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History of the hippie movement

The hippie subculture (also known as the flower people) began its development as a youth movement in the United States during the early 1960s and then developed around the world.

See also: History of subcultures in the 20th century and History of the United States (1964–1980)

Its origins may be traced to European social movements in the 19th and early 20th century such as Bohemians, with influence from Eastern religion and spirituality. It is directly influenced and inspired by the Beat Generation, and American involvement in the Vietnam War.[1] From around 1967, its fundamental ethos — including harmony with nature, communal living, artistic experimentation particularly in music, sexual experimentation, and the widespread use of recreational drugs — spread around the world during the counterculture of the 1960s, which has become closely associated with the subculture.

1960 to 1966[edit]

Ken Kesey and the Merry Pranksters[edit]

The Merry Pranksters were a group who originally formed around American novelist Ken Kesey, considered one of the most prominent figures in the psychedelic movement, and sometimes lived communally at his homes in California and Oregon. Notable members include Kesey's best friend Ken Babbs, Neal Cassady, Mountain Girl (born Carolyn Adams but best known as Mrs. Jerry Garcia), Wavy Gravy, Paul Krassner, Stewart Brand, Del Close, Paul Foster, George Walker, and others. Their early escapades were chronicled by Tom Wolfe in The Electric Kool-Aid Acid Test.


Ken Kesey and the Merry Pranksters are remembered chiefly for the sociological significance of a lengthy roadtrip they took in 1964, traveling across the United States in a psychedelically painted school bus enigmatically labeled Further, and for the "Acid Tests". Kesey believed that psychedelics were best used as a tool for transforming society as a whole, and believed that if a sufficient percentage of the population had the psychedelic experience then revolutionary social and political changes would occur. Therefore, they made LSD available to anyone interested in partaking - most famously through the "electric kool-aid" made available at a series of "Acid Tests"; musical and multi-media events where participants were given "acid", the street name for LSD. The tests were held at various venues in California, and were sometimes advertised with colorful crayoned signs asking "Can you pass the acid test?" The first Acid Test was held in Palo Alto, California in November 1965. (LSD was legal in the United States until October 6, 1966.) The young psychedelic music band the Grateful Dead supplied the music during these events.

- hit No. 1 in September 1966 with "Sunshine Superman" (Donovan). Other psychedelic folk #1 hits include: 1967 - "Happy Together" (The Turtles); 1968 - "Mrs. Robinson" (Simon & Garfunkel); 1969 - "In the Year 2525" (Zager and Evans); 1971 - "Gypsies, Tramps and Thieves" (Cher); 1972 - "American Pie" (Don McLean), "A Horse with No Name" (America).

Psychedelic folk

- hit No. 1 in September 1966 with "Cherish" (The Association). Other psychedelic pop #1 hits include: 1966 - "Good Vibrations" (The Beach Boys); 1967 - "Penny Lane" (The Beatles), "Windy" (The Association), "All You Need Is Love" (The Beatles), "To Sir With Love" (Lulu), "Incense and Peppermints" (Strawberry Alarm Clock), "Hello, Goodbye" (The Beatles); 1968 - "Hey, Jude" (The Beatles); 1969 - "Aquarius/Let the Sunshine In" (The 5th Dimension, psychedelic sunshine pop) 1971 - "Uncle Albert/Admiral Halsey" (Paul McCartney).

Psychedelic pop

- hit No. 1 in October 1966 with "Reach Out I'll Be There" (Four Tops). Other psychedelic soul #1 hits include: 1967 - "The Happening" (The Supremes); 1968 - "Love Child" (The Supremes); 1969 - "Everyday People" (Sly and the Family Stone), "I Can't Get Next to You" (The Temptations), "Wedding Bell Blues" (The 5th Dimension); 1970 - "War" (Edwin Starr); 1971 - "Just My Imagination" (The Temptations), "Family Affair" (Sly and the Family Stone); 1972 - "Lean on Me" (Bill Withers), "Papa Was a Rollin' Stone" (The Temptations); 1973 - "Killing Me Softly with His Song" (Roberta Flack).

Psychedelic soul

Psychedelic - hit No. 1 in February 1968 with "Green Tambourine" (Lemon Pipers). Psychedelic bubblegum pop included #1 hits such as: 1969 - "Dizzy" (Tommy Roe). Bubblegum pop then became a genre in its own right, and drifted away from psychedelia with #1 hits by artists including The Archies, The Jackson 5, The Partridge Family, The Osmonds, and the Honey Cone.

bubblegum pop

- hit No. 1 in November 1969 with "Come Together" (The Beatles). Other psychedelic blues #1 hits include: 1970 - "American Woman" (The Guess Who); 1971 - "Me and Bobby McGee" (Janis Joplin).

Psychedelic blues rock

psych - Bands like Iron Butterfly, Steppenwolf, Blue Cheer, Sir Lord Baltimore, Mount Rushmore, Morgen, Blue Öyster Cult, Yesterday's Children, Andromeda, Edgar Broughton Band, High Tide, Josefus, Captain Beyond, Frijid Pink, Third Power, Morly Grey, The Illusion, Attila, May Blitz, Pink Fairies, The Open Mind, Crow, The Litter, Mason, Toe Fat, Stack Waddy, Leaf Hound, Buffalo, Kahvas Jute, Baumstam, Flower Travellin' Band, Blues Creation, Speed, Glue & Shinki, JPT Scare Band, Truth and Janey and also some early material by Grand Funk Railroad, Mountain, MC5 and The Stooges mixed psychedelic/acid blues rock with some heavier sounds between the late 1960s and early 1970s. Even if some of them have gained some mainstream attention, most of them were underground bands and they were re-discovered by collectionists and stoner rock fans.

Heavy

Counterculture of the 1960s

Hippie trail

Indomania

Psychedelic music

Psychedelic rock

Raga rock

Timeline of 1960s counterculture

by Alicia Bay Laurel, November 19, 2001.

What Did The Hippies Want?