Gram Parsons
Ingram Cecil Connor III (November 5, 1946 – September 19, 1973), known professionally as Gram Parsons, was an American singer, songwriter, guitarist, and pianist. He recorded as a solo artist and with the International Submarine Band, the Byrds, and the Flying Burrito Brothers, popularizing what he called "Cosmic American Music", a hybrid of country, rhythm and blues, soul, folk, and rock.[3][4]
Gram Parsons
September 19, 1973
-
Gretchen Berrill(m. 1971)
Singer-songwriter, guitarist, pianist
- Vocals
- guitar
- piano
- organ
1963–1973
Parsons was born in Winter Haven, Florida, and developed an interest in country music while attending Harvard University. He founded the International Submarine Band in 1966, but the group disbanded prior to the 1968 release of its debut album, Safe at Home. Parsons joined the Byrds in early 1968 and played a pivotal role in the making of the Sweetheart of the Rodeo album, a pioneering country rock album and a seminal progressive country recording.[5] After leaving the group in late 1968, Parsons and fellow Byrd Chris Hillman formed The Flying Burrito Brothers in 1969; the band released its debut, The Gilded Palace of Sin, the same year. The album was well received critically but failed commercially. After a sloppy cross-country tour, the band hastily recorded Burrito Deluxe. Parsons was fired from the band before the album's release in early 1970. Parsons spent the first half of 1971 with Keith Richards of the Rolling Stones, living in his French villa Nellcôte during the recording sessions for Exile on Main Street, though he contributed very little to the recording process itself. After traveling around Britain with friends in late 1971, he was treated for heroin addiction and returned to the U.S., where he was introduced to Emmylou Harris, who assisted him on vocals for his first solo record, GP, released in 1973. Although the record received enthusiastic reviews, it failed to chart. His health deteriorated due to several years of drug abuse, foreshadowing his death from a toxic combination of morphine and alcohol in 1973 at the age of 26. A posthumous solo album, Grievous Angel, peaked at number 195 on the Billboard chart.
Parsons's relatively short career was described by AllMusic as "enormously influential" for country and rock, "blending the two genres to the point that they became indistinguishable from each other."[6] He has been credited with helping to found the country rock and alt-country genres. His posthumous honors include the Americana Music Association "President's Award" for 2003 and a ranking at No. 87 on Rolling Stone's list of the "100 Greatest Artists of All Time."[7]
Life and career[edit]
Early years (1946–1966)[edit]
Ingram Cecil Connor III was born on November 5, 1946, in Winter Haven, Florida, to Ingram Cecil "Coon Dog" (1917–1958) and Avis (née Snively) Connor (1923–1965).[8] The Connors normally resided at their main residence in Waycross, Georgia, but Avis returned to her hometown in Florida to give birth.[8] She was the daughter of citrus fruit magnate John A. Snively, who held extensive properties in Winter Haven and in Waycross. Gram's father, Ingram Connor II was a famous World War II flying ace, decorated with the Air Medal, who was present at the 1941 attack on Pearl Harbor.[9] Biographer David Meyer characterized these parents as loving; he wrote in Twenty Thousand Roads that they are "remembered as affectionate parents and a loving couple".[8]
However, he also notes that "unhappiness was eating away at the Connor family": Avis suffered from depression, and both parents were alcoholics.[10] Ingram Connor II died by suicide two days before Christmas in 1958, devastating the 12-year-old Gram and his younger sister, also named Avis.[11] Avis, Gram's mother, subsequently married Robert Parsons, who adopted Gram and his sister; they took his surname.
