Nina Simone
Nina Simone (born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) (/ˌniːnə sɪˈmoʊn/)[1] was an American singer, songwriter, pianist, composer, arranger and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. In 2023 Rolling Stone ranked Simone at No. 21 on their list of the 200 Greatest Singers of All Time.
Nina Simone
Eunice Kathleen Waymon
February 21, 1933
Tryon, North Carolina, U.S.
April 21, 2003 (aged 70)
Carry-le-Rouet, France
- Singer
- songwriter
- pianist
- composer
- arranger
- activist
- Vocals
- piano
1954–2003
The sixth of eight children born into a poor family in North Carolina, Simone initially aspired to be a concert pianist.[2] With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City.[3] She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission,[4] which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree.[5]
To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to "Nina Simone" to disguise herself from family members, having chosen to play "the devil's music"[4] or so-called "cocktail piano". She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist.[6] She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She released her first hit single in the United States in 1958 with "I Loves You, Porgy".[2] Her piano playing was strongly influenced by baroque and classical music, especially Johann Sebastian Bach,[7] and accompanied expressive, jazz-like singing in her contralto voice.[8][9]
Biography[edit]
1933–1954: Early life[edit]
Simone was born on February 21, 1933, in Tryon, North Carolina. Her father, John Divine Waymon, worked as a barber and dry-cleaner as well as an entertainer, and her mother, Mary Kate Irvin, was a Methodist preacher.[10] The sixth of eight children[11] in a poor family, she began playing piano at the age of three or four; the first song she learned was "God Be With You, Till We Meet Again".[12] Demonstrating a talent with the piano, she performed at her local church. Her concert debut, a classical recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people.[13] She said that she refused to play until her parents were moved back to the front,[14][15] and that the incident contributed to her later involvement in the civil rights movement.[16] Simone's music teacher helped establish a special fund to pay for her education.[17] Subsequently, a local fund was set up to assist her continued education. With the help of this scholarship money, she was able to attend Allen High School for Girls in Asheville, North Carolina.
After her graduation, Simone spent the summer of 1950 at the Juilliard School as a student of Carl Friedberg, preparing for an audition at the Curtis Institute of Music in Philadelphia.[18] Her application, however, was denied. Only 3 of 72 applicants were accepted that year,[19] but as her family had relocated to Philadelphia in the expectation of her entry to Curtis, the blow to her aspirations was particularly heavy. For the rest of her life, she suspected that her application had been denied because of racial prejudice, a charge the staff at Curtis have denied.[20] Discouraged, she took private piano lessons with Vladimir Sokoloff, a professor at Curtis, but never could re-apply. At the time the Curtis institute did not accept students over 21. She took a job as a photographer's assistant, found work as an accompanist at Arlene Smith's vocal studio, and taught piano from her home in Philadelphia.[18]
1954–1959: Early success[edit]
In order to fund her private lessons, Simone performed at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, New Jersey, whose owner insisted that she sing as well as play the piano, which increased her income to $90 a week. In 1954, she adopted the stage name "Nina Simone". "Nina", derived from niña, was a nickname given to her by a boyfriend named Chico,[18] and "Simone" was taken from the French actress Simone Signoret, whom she had seen in the 1952 movie Casque d'Or.[21] Knowing her mother would not approve of her playing "the Devil's music," she used her new stage name to remain undetected. Simone's mixture of jazz, blues, and classical music in her performances at the bar earned her a small but loyal fan base.[22]
