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Instrumental

An instrumental or instrumental song is music normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals.[1][2][3] The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra.

For other uses, see Instrumental (disambiguation).

In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing, an instrumental introduction. If the instrumental section highlights the skill, musicality, and often the virtuosity of a particular performer (or group of performers), the section may be called a "solo" (e.g., the guitar solo that is a key section of heavy metal music and hard rock songs). If the instruments are percussion instruments, the interlude can be called a percussion interlude or "percussion break". These interludes are a form of break in the song.

Short verbal interjections (as in "", "Topsy", "Wipe Out", "The Hustle", or "Bentley's Gonna Sort You Out")

Tequila

Repetitive words (e.g., "la la..." (as in "Calcutta") or "Woo Hoo")

nonsense

Non-musical spoken passages in the background of the track (e.g., "" by Metallica or "Wasteland" by Chelsea Grin)

To Live Is to Die

Wordless vocal effects, such as (e.g., "Rockit" or "Flying")

drones

such as beatbox B-sides on rap singles

Vocal percussion

(e.g. "Cry for a Shadow")

Yelling

(e.g., "Hocus Pocus")

Yodeling

Spoken statements at the end of the track (e.g., "" by Mötley Crüe or "For the Love of God" by Steve Vai)

God Bless the Children of the Beast

Non-musical vocal recordings taken from other media (e.g., "" by Godsmack)

Vampires

which may or may not contain non-lyrical words (e.g., many songs by Godspeed You! Black Emperor and other post-rock bands)

Field recordings

Some recordings which include brief or non-musical use of the human voice are typically considered instrumentals. Examples include songs with the following:


Songs including actual musical—rhythmic, melodic, and lyrical—vocals might still be categorized as instrumentals if the vocals appear only as a short part of an extended piece (e.g., "Unchained Melody" (Les Baxter), "Batman Theme", "TSOP (The Sound of Philadelphia)", "Pick Up the Pieces", "The Hustle", "Fly, Robin, Fly", "Get Up and Boogie", "Do It Any Way You Wanna", and "Gonna Fly Now"), though this definition is loose and subjective.


Falling just outside of that definition is "Theme from Shaft" by Isaac Hayes.


"Better Off Alone", which began as an instrumental by DJ Jurgen, had vocals by Judith Pronk, who would become a seminal part of Alice Deejay, added in later releases of the track.

vocal music or singing without instrumental accompaniment

A cappella

a pre-recorded music that singers sing along to or a karaoke without vocals

Backing track

Beautiful music

Easy listening

Instrumental hip hop

Instrumental rock

Medley

List of rock instrumentals

Post-rock

Smooth jazz