Gram Parsons briefly attended the prestigious Bolles School in Jacksonville, Florida, before transferring to the public Winter Haven High School; after failing his junior year, he returned to Bolles. For a time, the family found a stability of sorts. They were torn apart in early 1965, when Robert became embroiled in an extramarital affair and Avis' heavy drinking led to her death from cirrhosis on June 5, 1965, the day of Gram's graduation from Bolles.[12]
As his family was disintegrating around him, Parsons developed strong musical interests, particularly after seeing Elvis Presley perform in concert on February 22, 1956, in Waycross.[13] Five years later, barely in his teens, he played in rock and roll cover bands such as the Pacers and the Legends, headlining in clubs owned by his stepfather in the Winter Haven/Polk County area. By the age of 16, he graduated to folk music, and in 1963 he teamed up with his first professional outfit, the Shilohs, in Greenville, South Carolina. Heavily influenced by The Kingston Trio and The Journeymen,[14] the band played hootenannies, coffee houses and high school auditoriums; as Parsons was still enrolled in prep school, he performed with the group only in select engagements. Forays into New York City (where Parsons briefly lived with a female folk singer in a loft on Houston Street) included a performance at Florida's exhibition in the 1964 New York World's Fair and regular appearances at the Café Rafio on Bleecker Street in Greenwich Village in the summer of 1964. Although John Phillips (an acquaintance of Shiloh George Wrigley) arranged an exploratory meeting with Albert Grossman, the impresario balked at booking the group for a Christmas engagement at The Bitter End when he discovered that the Shilohs were still high school students.[15] Following a recording session at the radio station of Bob Jones University, the group reached a creative impasse amid the emergence of folk rock and dissolved in the spring of 1965.
Despite his middling grades and test scores, Parsons was admitted to Harvard University's class of 1966 on the basis of a strong admissions essay (or, more likely, because his family was wealthy—his grandfather owned one-third of all the citrus orchards in Florida). Although he claimed to have studied theology (an oblique reference to his close friendship with his residential tutor, Harvard Divinity School graduate student Jet Thomas) in subsequent interviews, Parsons seldom attended his general education courses before departing in early 1966 after one semester. He did not become seriously interested in country music until his time at Harvard, where he heard Merle Haggard for the first time.
The International Submarine Band (1966–1967)[edit]
In 1966, he and other musicians from the Boston folk scene formed a group called the International Submarine Band. After briefly residing in the Kingsbridge section of the Bronx, they relocated to Los Angeles the following year. Following several lineup changes, the band signed to Lee Hazlewood's LHI Records, where they spent late 1967 recording Safe at Home. The album contains one of Parsons' best-known songs, "Luxury Liner," and an early version of "Do You Know How It Feels," which he revised later in his career. Safe at Home would remain unreleased until mid-1968, by which time the International Submarine Band had broken up.
The International Submarine Band appeared in the Peter Fonda film The Trip (1967) as a performing band in one of the clubs. Their song "Lazy Days" was offered for the film's soundtrack, however the soundtrack was later done by Mike Bloomfield's Electric Flag. In 1967, Peter Fonda had befriended Parsons through actor Brandon de Wilde.[16] During this time, Fonda had recorded a version of the Parsons' song "November Nights" titled "November Night", dropping the 's'. The song was released as a single in March 1967, featuring "November Night" on the A-Side with the B-Side being a version of Donovan's "Catch the Wind".[17]
The Byrds (1968)[edit]
By 1968, Parsons had come to the attention of the Byrds' bassist, Chris Hillman, via business manager Larry Spector as a possible replacement band member following the departures of David Crosby and Michael Clarke from the group in late 1967.[18][19] Parsons had been acquainted with Hillman since the pair had met in a bank during 1967 and in February 1968 he passed an audition for the band, being initially recruited as a jazz pianist but soon switching to rhythm guitar and vocals as well.[18][20]
Although Parsons was an equal contributor to the band, he was not regarded as a full member of the Byrds by the band's record label, Columbia Records.[21] Consequently, when the Byrds' recording contract was renewed on February 29, 1968, it was only original members Roger McGuinn and Chris Hillman who signed it.[21] Parsons, like fellow new recruit Kevin Kelley, was hired as a sideman and received a salary from McGuinn and Hillman.[22] In later years, this led Hillman to state, "Gram was hired. He was not a member of the Byrds, ever. He was on salary; that was the only way we could get him to turn up."[23] However, these comments overlook the fact that Parsons, like Kelley, was given equal billing alongside McGuinn, Hillman, and Kelley on the Sweetheart of the Rodeo album and in contemporary press coverage of the band.[24]
Personal life[edit]
In 1967, Nancy Ross gave birth to Gram's daughter Polly Parsons.[51]
In 1971, after leaving the Stones' camp, Parsons married Gretchen Burrell (Gretchen Lisl Berrill Parsons Carpenter),[52][53] at his stepfather's New Orleans estate. Allegedly, the relationship was far from stable, with Burrell cutting a needy and jealous figure while Parsons quashed her burgeoning film career. Many of the singer's closest associates and friends claim that Parsons was preparing to commence divorce proceedings at the time of his death; the couple had already separated by this point.