In 1958, she befriended and married Don Ross, a beatnik who worked as a fairground barker, but quickly regretted their marriage.[23] Playing in small clubs in the same year, she recorded George Gershwin's "I Loves You, Porgy" (from Porgy and Bess), which she learned from a Billie Holiday album and performed as a favor to a friend. It became her only Billboard top 20 success in the United States, and her debut album Little Girl Blue followed in February 1959 on Bethlehem Records.[24][25][26] Because she had sold her rights outright for $3,000, Simone lost more than $1 million in royalties (notably for the 1980s re-release of her version of the jazz standard "My Baby Just Cares for Me") and never benefited financially from the album's sales.[27]
1959–1964: Burgeoning popularity[edit]
After the success of Little Girl Blue, Simone signed a contract with Colpix Records and recorded a multitude of studio and live albums. Colpix relinquished all creative control to her, including the choice of material that would be recorded, in exchange for her signing the contract with them. After the release of her live album Nina Simone at Town Hall, Simone became a favorite performer in Greenwich Village.[28] By this time, Simone performed pop music only to make money to continue her classical music studies and was indifferent about having a recording contract. She kept this attitude toward the record industry for most of her career.[29]
Simone married Andrew Stroud, a detective with the New York Police Department, in December 1961. In a few years he became her manager and the father of her daughter Lisa, but later he abused Simone psychologically and physically.[4][30]
Activism[edit]
Influence[edit]
Simone's consciousness on the racial and social discourse was prompted by her friendship with the playwright Lorraine Hansberry.[55] Simone stated that during her conversations with Hansberry "we never talked about men or clothes. It was always Marx, Lenin and revolution – real girls' talk."[56] The influence of Hansberry planted the seed for the provocative social commentary that became an expectation in Simone's repertoire. One of Nina's more hopeful activism anthems, "To Be Young, Gifted and Black," was written with collaborator Weldon Irvine in the years following the playwright's passing, acquiring the title of one of Hansberry's unpublished plays. Simone's social circles included notable black activists such as James Baldwin, Stokely Carmichael and Langston Hughes: the lyrics of her song "Backlash Blues" were written by Hughes.[56]
Beyond the civil rights movement[edit]
Simone's social commentary was not limited to the civil rights movement; the song "Four Women" exposed the Eurocentric appearance standards imposed on Black women in America,[57] as it explored the internalized dilemma of beauty that is experienced between four Black women with skin tones ranging from light to dark. She explains in her autobiography I Put a Spell on You that the purpose of the song was to inspire Black women to define beauty and identity for themselves without the influence of societal impositions.[58] Chardine Taylor-Stone has noted that, beyond the politics of beauty, the song also describes the stereotypical roles that many Black women have historically been restricted to: the mammy, the tragic mulatto, the sex worker, and the angry Black woman.[56]
Artistry[edit]
Simone standards[edit]
Simone assembled a collection of songs that became standards in her repertoire. Some were songs that she wrote herself, while others were new arrangements of other standards, and others had been written especially for the singer. Her first hit song in America was her rendition of George Gershwin's "I Loves You, Porgy" (1958). It peaked at number 18 on the Billboard magazine Hot 100 chart.[59]
During that same period Simone recorded "My Baby Just Cares for Me," which would become her biggest success years later, in 1987, after it was featured in a 1986 Chanel No. 5 perfume commercial.[60] A music video was also created by Aardman Studios.[61] Well-known songs from her Philips albums include "Don't Let Me Be Misunderstood" on Broadway-Blues-Ballads (1964); "I Put a Spell on You", "Ne me quitte pas" (a rendition of a Jacques Brel song), and "Feeling Good" on I Put a Spell On You (1965); and "Lilac Wine" and "Wild Is the Wind" on Wild is the Wind (1966).[62]
