Home on the Range (2004 film)
Home on the Range is a 2004 American animated Western musical comedy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The film was written and directed by Will Finn and John Sanford, and produced by Alice Dewey Goldstone, from a story by Finn, Sanford, Mark Kennedy, Michael LaBash, Sam Levine, and Robert Lence.
Home on the Range
- Will Finn
- John Sanford
- Will Finn
- John Sanford
- Will Finn
- John Sanford
- Michael LaBash
- Sam Levine
- Mark Kennedy
- Robert Lence
Alice Dewey Goldstone
- March 21, 2004 (El Capitan Theatre)
- April 2, 2004 (United States)
76 minutes
United States
English
$110 million[1]
$103-145.3 million[1]
Named after the popular cowboy song of the same name, the film stars the voices of Roseanne Barr, Judi Dench, Jennifer Tilly, Cuba Gooding Jr., Randy Quaid, and Steve Buscemi. Home on the Range is set in the Old West, and centers on a mismatched trio of dairy cows—brash, adventurous Maggie; prim, proper Mrs. Calloway; and ditzy, happy-go-lucky Grace. The three cows must capture an infamous rustler named Alameda Slim for his bounty in order to save their idyllic farm from foreclosure. Aiding them in their quest is Lucky Jack, a feisty, peg-legged rabbit, and a selfish horse named Buck, eagerly working in the service of Rico, a famous bounty hunter, who seeks the glory for himself.
Home on the Range premiered at the El Capitan Theatre in Los Angeles on March 21, 2004, and was released in the United States on April 2. It received mixed reviews from critics and was a financial failure, grossing $103–145.3 million worldwide against a production budget of $110 million.
Plot[edit]
Amidst the Old West, wanted cattle rustler Alameda Slim steals most of Dixon Ranch's cattle. The ranch owner, Mr. Dixon, sells the remaining cow, Maggie, to Pearl, a kind, aging woman who runs a small farm called Patch of Heaven. Sam, the local Sheriff, arrives to tell Pearl that unless she pays back the bank in three days, her farm will be sold to the highest bidder. Hearing this, Maggie convinces farm cows Grace and Mrs. Calloway to go to town with her to win prize money at a fair. While the cows are in town, a bounty hunter named Rico drops off a criminal, collects their reward, and looks for a replacement horse while his rests. Idolizing him, Sam's horse, Buck, convinces Rico to take him. Upon seeing this and learning the reward for capturing Slim will cover Pearl's debt, Maggie convinces the other cows to help her collect the reward to save Patch of Heaven.
That night, they hide among a large herd of steers as they are smitten by two longhorns Barry and Bob. Slim arrives on the back of his bison Junior with his nephews the Willies. Before Maggie can attack him, Slim starts yodeling, which puts all of the cattle except the tone-deaf Grace into a hypnotic trance, allowing Slim to lead them away. Grace brings Maggie and Mrs. Calloway back to their senses, before Slim uses a landslide to cover his escape. Narrowly missing him, Rico and his men discuss their next move, while Buck argues with the cows, leading Rico to believe he is unreliable and return him to Sam. However, Buck escapes, determined to capture Slim for himself to prove his worth.
The cows continue their search in the hopes of capturing Slim before Buck, until they lose the trail during a flash flood and have a falling out, with Mrs. Calloway believing Maggie only wants revenge and Patch of Heaven would be better off without her. Along the way, the cows are joined by a peg-legged jackrabbit named Lucky Jack, who also lost his home, an old mine, to Slim. The cows decide to follow him, with Mrs. Calloway and Maggie making a deal that after the farm is saved, they will go their separate ways. With Lucky Jack’s help, the cows discover Slim converted the mine into his hideout and stole cattle from his former patrons to render them unable to support their land. When the subsequent auctions occur, he then disguises himself as respectable businessman "Yancy O'Dell" to buy their land using the money he makes from selling off the stolen cattle.
The cows and Jack capture Slim, and rush back to Patch of Heaven, with the Willies and Rico in pursuit. Learning Rico works for Slim, a devastated Buck helps the cows fight him, setting the stolen cattle free in the process. Slim escapes and dons his disguise to buy Patch of Heaven, but the cows return and join forces with Buck, Jack, and the rest of Patch of Heaven's farm animals to defeat and expose him. As Sam arrests Slim, Pearl uses the reward money to save her farm.
At first, Mrs. Calloway (who had come to like Maggie) and Grace are sad that Maggie had seemingly left, but their spirits are lifted when they see that Maggie decided to stay. The three cows, along with Barry, Bob, and Junior, celebrate with a square dance.