Parsons and Burrell enjoyed the most idyllic time of their relationship in the second half of 1971, visiting old cohorts like Ian Dunlop and Family/Blind Faith/Traffic bassist Ric Grech in England. With the help of Grech and one of Grech's friends who also dabbled in country music and is now known as Hank Wangford,[54] Parsons eventually stopped using heroin; a previous treatment suggested by William Burroughs proved unsuccessful.
Before formally breaking up with Burrell, Parsons already had a woman waiting in the wings. While recording, he saw a photo of a beautiful woman at a friend's home and was instantly smitten. The woman in the photo was Margaret Fisher, a high school sweetheart of the singer from his Waycross, Georgia, days. Like Parsons, Fisher had drifted west and became established in the Bay Area rock scene. A meeting was arranged and the two instantly rekindled their relationship, with Fisher dividing her weeks between Los Angeles and San Francisco at Parsons' expense.
Legacy[edit]
Stephen Thomas Erlewine of AllMusic describes Parsons as "enormously influential" for both country and rock, "blending the two genres to the point that they became indistinguishable from each other. ... His influence could still be heard well into the next millennium."[6] In his 2005 essay on Parsons for Rolling Stone magazine's "100 Greatest Artist" list, Keith Richards notes that Parsons' recorded music output was "pretty minimal." Nevertheless, Richards claims that Parsons' "effect on country music is enormous" and adds that this is "why we're talking about him now."[7]
In 2003 the Americana Music Awards awarded the late Gram Parsons with the President’s Award, accepted by his daughter Polly Parsons. “My father wanted more than anything to be accepted by Nashville, and tonight he is,” she said. “I’m sure he and Johnny [Cash] are kicking it off right now.”[62]
The 2003 film Grand Theft Parsons stars Johnny Knoxville as Phil Kaufman and chronicles a farcical version of the theft of Parsons' corpse. In 2006, the Gandulf Hennig-directed documentary film titled Gram Parsons: Fallen Angel was released.
Emmylou Harris has continued to champion Parsons' work throughout her career, covering a number of his songs over the years, including "Hickory Wind", "Wheels", "Sin City", "Luxury Liner", and "Hot Burrito No. 2". Harris's songs "Boulder to Birmingham", from her 1975 album Pieces of the Sky, and "The Road", from her 2011 album Hard Bargain, are tributes to Parsons.[63] In addition, her 1985 album The Ballad of Sally Rose is an original concept album that includes many allusions to Parsons in its narrative.[64] The song "My Man", written by Bernie Leadon and performed by the Eagles on their album On the Border, is a tribute to Gram Parsons.[65] Both Leadon and Parsons were members of the Flying Burrito Brothers during the late 1960s and early 1970s.[66]
The 1973 album Crazy Eyes by Poco pays homage to Parsons, as Richie Furay composed the title track in honor of him, and sings one of Parsons' own compositions, "Brass Buttons." The album was released four days before Parsons died.
