's opening day, an important part of film industry economics.[16]


After three years in production, the film was released on December 20, 2002, a year after its original planned release date.[20] While the film has been released on DVD and Blu-ray, there are no plans to revisit the theatrical cut or prepare a "director's cut" for home video release. "Marty doesn't believe in that", editor Thelma Schoonmaker stated. "He believes in showing only the finished film."[19]


Gangs of New York was released on VHS and a 2-disc DVD July 1, 2003, the film was split on both discs. A Blu-ray version of the film was released July 1, 2008.

Reception[edit]

Box office[edit]

The film made $77,812,000 in Canada and the United States. It also took $23,763,699 in Japan and $16,358,580 in the United Kingdom. Worldwide the film grossed a total of $193,772,504.[5]

Critical reception[edit]

On review aggregator Rotten Tomatoes, the film has an approval rating of 72% based on 214 reviews, with an average rating of 7.10/10. The website's critical consensus reads, "Though flawed, the sprawling, messy Gangs of New York is redeemed by impressive production design and Day-Lewis's electrifying performance."[36] Metacritic gave the film a score of 72 out of 100, based on 39 critics, indicating "generally favorable reviews".[37] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[38]


Roger Ebert praised the film but believed it fell short of Scorsese's best work, while his At the Movies co-host Richard Roeper called it a "masterpiece" and declared it a leading contender for Best Picture.[39] Paul Clinton of CNN called the film "a grand American epic".[40] In Variety, Todd McCarthy wrote that the film "falls somewhat short of great film status, but is still a richly impressive and densely realized work that bracingly opens the eye and mind to untaught aspects of American history." McCarthy singled out the meticulous attention to historical detail and production design for particular praise.[41]


Some critics were disappointed with the film, with one review on CinemaBlend feeling it was overly violent with few characters worth caring about.[42] Norman Berdichevsky of the New English Review wrote in a negative critique that some locals in Spain who had watched Gangs of New York had several anti-American beliefs "confirmed" afterwards, which he felt was due to the film's gratuitous violence, historical inaccuracies, and general depiction of American society "in the worst possible light".[43] Others felt it tried to tackle too many themes without saying anything unique about them, and that the overall story was weak.[44]


Cameron Diaz's divisive performance as Irish immigrant pickpocket Jenny Everdeane has been cited as an example of poor casting and one of the worst Irish accents in film.[45]

Top ten lists[edit]

Gangs of New York was listed on many critics' top ten lists of 2002.[46]

Irish Americans in New York City

Irish Brigade (US)

List of identities in The Gangs of New York (book)

Lohr, Matt R. (2015). "Irish-American Identity in the Films of Martin Scorsese". In Baker, Aaron (ed.). A Companion to Martin Scorsese. Hoboken, NJ: . pp. 195–213. ISBN 978-1-44433-861-4.

Wiley-Blackwell

Gilfoyle, Timothy J. (2003). . Journal of Urban History. 29 (5): 620–630. doi:10.1177/0096144203029005006. S2CID 143530413.

"Scorsese's Gangs of New York: Why Myth Matters"

O'Brien, Martin; Tzanelli, Rodanthi; Yar, Majid & Penna, Sue (2005). . Critical Criminology. 31 (1): 17–35. doi:10.1007/s10612-004-6111-9. S2CID 143968620.

"'The spectacle of fearsome acts': Crime in the melting p(l)ot in Gangs of New York"

Palmer, Bryan D. (2003). (PDF). Historical Materialism. 11 (4): 317–345. doi:10.1163/9789004301849_009. ISBN 9789004297227.

"The Hands That Built America: A Class-Politics Appreciation of Martin Scorsese's 'The Gangs of New York'"

Scorsese, Martin & Sante, Luc (2002). Gangs of New York: Making The Movie. New York City: Miramax Books.  978-0-78686-893-3.

ISBN

Media related to Gangs of New York at Wikimedia Commons

Quotations related to Gangs of New York at Wikiquote

at IMDb

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at AllMovie

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