"Don't Let Me Be Misunderstood" and her takes on "Sinnerman" (Pastel Blues, 1965) and "Feeling Good" have remained popular in cover versions (most notably a version of the former song by The Animals), sample usage, and their use on soundtracks for various movies, television series, and video games. "Sinnerman" has been featured in the films The Crimson Pirate (1952), The Thomas Crown Affair (1999), High Crimes (2002), Cellular (2004), Déjà Vu (2006), Miami Vice (2006), Golden Door (2006), Inland Empire (2006), Harriet (2019) and Licorice Pizza (2021), as well as in TV series such as Homicide: Life on the Street (1998, "Sins of the Father"), Nash Bridges (2000, "Jackpot"), Scrubs (2001, "My Own Personal Jesus"), Boomtown (2003, "The Big Picture"), Person of Interest (2011, "Witness"), Shameless (2011, "Kidnap and Ransom"), Love/Hate (2011, "Episode 1"), Sherlock (2012, "The Reichenbach Fall"), The Blacklist (2013, "The Freelancer"), Vinyl (2016, "The Racket"), Lucifer (2017, "Favorite Son"), and The Umbrella Academy (2019, "Extra Ordinary"), and sampled by artists such as Talib Kweli (2003, "Get By"), Timbaland (2007, "Oh Timbaland"), and Flying Lotus (2012, "Until the Quiet Comes"). The song "Don't Let Me Be Misunderstood" was sampled by Devo Springsteen on "Misunderstood" from Common's 2007 album Finding Forever, and by little-known producers Rodnae and Mousa for the song "Don't Get It" on Lil Wayne's 2008 album Tha Carter III. "See-Line Woman" was sampled by Kanye West for "Bad News" on his album 808s & Heartbreak. The 1965 rendition of "Strange Fruit", originally recorded by Billie Holiday, was sampled by Kanye West for "Blood on the Leaves" on his album Yeezus.
Simone's years at RCA spawned many singles and album tracks that were popular, particularly in Europe. In 1968, it was "Ain't Got No, I Got Life", a medley from the musical Hair from the album 'Nuff Said! (1968) that became a surprise hit for Simone, reaching number 2 on the UK Singles Chart and introducing her to a younger audience.[63][64] In 2006, it returned to the UK Top 30 in a remixed version by Groovefinder.
The following single, a rendition of the Bee Gees' "To Love Somebody", also reached the UK Top 10 in 1969. "The House of the Rising Sun" was featured on Nina Simone Sings the Blues in 1967, but Simone had recorded the song in 1961 and it was featured on Nina at the Village Gate (1962).[65][66]
Health[edit]
Simone was diagnosed with bipolar disorder in the late 1980s.[78] She was known for her temper and outbursts of aggression.[79] In 1985, Simone fired a gun at a record company executive, whom she accused of stealing royalties. Simone said she "tried to kill him" but "missed."[80] In 1995 while living in France, she shot and wounded her neighbor's son with an air gun after the boy's laughter disturbed her concentration and she perceived his response to her complaints as racial insults;[81][82] she was sentenced to eight months in jail, which was suspended pending a psychiatric evaluation and treatment.[20]
According to a biographer, Simone took medication from the mid-1960s onward, although this was supposedly only known to a small group of intimates.[83] After her death the medication was confirmed as the anti-psychotic Trilafon, which Simone's friends and caretakers sometimes surreptitiously mixed into her food when she refused to follow her treatment plan.[20] This fact was kept out of public view until 2004 when a biography, Break Down and Let It All Out, written by Sylvia Hampton and David Nathan (of her UK fan club), was published posthumously.[84] Singer-songwriter Janis Ian, a one-time friend of Simone's, related in her own autobiography, Society's Child: My Autobiography, two instances to illustrate Simone's volatility: one incident in which she forced a shoe store cashier at gunpoint to take back a pair of sandals she'd already worn; and another in which Simone demanded a royalty payment from Ian herself as an exchange for having recorded one of Ian's songs, and then ripped a pay telephone out of its wall when she was refused.[85]
Awards and recognition[edit]
Simone was the recipient of a Grammy Hall of Fame Award in 2000 for her interpretation of "I Loves You, Porgy". On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Simone.[86][87]
Simone received two honorary degrees in music and humanities, from Amherst College and Malcolm X College.[88][89] She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her.[90] She was inducted into the Rock and Roll Hall of Fame in 2018.[91]
Two days before her death, Simone learned she would be awarded an honorary degree by the Curtis Institute of Music, the music school that had refused to admit her as a student at the beginning of her career.[5]
Simone has received four career Grammy Award nominations,[92] two during her lifetime and two posthumously. In 1968, she received her first nomination for Best Female R&B Vocal Performance for the track "(You'll) Go to Hell" from her thirteenth album Silk & Soul (1967). The award went to "Respect" by Aretha Franklin.
