Newport Jazz Festival
The Newport Jazz Festival is an annual American multi-day jazz music festival held every summer in Newport, Rhode Island. Elaine Lorillard established the festival in 1954, and she and husband Louis Lorillard financed it for many years. They hired George Wein to organize the first festival and bring jazz to Rhode Island.[1][2]
Newport Jazz Festival
Most of the early festivals were broadcast on Voice of America radio, and many performances were recorded and released as albums. In 1972, the Newport Jazz Festival was moved to New York City. In 1981, it became a two-site festival when it was returned to Newport while continuing in New York. From 1984 to 2008, the festival was known as the JVC Jazz Festival; in the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion.[3]
The festival is hosted in Newport at Fort Adams State Park. It is often held in the same month as the Newport Folk Festival.
Festival's establishment at Newport[edit]
1950s[edit]
In 1954, the first Newport Jazz Festival (billed as the "First Annual American Jazz Festival") was held at Newport Casino, in the Bellevue Avenue Historic District of Newport, Rhode Island. It incorporated academic panel discussions and featured live musical performances.
The live performances were set outdoors, on a lawn. These performances were given by a number of notable jazz musicians, including Billie Holiday, and were emceed by Stan Kenton.[4]
The festival was hailed by major magazines and newspapers, and some 13,000 people attended between the two days.[5] In general, the festival was regarded as a major success.[6][7]
Notable performances and recordings[edit]
Two of the most famous performances in the festival's history are Miles Davis' 1955 solo on "'Round Midnight" and the Duke Ellington Orchestra's lengthy 1956 performance of "Diminuendo and Crescendo in Blue", featuring a 27-chorus saxophone solo by Paul Gonsalves.[55]
A reconstructed Ellington at Newport, from his 1956 performance, was re-issued in 1999. Aside from the actual festival performance of "Diminuendo and Crescendo in Blue", including the distant-sounding Gonsalves solo, the original album used re-creations, note for note, of some of the set's highlights, which were re-recorded in the studio. The new set restored the original festival performance after a recording from the Voice of America (which broadcast the performance) was discovered and, among other things, the odd timbre of the Gonsalves performance. Gonsalves, it turned out, stepped up to the wrong microphone to play his legendary solo; he stepped up to the VOA's microphone and not the band's. Gonsalves' performance so excited the audience that the festival sponsors feared that the crowd was on the verge of rioting.[56]
The 1957 festival was well documented by Verve Records, which released 12 albums of recorded performances. The 1957 performances of Ella Fitzgerald, Billie Holiday, and Carmen McRae were released on the album Ella Fitzgerald and Billie Holiday at Newport (1958). Those by the Gigi Gryce-Donald Byrd Jazz Laboratory and the Cecil Taylor Quartet featuring Steve Lacy were released on At Newport (1958). The performance of Count Basie was issued as Count Basie at Newport in 1958. The notable film Jazz on a Summer's Day was made from footage of the 1958 Newport Jazz Festival featuring such performers as Louis Armstrong, Anita O'Day and Mahilia Jackson. The film and its soundtrack have been widely released on VHS, DVD, Vinyl and CD.
Performances at the 1960 festival by Muddy Waters and Nina Simone were released as the albums At Newport 1960 and Nina Simone at Newport (1960).
The 1962 Festival is documented in a film released by Storyville Records. Among the performers are Lambert, Hendricks & Bavan, the Oscar Peterson Trio, Roland Kirk, Duke Ellington, and the Count Basie Orchestra featuring Jimmy Rushing, at the closing.[57]
Part of the appearances by John Coltrane and Archie Shepp from the 1965 Festival appeared on the album New Thing at Newport. A set by Herbie Mann featuring Chick Corea, at that same year's festival, was released on the album Standing Ovation at Newport. Mann also released an album, mostly recorded at that performance, titled New Mann at Newport (1967).
Albert Ayler's performance at the 1967 festival was released as part of the Holy Ghost: Rare & Unissued Recordings (1962–70) box set (2004).
An Ella Fitzgerald performance from Carnegie Hall in July 1973 was documented on the album Newport Jazz Festival: Live at Carnegie Hall (1973).
Past performers at the Newport Jazz Festival include: