Heaven and Earth Magic
Heaven and Earth Magic (also known as Number 12,[2] The Magic Feature, or Heaven and Earth Magic Feature) is a 1962 American avant-garde independent[3] cutout animation film directed by visual artist, filmmaker and mystic Harry Everett Smith. Jonas Mekas gave the film its title Heaven and Earth Magic in 1964/65.
Heaven and Earth Magic
Harry Everett Smith
Harry Everett Smith
Mystic Fire Video
- January 1, 1962 (United States)
66 minutes[1]
United States
English
Plot[edit]
Harry Smith stated of Heaven and Earth Magic: "The first part depicts the heroine's toothache consequent to the loss of a valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land in terms of Israel, Montreal and the second part depicts the return to earth from being eaten by Max Müller on the day Edward the Seventh dedicated the Great Sewer of London."[4]
Reception and legacy[edit]
Fred Camper from Chicago Reader praised the film's artistic style, calling it "a mysterious world of alchemical transformations in which objects suggest a multitude of possibilities."[8] Time Out Magazine offered the film similar praise, comparing it to the works of Max Ernst and Georges Méliès.[9]
It is listed in the film reference book 1001 Movies You Must See Before You Die, noting the film as director Harry Smith's magnum opus, and saying "Incomplete, deeply idiosyncratic, rearranged from materials taken largely from an earlier period —a Victorian-era catalogue— it is explicitly "folk" in nature."[10] Writing in 1999 for The Independent, Waters noted that "Smith's stop-frame animations look remarkably similar to Terry Gilliam's Monty Python animations made a few years later".[7]