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Hard rock

Hard rock or heavy rock[1] is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf, and Deep Purple also produced hard rock.

For other uses, see Hard Rock (disambiguation).

Hard rock

Heavy rock

Mid-1960s, United States and United Kingdom

The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath, Aerosmith, Kiss, Queen, AC/DC, Thin Lizzy and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.[2][3] Established bands made a comeback in the mid-1980s and hard rock reached a commercial peak in the 1980s with glam metal bands such as Mötley Crüe, Bon Jovi and Def Leppard as well as the rawer sounds of Guns N' Roses which followed with great success in the later part of that decade.


Hard rock began losing popularity with the commercial success of R&B, hip-hop, urban pop, grunge and later Britpop in the 1990s. Despite this, many post-grunge bands adopted a hard rock sound and the 2000s saw a renewed interest in established bands, attempts at a revival, and new hard rock bands that emerged from the garage rock and post-punk revival scenes. Out of this movement came garage rock bands like the White Stripes, the Strokes, Interpol and later the Black Keys. In the 2000s, only a few hard rock bands from the 1970s and 1980s managed to sustain highly successful recording careers.

List of hard rock musicians (A–M)

List of hard rock musicians (N–Z)

Nicolas Bénard, La culture Hard Rock, Paris, Dilecta, 2008.

Nicolas Bénard, Métalorama, ethnologie d'une culture contemporaine, 1983–2010, Rosières-en-Haye, , 2011.

Camion Blanc

Fast, Susan (2001). In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. Oxford University Press.  0-19-511756-5

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Fast, Susan (2005). "Led Zeppelin and the Construction of Masculinity," in Music Cultures in the United States, ed. Ellen Koskoff. Routledge.  0-415-96588-8

ISBN

Guibert, Gérôme, and Fabien Hein (ed.) (2007), "Les Scènes Metal. Sciences sociales et pratiques culturelles radicales", Volume! La revue des musiques populaires, n°5-2, Bordeaux: Éditions Mélanie Seteun.  978-2-913169-24-1

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Kahn-Harris, Keith, Extreme Metal: Music and Culture on the Edge, Oxford: Berg, 2007,  1-84520-399-2

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Kahn-Harris, Keith and Fabien Hein (2007), "Metal studies: a bibliography", Volume! La revue des musiques populaires, n°5-2, Bordeaux: Éditions Mélanie Seteun.  978-2-913169-24-1 Downloadable here

ISBN

Weinstein, Deena (1991). Heavy Metal: A Cultural Sociology. Lexington.  0-669-21837-5. Revised edition: (2000). Heavy Metal: The Music and its Culture. Da Capo. ISBN 0-306-80970-2.

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Media related to hard rock at Wikimedia Commons