Simone garnered a second nomination in the category in 1971, for her Black Gold album, when she again lost to Franklin for "Don't Play That Song (You Lied)". Franklin would again win for her cover of Simone's "Young, Gifted and Black" two years later in the same category. In 2016, Simone posthumously received a nomination for Best Music Film for the Netflix documentary What Happened, Miss Simone? and in 2018 she received a nomination for Best Rap Song as a songwriter for Jay-Z's "The Story of O.J." from his 4:44 album which contained a sample of "Four Women" by Simone.
In 1999 Simone was given a lifetime achievement award by the Irish Music Hall of Fame, presented by Sinead O'Connor.[93]
In 2018 she was inducted into the Rock and Roll Hall of Fame[94] by fellow R&B artist Mary J. Blige.[95]
In 2019 "Mississippi Goddam" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".[96] Simone was inducted into the National Rhythm & Blues Hall of Fame in 2021.[97]
In 2023 Rolling Stone ranked Simone at No. 21 on their list of the 200 Greatest Singers of All Time.[98]
Legacy and influence[edit]
Music[edit]
Musicians who have cited Simone as important for their own musical upbringing include Elton John (who named one of his pianos after her), Madonna, Aretha Franklin, Adele, Common, David Bowie, Patti LaBelle, Boy George, Emeli Sandé, Antony and the Johnsons, Dianne Reeves, Sade, Janis Joplin, Nick Cave, Van Morrison, Christina Aguilera, Elkie Brooks, Talib Kweli, Mos Def, Kanye West, Olivia Newton-John, Lena Horne, Bono, John Legend, Elizabeth Fraser, Cat Stevens, Anna Calvi, Cat Power, Lykke Li, Peter Gabriel, Justin Hayward, Maynard James Keenan, Cedric Bixler-Zavala, Mary J. Blige, Fantasia Barrino, Michael Gira, Angela McCluskey, Lauryn Hill, Patrice Babatunde, Alicia Keys, Alex Turner, Lana Del Rey, Hozier, Matt Bellamy, Ian MacKaye, Kerry Brothers, Jr., Krucial, Amanda Palmer, Steve Adey, and Jeff Buckley.[31][99][100][101][102][103] John Lennon cited Simone's version of "I Put a Spell on You" as a source of inspiration for the Beatles' song "Michelle".[103] American singer Meshell Ndegeocello released her own tribute album Pour une Âme Souveraine: A Dedication to Nina Simone in 2012. The following year, experimental band Xiu Xiu released a cover album, Nina. In late 2019, American rapper Wale released an album titled Wow... That's Crazy, containing a track called "Love Me Nina/Semiautomatic" which contains audio clips from Simone.
Simone's music has been featured in soundtracks of various motion pictures and video games, including La Femme Nikita (1990), Point of No Return (1993), Shallow Grave (1994), The Big Lebowski (1998), Any Given Sunday (1999), The Thomas Crown Affair (1999), Disappearing Acts (2000), Six Feet Under (2001), The Dancer Upstairs (2002), Before Sunset (2004), Cellular (2004), Inland Empire (2006), Miami Vice (2006), Sex and the City (2008), The World Unseen (2008), Revolutionary Road (2008), Home (2008), Watchmen (2009), The Saboteur (2009), Repo Men (2010), Beyond the Lights (2014), Hunt for the Wilderpeople (2016), and Nobody (2021). Frequently her music is used in remixes, commercials, and TV series including "Feeling Good", which featured prominently in the Season Four Promo of Six Feet Under (2004). Simone's "Take Care of Business" is the closing theme of The Man from U.N.C.L.E. (2015), Simone's cover of Janis Ian's "Stars" is played during the final moments of the season 3 finale of BoJack Horseman (2016),[104] and "I Wish I Knew How It Would Feel to Be Free" and "Don't Let Me Be Misunderstood" were included in the film Acrimony (2018).
