Garth Ennis
Garth Ennis (born 16 January 1970)[1] is a Northern Irish–American[2] comics writer, best known for the Vertigo series Preacher with artist Steve Dillon, his nine-year run on Marvel Comics' Punisher franchise, and The Boys with artist Darick Robertson. He has collaborated with artists such as Dillon and Glenn Fabry on Preacher, John McCrea on Hitman, Marc Silvestri on The Darkness, and Carlos Ezquerra on both Preacher and Hitman. His work has won him recognition in the comics industry, including nominations for the Comics Buyer's Guide Award for Favorite Writer in 1997, 1998, 1999, and 2000.
Garth Ennis
16 January 1970
Northern Ireland, UK
Northern Irish
American
Writer
National Comics Award for Best Writer, 1997
UK Comic Art Award for Best Writer, 1997
Eisner Award for Best Writer, 1998
Early life[edit]
Ennis is originally from Northern Ireland.[2]
Raised with no religion, Ennis's first exposure to the idea of God was as a six-year-old in primary school. Ennis's teacher told the class that God was a being who could see inside their hearts, was always around them, and would ultimately reward or punish them. Ennis described the idea as bewildering, strange and terrifying. He later used this experience in his comic book series, Preacher, whose protagonist is slapped after telling his grandmother that he finds the concept of God "scary". Although the fictional violence in that story was not reflected in Ennis's real-life upbringing, his classmates later reassured each other that they all loved God, though Ennis said, "I think I hate him." Ennis later asked his mother about God, and when she asked him what he thought about the idea, Ennis responded, "It sounds kind of stupid," a statement the adult Ennis clarified was meant to mask his fear. His mother's response was, "Well, there you are, then."[3]
In 1987, Ennis befriended artist John McCrea while shopping at the first comic book specialty shop in Belfast, which had been opened by McCrea and another friend. Ennis would later ask McCrea to illustrate his first professional comics project.[3] It was here that Ennis first met comics writer Alan Moore, who advised him to focus on creator-owned work rather than letting comic companies take ownership of his intellectual property.[4]
Career[edit]
UK work[edit]
Ennis began his comic-writing career on his nineteenth birthday in 1989, with the series Troubled Souls in the British anthology Crisis.[5] Illustrated by Ennis's friend John McCrea, as living in Northern Ireland meant he did not require reference material for the Belfast-based series, it tells the story of a young, apolitical Protestant man caught up by fate in the violence of the Irish Troubles. It spawned a sequel, For a Few Troubles More, a broad comedy featuring two supporting characters from Troubled Souls, Dougie and Ivor. In 1997, American publisher Caliber released Dicks, serving as another Dougie and Ivor adventure. Several follow-ups featuring these characters were subsequently published by Avatar Press.
In explaining why he chose to write Troubled Souls as his debut comics work, Ennis explained, "It was the kind of thing that was doing well at the time. I ought to be completely clear and say that, with hindsight, what Troubled Souls really represented was naked ambition. It was a direct attempt to get published. And that was the road that seemed most likely to lead me to success."[6]
Another series for Crisis was True Faith, a religious satire inspired by his school days, drawn by Warren Pleece. A collected edition was issued in 1990 but a series of complaints from churches and religious groups led to it being quickly withdrawn from sale.[7] It was republished in 1997 by the U.S. DC Comics imprint Vertigo. The plot follows an atheist teenager attending Christian school. After publicly insulting his classmates' religion to get back at a girl he was interested in who did not return his romantic feelings, the boy attracts the attention of a maltheist and is coerced into helping him murder clergy and bomb churches. Following the death of the maltheist, the book ends with the atheistic hero willingly carrying out a shooting at his Christian school. In the introduction to the Vertigo edition, Ennis described this as wish-fulfillment.[8] Shortly after, Ennis began to write for the UK comics series 2000 AD, and later wrote stories for the title's flagship character, Judge Dredd, taking over from creator John Wagner for several years. Ennis's Dredd stories include "Muzak Killer", a satirical attack on mainstream pop music; "Emerald Isle", a tongue-in-cheek story set in Ennis's native Ireland; and the 20-part "Judgment Day". Ennis also contributed the story "Time Flies", with artist Philip Bond, dealing with time-travel paradoxes and Nazis.