Production[edit]
Before he pitched Pocahontas (1995), director Mike Gabriel considered adapting Western legends such as Annie Oakley, Buffalo Bill, and Pecos Bill into animated films. While he pitched both projects at the Gong Show meeting, the executives were more interested in Pocahontas, which went into production first.[2][3] When Pocahontas was finished, Gabriel went back to his Western pitch and came up with an "idea that might combine Captains Courageous with a Western."[4] The initial story involved a young boy from the Far East whose father owns a railroad and sends his son to the Western United States to teach him maturity. According to Gabriel, "the train gets held up by outlaws over a train trestle, and the little boy gets knocked off the train ... He splashes in the river and ends up on a cattle drive."[5] Gabriel developed his story into a forty-page film treatment, which was well received by then-Feature Animation president Peter Schneider. Soon after, the project, then titled Sweating Bullets, went into development.[4]
Inspired by the song "Ghost Riders in the Sky",[6] the story was then revised into a supernatural western about a timid cowboy who visits a ghost town and confronts an undead cattle hustler named Slim.[7] In this version, he and the Willies rode their ghost herds through the clouds and constantly drove livestock off cliffs to increase their herd.[6] It was later reconceived into a story about a little bull named Bullets,[7] that wanted to be more like the horses that led the herd.[8] In 1999, in an attempt to salvage the production and retain the existing characters and background art, story artist Michael LaBash suggested a different approach to the story with one that involved three cow protagonists who become bounty hunters to save the farm. Building on the idea, fellow story artists Sam Levine, Mark Kennedy, Robert Lence, and Shirley Pierce developed a new storyline.[8] However, by October 2000, Gabriel and co-director Mike Giaimo were removed from the project because of persistent story problems.[9] Will Finn, who had returned to Disney Feature Animation after co-directing The Road to El Dorado (2000) at DreamWorks Animation, and John Sanford were hired as the new directors.[9][10]
By this point, there were twelve storyboard artists and four screenwriters, including David Reynolds, working on the film. Finn and Sanford decided to downsize the writing team, with Reynolds later being recruited to write the Finding Nemo screenplay.[11] At one point, the story incorporated elements from the Pied Piper story. Following a suggestion by Alan Menken, Alameda Slim was reconceived into a cattle huster who used his yodeling talents to hypnotize and abscond with the herd.[8] The character Pearl Gesner, who was to be voiced by Sarah Jessica Parker, was rewritten into an elderly woman.[11] Relatively late into production, the character Maggie was also rewritten to make her an outsider to the other farm animals in order to differentiate the group dynamic.[7]
Home on the Range: An Original Walt Disney Records Soundtrack
Reception[edit]
Critical reception[edit]
On the review aggregator website Rotten Tomatoes, 52% of 128 critics' reviews are positive, with an average rating of 5.7/10. The website's consensus reads: "Though Home on the Range is likeable and may keep young children diverted, it's one of Disney's more middling titles, with garish visuals and a dull plot."[20] On Metacritic, the film has a score of 50 out of 100, based on 30 critics, indicating "mixed or average" reviews.[22] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[23]
Nathan Rabin, reviewing for The A.V. Club, praised the film describing it as "a sweet, raucously funny, comic Western that corrects a glaring historical injustice by finally surveying the Old West through the eyes of cows rather than cowboys."[24] Roger Ebert of the Chicago Sun-Times gave the film 2+1⁄2 stars out of 4, saying that "A movie like this is fun for kids: bright, quick-paced, with broad, outrageous characters. But Home on the Range doesn't have the crossover quality of the great Disney films like Beauty and the Beast and The Lion King. And it doesn't have the freshness and originality of a more traditional movie like Lilo & Stitch. Its real future, I suspect, lies in home video. It's only 76 minutes long, but although kids will like it, their parents will be sneaking looks at their watches."[25] Claudia Puig of USA Today wrote favorably in her review that "Home on the Range is a throwback to old Disney cartoons: fun, rather than message-laden, with broad humor and entertaining action. The cheerful, plucky characters have heart and loyalty, and that's enough to make this a worthy family-friendly animated fest."[26] Nell Minow of Common Sense Media gave the film four out of five stars, saying that "I love it when Disney doesn't take itself too seriously. No one tried to reach for the stars or make this into a classic. Home on the Range is just a cute little story about some not-so-contented cows who save the day. It modestly aspires to be nothing more than a lot of fun, and it does that job very well.[27]
Elvis Mitchell of The New York Times criticized the weak comedy writing that "Unrestrained energy is hardly a bad thing for animation — the best cartoons are built on the contradictory pursuit of meticulously arranged anarchy—but they never seem needy, or desperate for laughs, as Home on the Range does. The film seems hungrier for a pat on the head than a chuckle."[28] Similarly, Los Angeles Times film critic Kenneth Turan claimed "Home on the Range may be acceptable on reflection, but its formulaic desire to mix wisecracks for adults with pratfalls for kids is feeling thin, and its overall air of frantic hysteria does not wear well either."[29] Michael Wilmington of The Chicago Tribune noted "Satirizing the movie Western can make for a great cartoon, as it does in Jiri Trnka's brilliant 1949 Czech short Song of the Prairie, a puppet version of Stagecoach. But Home isn't good satire or good slapstick. It does have those lyrical, catchy Menken tunes, and the film perks up whenever Raitt or lang sing one of them. But much of this movie is deadly. Home keeps milking the same gags and throwing the same bull, and after a while you feel cowed watching it."[30]
Box office[edit]
On its opening box office weekend, Home on the Range grossed about $14 million in box office estimates, opening fourth behind Scooby-Doo 2: Monsters Unleashed, Walking Tall, and Hellboy.[31] Following the disappointing box office weekend, financial analysts predicted that Disney would be forced to write-down the production costs, which totaled more than $100 million.[32] Following the latter release of The Alamo (2004), which also met poor box office returns, it was reported that Disney would have to write-down about $70 million.[33][34] The film ended its box office run with $50 million in domestic earnings and $145.3 million worldwide.[1]