Katana VentraIP

Hourglass (James Taylor album)

Hourglass is the fourteenth studio album by singer-songwriter James Taylor released in 1997. It was his first studio album in six years since 1991's New Moon Shine. It was a huge commercial success, reaching No. 9 on the Billboard 200, his first Top 10 album in sixteen years and also provided a big adult contemporary hit, "Little More Time With You".

Hourglass

May 20, 1997 (1997-05-20)

May-October 1996

54:51

The album also gave Taylor his first Grammy since JT, when he was honored with Best Pop Album in 1998. The album also won producer/engineer Frank Filipetti a Grammy that year for Best Engineered Album. The majority of the album was recorded using a Yamaha O2R mixer and three Tascam DA-88 multitrack recorders,[6] which were early digital devices not typically used by top level artists, as most major label records were still being recorded to analog tape at that time.


The album was dedicated to Don Grolnick who was a frequent collaborator with Taylor and who died during the Hourglass sessions in 1996 due to Non-Hodgkin's lymphoma.

Background[edit]

Hourglass was an introspective album with lyrics that focused largely on Taylor's troubled past and family. "Jump Up Behind Me" paid tribute to his father's rescue of him after the Flying Machine days, and the long drive from New York City back to his home in Chapel Hill.[7] "Enough to Be On Your Way" was inspired by the alcoholism-related death of his brother Alex earlier in the decade.[8] The themes were also inspired by Taylor's divorce from actress Kathryn Walker, which took place in 1996.[9] Rolling Stone found that "one of the themes of this record is disbelief", while Taylor told the magazine that it was "spirituals for agnostics."[10]

James Taylor – lead vocals, acoustic guitar, (2), harmonica (10)

penny whistle

– keyboards

Clifford Carter

– guitars

Bob Mann

pedal steel guitar (10, 11)

Dan Dugmore

Ross Traut – high-strung guitar (11)

– bass guitar (1-3, 5–8, 10-12)

Jimmy Johnson

– cello arrangements (2, 7), acoustic bass (4, 9)

Edgar Meyer

– drums, percussion

Carlos Vega

fiddle (2)

Mark O'Connor

– cello (2, 7)

Yo-Yo Ma

Stanley Silverman – cello arrangements (2, 7)

– harmonica (3)

Stevie Wonder

soprano saxophone (4), alto saxophone (9)

Branford Marsalis

tenor saxophone (5), EWI (6)

Michael Brecker

– horn arrangements (5)

Rob Mounsey

– backing vocals

Valerie Carter

– backing vocals

David Lasley

– backing vocals

Kate Markowitz

– backing vocals

Arnold McCuller

– backing vocals (6)

Sting

Jill Dell'Abate – backing vocals (8)

– backing vocals (10)

Shawn Colvin

Producers – Frank Filipetti and James Taylor

Associate Producer – Jill Dell'Abate

Production Assistant – Ted Cammann

Engineered and Mixed by Frank Filipetti

Assistant Engineers – Tim Gerron and Pete Karam

Mix Assistant – Pete Karam

Technical Support – John Morrison

Mastered by at Sterling Sound (New York, NY).

Ted Jensen

Art Direction – Stephanie Mauer

Design – Chris Quinn

Photography –

Herb Ritts

Management – Cathy Kerr for PAM Artist Management.