In 2001, following much work in the United States, Ennis briefly returned to UK comics to write the Judge Dredd story "Helter Skelter". Ennis said afterward there was "not a hope" to his returning to writing Dredd as he was generally not happy with his run. "I'm too close to Dredd. I like him too much. I can't tamper with the formula; nor can I take the piss the way I do with superheroes".[9]
Influences and views on comics[edit]
Ennis has explained that as an avid reader of British war comics during his formative years, he did not read superhero comics until his late teens, at which point he found them ridiculous, although he frequently cites mid-eighties superhero material among his influences.[6][3] For instance, Ennis noted that the first American comic book he read in its entirety and appreciated was The Dark Knight Returns by Frank Miller,[38] an author who would prove influential on Ennis's subsequent work, with Ennis citing Miller's portrayal of Nick Fury in Elektra: Assassin as his model for writing the character.[39] Ennis said he was "blown away" by Miller, as The Dark Knight Returns was the first time he encountered a comic writer who approached his work like a novelist. While Ennis was already interested in a creative profession, Frank Miller's material and other mid-eighties mature readers comics like Swamp Thing and Love and Rockets inspired him to look into specifically writing comics as a career.[40]
Despite being influenced by superhero material and having written a number of superhero stories both for and outside Marvel and DC, Ennis is noted for subverting the genre and mocking the characters in this work. For example, in the 1995 one-shot special Punisher Kills the Marvel Universe, Ennis has the Punisher kill every single superhero and supervillain on Earth. As a World War II aficionado, Ennis also said he finds characters like Captain America "borderline offensive, because to me the reality of World War II was very human people, ordinary flesh-and-blood guys who slogged it out in miserable, flooded foxholes. So adding some fantasy superhero narrative, that has always annoyed me a little bit."[6] Nonetheless, Ennis has admitted to having appreciation for the idea behind Wonder Woman if not the character, and even to outright liking Superman, the latter of whom he was noted for writing respectfully in Hitman.[41] Ennis has since explained that his issue with superhero comics is not over the genre in and of itself, but more over its dominance in the comic book industry and the constraints imposed on superhero stories by publishers. "I find most superhero stories completely meaningless," Ennis said. "Which is not to say I don't think there's potential for the genre – Alan Moore and Warren Ellis have both done interesting work with the notion of what it might be like to be and think beyond human, see Miracleman, Watchmen and Supergod. But so long as the industry is geared towards fulfilling audience demand – ie, for the same brightly coloured characters doing the same thing forever – you're never going to see any real growth. The stories can't end, so they'll never mean anything."[42]
Ennis has remarked that in terms of Marvel and DC characters, he prefers the ones he describes as more grounded, such as the Punisher, John Constantine, and Nick Fury. In particular, Ennis describes the Punisher as resembling the British comics characters he loved as a child more than Marvel and DC superheroes, which provided him with a way to the character.[3][43] Though his Constantine stories, such as "Dangerous Habits" (1991), are widely acclaimed, Ennis grew to dislike the character. He told Vulture in 2014 that he had come to find Constantine morally repulsive and had "no desire to write a character who essentially gets his pals killed and then explains that they were doomed anyway, so why not just spend their lives and use them up."[44]
Personal life[edit]
Ennis had become a citizen of the United States by July 2016.[2]
Ennis is an atheist,[45] and said he feels disdain toward religion. Ennis blamed growing up in Northern Ireland during the Troubles for influencing this attitude. While he was not directly involved in the conflict as a child, Ennis would hear about it each morning on the radio. Ennis has related that having been raised secular, religiously motivated violence made no sense as to him, characterizing such conflict as a disagreement among participants over "how to worship their imaginary friend. That more than anything gave me my distrust of religion."[3]
Ennis has maintained an interest in military history since childhood, inspired by the war comics from his youth.[46]