A music festival called Gram Fest or the Cosmic American Music Festival was held annually in honor of Parsons in Joshua Tree, California, between 1996 and 2006. The show featured tunes written by Gram Parsons and Gene Clark as well as influential songs and musical styles from other artists that were part of that era. Performers were also encouraged to showcase their own material. The underlying theme of the event is to inspire the performers to take these musical styles to the next level of the creative process. Past concerts have featured such notable artists as Sneaky Pete Kleinow, Chris Ethridge, Spooner Oldham, John Molo, Jack Royerton, Gib Guilbeau, Counting Crows, Bob Warford, Rosie Flores, David Lowery, Barry and Holly Tashian, George Tomsco, Jann Browne, Lucinda Williams, Polly Parsons, The "Road Mangler" Phil Kaufman, Ben Fong-Torres, Victoria Williams, Mark Olson, and Sid Griffin, as well as a variety of many other bands that had played over the two or three day event. In addition, the Gram Parsons Tribute, in Waycross, Georgia, is a music festival remembering Parsons in the town in which he grew up. Additional tributes spring up every year, the latest being the Southern California "Gram On!" celebration by The Rickenbastards in July, 2013, celebrating the life and legacy of a simple country boy with a dream, Gram Parsons.
In February 2008, Gram's protégée, Emmylou Harris, was inducted into the Country Music Hall of Fame. Despite his influence, however, Parsons has yet to be inducted. Radley Balko has written that "Parsons may be the most influential artist yet to be inducted to either the Rock and Roll or Country Music Hall(s) of Fame. And it's a damned shame."[67] The Gram Parsons Petition Project (now Gram ParsonsInterNational)[68] was begun in May 2008 in support of an ongoing drive to induct Parsons into the Country Music Hall of Fame. On September 19, 2008, the 35th anniversary of Parsons' death, it was first presented to the Country Music Association (CMA) and Hall as a "List of Supporters" together with the official Nomination Proposal.[69] The online List of Supporters reached 10,000 on the 40th anniversary of his death, with more than 14,000 currently listed. Annual Gram Parsons InterNational concerts in Nashville and various other cities, now in the 14th year, support the petition cause.
In 2004, Gram Parsons' daughter Polly Parsons produced two tribute concerts titled "Return to Sin City: A Tribute to Gram Parsons". Artists included: Keith Richards, James Burton, Lucinda Williams, Norah Jones, Dwight Yoakam, John Doe, Steve Earle, Jim Lauderdale, Kathleen Edwards, Jay Farrar, Jim James, Raul Malo, Susan Marshall, and the Sin City All Stars. The concert produced a DVD. 100% of the proceeds from the tribute concerts were donated through the newly formed Gram Parsons Foundation to the Musician's Assistance Program (now MusiCares Foundation) which aids musicians in crisis.[70][71][72][73][74][75][76][77]
In November 2009, the musical theatre production Grievous Angel: The Legend of Gram Parsons premiered, starring Anders Drerup as Gram Parsons and Kelly Prescott as Emmylou Harris.[78] Directed by Michael Bate and co-written by Bate and David McDonald, the production was inspired by a March 1973 interview that Bate conducted with Parsons, which became Parsons' last recorded conversation.[79]
In 2012, Swedish folk duo First Aid Kit released the single "Emmylou" from the album The Lion's Roar. The song's chorus is a lyrical acknowledgment of the Gram Parsons and Emmylou Harris singing partnership,[80] and to the romantic relationship between them that never fully developed before his death.[81][82]
In the fall of 2012 Florida festival promoter and musician Randy Judy presented his bio-musical Farther Along – The Music and Life of Gram Parsons at Magnoliafest at the Spirit of the Suwannee Music Park.[83]
A Cleveland, Ohio area band, New Soft Shoe, performs as a tribute band to Parsons' music.[84]
A St. Paul, Minnesota band, The Gilded Palace Sinners,[85] is another Parsons' tribute group.[86][87]
In 2022 Dave Prinz, a co-founder of Amoeba Music, rediscovered Gram Parsons “Last Roundup” tapes featuring Emmylou Harris with Gram Parsons and the Fallen Angels. Prinz decided to initiate a campaign to fund the release independently, in partnership with daughter Polly Parsons. The campaign launched November 17, 2022, and was fully backed.[88][89][90][91][92]
Gram Parsons & The Fallen Angels' "The Last Roundup: Live from The Bijou Café in Philadelphia 3/16/73" was released on limited-edition vinyl for Record Store Day on Friday November 24, 2023 and was considered one of the hits of Record Store Day 2023.[93]
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