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Great Highland bagpipe

The great Highland bagpipe (Scottish Gaelic: a' phìob mhòr pronounced [a ˈfiəp ˈvoːɾ] lit. 'the great pipe') is a type of bagpipe native to Scotland, and the Scottish analogue to the great Irish warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world.

The bagpipe of any kind is first attested in Scotland around 1400.[1] The earliest references to bagpipes in Scotland are in a military context, and it is in that context that the great Highland bagpipe became established in the British military and achieved the widespread prominence it enjoys today, whereas other bagpipe traditions throughout Europe, ranging from Portugal to Russia, almost universally went into decline by the late 19th and early 20th century.


Though widely famous for its role in military and civilian pipe bands, the great Highland bagpipe is also used for a solo virtuosic style called pìobaireachd, ceòl mòr, or simply pibroch.Through development over the centuries, the great Highland bagpipes probably reached something like their distinctive modern form in the 18th century.

Cultural role[edit]

The great Highland bagpipe plays a role as both a solo and ensemble instrument. In ensembles, it is generally played as part of a pipe band. One notable form of solo employment is the position of Piper to the Sovereign, a position dating back to the time of Queen Victoria.

"" by Wings featuring the Campbeltown Pipe Band

Mull of Kintyre

"Are you ready to rock?" by , played by Roy Wood

Wizzard

"" by AC/DC played by Bon Scott

It's a Long Way to the Top (If You Wanna Rock 'n' Roll)

"" by Korn, played by Jonathan Davis (plus numerous other songs throughout their discography)

Shoots and Ladders

The great Highland bagpipes have played a minor, but not insignificant role in rock and pop music. Well-known examples of songs giving prominence to bagpipes include:

are similar to the great Highland bagpipe, but quieter and thus suited to playing for dances and sessions. Rather than being inflated by mouth, their air is provided by bellows under the arm.

Border pipes

invented by Henry Starck, perhaps inspired by the Great Irish Warpipes, and based on great Highland bagpipe but with a keyed chanter to extend the range and add chromatic notes.

Brian Boru bagpipes

are electronic instruments with a touch-sensitive "chanter" which senses finger position and modifies its tone accordingly. Some models also produce a drone sound, and the majority are made to simulate great Highland bagpipe tone and fingering.

Electronic bagpipes

an instrument, believed to have existed in Ireland until around the 1700s, and to have been similar or practically identical to the extant Great Highland Bagpipe.

Great Irish Warpipes

are bellows-blown bagpipes consisting of one chanter, generally with keys and usually four drones.

Northumbrian smallpipes

a bagless and droneless double-reeded pipe with the same fingerings as the great Highland bagpipe. These are meant to serve as practice instruments which are more portable and less expensive than a set of pipes.

Practice chanter

a small, single-chanter, droneless bag used to transition between the practice chanter and full pipes

Practice goose

(or "kitchen" or "parlour" pipes), smaller versions of the great Highland bagpipe for indoor playing

Reel pipes

are a modern interpretation of extinct smaller Scottish pipes used for recreational music. They were revived in the late 20th century by pipemakers such as Colin Ross.

Scottish smallpipes

Music of Scotland

Canntaireachd

Hugh Cheape. The Book of the Bagpipe (Belfast: The Appletree Press, 1999).

Francis Collinson. The Traditional and National Music of Scotland (London: Routledge & Kegan Paul, 1966).

Francis Collinson. The Bagpipe (London and Boston: Routledge & Kegan Paul, 1975).

William Donaldson. The Highland Pipe and Scottish Society 1750–1950 (Edinburgh: Tuckwell Press, 1999).

John Gibson. Old and New World Highland Bagpiping (Montreal & Kingston: McGill-Queen's University Press, 2002).

Edinburgh Research Archive. . Hugh Cheape.

The Bagpipe: perceptions of a national instrument

of the Bagpipe scale, and its relation to Arabian scales.

Alexander Ellis's early (1885) measurements

Paper on How Bagpipes, Shepherd Trumpets, and Fiddles (and/or Harps) all Could Play in the Same "Key" Together.

Music at a Medieval Gaelic Chieftain's Court

Archived 26 January 2021 at the Wayback Machine

Bob Dunsire Bagpipe Web Directory

Andrew Lenz's Bagpipe Journey