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Indigenous music of Australia

Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day.[1][2][3][4] The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance.[5]

See also: Australian folk music and Dance in Australia

In addition to these Indigenous traditions and musical heritage, ever since the 18th-century European colonisation of Australia began, Indigenous Australian musicians and performers have adopted and interpreted many of the imported Western musical styles, often informed by and in combination with traditional instruments and sensibilities. Similarly, non-Indigenous artists and performers have adapted, used and sampled Indigenous Australian styles and instruments in their works. Contemporary musical styles such as rock and roll, country, rap, hip hop and reggae have all featured a variety of notable Indigenous Australian performers.

Training institutions[edit]

The Centre for Aboriginal Studies in Music (CASM), founded in 1972, now exists as part of the National Centre for Aboriginal Language and Music Studies at the University of Adelaide, located within the Elder Conservatorium. While it has in the past (1980s) offered three-year diploma courses, as of 1993 it offers only a one-year foundation course, owing to funding cuts over the years.[44] CASM has access to a state-of-the-art dedicated recording studio, along with teaching and practice rooms, a dance room, a keyboard suite, and computer suites.[45] Notable alumni include the bands Coloured Stone, No Fixed Address, Kuckles, and Us Mob,[46] as well as musicians Zaachariaha Fielding (of the duo Electric Fields), Ellie Lovegrove, Nathan May, Tilly Tjala Thomas, and Simi Vuata.[46][44]


In 1997 the state and federal governments set up the Aboriginal Centre for the Performing Arts (ACPA) as an elite National Institute to preserve and nurture Aboriginal and Torres Strait Islander music and talent across all styles and genres, from traditional to contemporary.

community radio station, streaming on the internet and broadcasting in Melbourne and in Brisbane.

3KND

Aboriginal rock music

, film and book about Indigenous country music

Buried Country

(CAAMA), organisation promoting Aboriginal music

Central Australian Aboriginal Media Association

National Indigenous Music Awards

Deadly Awards

national peak body for Indigenous broadcasting, media and communications

First Nations Media Australia

Indigenous Australian hip hop

Broome

Stompen Ground

Vibe Australia

Dunbar-Hall, P. & Gibson, C., (2004), Deadly Sounds, Deadly Places: Contemporary Aboriginal Music in Australia, UNSW Press,  978-0-86840-622-0

ISBN

Marett, Allan, and Ford, Lysbeth (2013), For the Sake of a Song: Wangga Songmen and Their Repertories, Sydney University Press, ISBN 9781920899752

Barwick, Linda

Stubington, Jill (2007), Singing the Land - the power of performance in Aboriginal life, Foreword by Raymattja Marika, Currency House Inc.,  978-0-9802802-2-7 (hbk.) : 9780980280234 (pbk.)

ISBN

Turpin, Myfanwy and Meakin, Felicity (2019), Songs from the Stations, Sydney University Press,  9781743325841

ISBN

(2000/2015), Buried Country: The Story of Aboriginal Country Music, Verse Chorus Press, ISBN 978-1-891241-38-3

Walker, Clinton

Warren, A. & Evitt, R. (2010), Indigenous Hip hop: overcoming marginality, encountering constraints, 41(1), pp. 141–158.

Australian Geographer

Dean, L with Roger Knox (2020), 'Roger Knox & The Pine Valley Cosmonauts, Stranger in My Land' (2013); Roger Knox, Give it a Go (1983). In Jon Stratton and Jon Dale with Tony Mitchell, An Anthology of Australian Albums: Critical Engagements, Bloomsbury Academic,  978-1-5013-3985-1 (hbk.)

ISBN

- rapper, drummer, composer. Indigenous Studies Honours (focusing on Aboriginal Hip Hop music) 2015.

DOBBY

Indigenous Contemporary Music Action Plan 2008

2nd edition. (Australia Council, 2007)

Protocols for producing Indigenous Australian music

- For the promotion and enjoyment of traditional Arnhem Land music.

Manikay.Com

- Dedicated to promoting and sharing the music and culture of Indigenous Australia.

Blacklist.org.au

- audio and video highlights from the archives of the celebrated Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) . Released by Skinnyfish music - recorded in 1960 and 1961, with the support of the Department of Anthropology, Australian National University. (Commercial link).

Traditional music of the Torres Strait

- For the promotion and enjoyment of Indigenous Music under the CAAMA Music Label. (Commercial link).

CAAMA Music Myspace

Wilurarra Creative, Music Development Western Desert Australia

- Australian Government organisation aimed at promoting export initiatives for Australian artists and music companies

Australian Music Office

Listen to an excerpt of from the Yirrkala district in far north-east Arnhem Land, recorded by AP Elkin on australianscreen online

Indigenous tribal music

- audio recordings of wangga performances from the Daly region of northwestern Australia, with information about wangga.

For the Sake of a Song

- audio and video recordings of wajarra performances by Gurindji singers from the Northern Territory.

Songs from the Stations