Film[edit]
The documentary Nina Simone: La légende (The Legend) was made in the 1990s by French filmmakers and based on her autobiography I Put a Spell on You. It features live footage from different periods of her career, interviews with family, various interviews with Simone then living in the Netherlands, and while on a trip to her birthplace. A portion of footage from The Legend was taken from an earlier 26-minute biographical documentary by Peter Rodis, released in 1969 and entitled simply Nina. Her filmed 1976 performance at the Montreux Jazz Festival is available on video courtesy of Mercury Studios and is screened annually in New York City at an event called "The Rise and Fall of Nina Simone: Montreux, 1976" which is curated by Tom Blunt.[105]
Footage of Simone singing "Mississippi Goddam" for 40,000 marchers at the end of the Selma to Montgomery marches can be seen in the 1970 documentary King: A Filmed Record... Montgomery to Memphis and the 2015 Liz Garbus documentary What Happened, Miss Simone?[4]
Plans for a Simone biographical film were released at the end of 2005, to be based on Simone's autobiography I Put a Spell on You (1992) and to focus on her relationship in later life with her assistant, Clifton Henderson, who died in 2006; Simone's daughter, Lisa Simone Kelly, has since refuted the existence of a romantic relationship between Simone and Henderson on account of his homosexuality.[106] Cynthia Mort (screenwriter of Will & Grace and Roseanne), wrote the screenplay and directed the 2016 film Nina, starring Zoe Saldana, who since openly apologized for taking the controversial title role.[107][108][109][110]
In 2015, two documentary features about Simone's life and music were released. The first, directed by Liz Garbus, What Happened, Miss Simone? was produced in cooperation with Simone's estate and her daughter, who also served as the film's executive producer. The film was produced as a counterpoint to the unauthorized Cynthia Mort film (Nina, 2016), and featured previously unreleased archival footage. It premiered at the Sundance Film Festival in January 2015 and was distributed by Netflix on June 26, 2015.[111] It was nominated on January 14, 2016, for a 2016 Academy Award for Best Documentary Feature.[112]
The second documentary in 2015, The Amazing Nina Simone is an independent film written and directed by Jeff L. Lieberman, who initially consulted with Simone's daughter, Lisa before going the independent route and then worked closely with Simone's siblings, predominantly Sam Waymon.[113][114] The film debuted in cinemas in October 2015, and has since played more than 100 theaters in 10 countries.[115]
Drama[edit]
She is the subject of Nina: A Story About Me and Nina Simone, a one-woman show first performed in 2016 at the Unity Theatre, Liverpool—a "deeply personal and often searing show inspired by the singer and activist Nina Simone"[116]—and which in July 2017 ran at the Young Vic, before being scheduled to move to Edinburgh's Traverse Theatre.[117]
Books[edit]
As well as her 1992 autobiography I Put a Spell on You (1992), written with Stephen Cleary, Simone has been the subject of several books. They include Nina Simone: Don't Let Me Be Misunderstood (2002) by Richard Williams; Nina Simone: Break Down and Let It All Out (2004) by Sylvia Hampton and David Nathan; Princess Noire (2010) by Nadine Cohodas; Nina Simone (2004) by Kerry Acker; Nina Simone, Black Is the Color (2005) by Andrew Stroud; and What Happened, Miss Simone? (2016) by Alan Light.
Simone inspired a book of poetry, Me and Nina, by Monica Hand,[118] and is the focus of musician Warren Ellis's book Nina Simone's Gum (2021).[119]
