Joe Hisaishi
Mamoru Fujisawa (藤澤 守, Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (久石 譲, Hisaishi Jō), is a Japanese composer, musical director, conductor and pianist, known for over 100 film scores and solo albums dating back to 1981. Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, Western classical, and Japanese classical. He has also worked as a music engraver and arranger.
Joe Hisaishi
- Composer
- conductor
- arranger
1974–present
He has been associated with director and animator Hayao Miyazaki since 1984, having written scores for all but one of Miyazaki's films. He is also recognized for his music for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Sonatine (1993), Kids Return (1996), Hana-bi (1997), Kikujiro (1999), Brother (2000), and Dolls (2002), and for the video game series Ni no Kuni. He was a student of anime composer Takeo Watanabe.[1][2]
Life and career[edit]
Early life[edit]
Hisaishi was born in Nakano, Nagano, Japan, as Mamoru Fujisawa (藤澤 守, Fujisawa Mamoru). He started learning violin at the Violin School Suzuki Shinichi at the age of four, and began watching hundreds of movies each year with his father.[3] He attended the Kunitachi College of Music in 1969, where he majored in music composition, and collaborated with minimalist artists as a music engraver.
In 1974 Hisaishi wrote music for the anime series Gyatoruzu, and composed some of his other early works, under his given name. He also composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle).
In the 1970s, Hisaishi's compositions were influenced by Japanese popular music, electronic music and New Age music, and by the Japanese electronic band Yellow Magic Orchestra. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, he presented his first public performance. His first album, MKWAJU, was released in 1981; his second, the electropop-minimalist Information, was released a year later. His first major anime scores were for Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976).
As he became better-known, Hisaishi formulated an alias inspired by American musician and composer Quincy Jones: "Quincy", pronounced "Kuinshī" in Japanese, can be written using the same kanji in "Hisaishi"; and "Joe" came from "Jones".[4]
Anime film music[edit]
In 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Hayao Miyazaki's animated film Nausicaä of the Valley of the Wind. It was the first of many of Miyazaki's films Hisaishi would score. (Their collaboration has been compared to that of director Steven Spielberg and composer John Williams.[5])
In 1985, Hisaishi founded his own recording studio, Wonder Station.[6] In 1986, he scored Laputa: Castle in the Sky for Miyazaki's newly established Studio Ghibli; then in the 1990s, scored the Ghibli films Porco Rosso and Princess Mononoke. Hisaishi's compositions (including eight theatrical films and one OVA) become well-known as a style associated with early anime. He also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Oz no mahôtsukai (1982), Sasuraiger (1983), Futari Taka (1984), and Honō no Alpen Rose (1985). He also scored the sci-fi adventure series Mospeada (1983). Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Bâsu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family (1988), Venus Wars (1989), Kiki's Delivery Service (1989) and Ocean Heaven (2010). He also did theme-song arrangements and composed other anime opening, closing, and insert title theme songs such as Mahō Shōjo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988).[7]
Hisaishi also developed a solo career, began to produce music. In 1989, he released his first solo album Pretender, on his new Wonder Land Inc. label.
1998–2004[edit]
In 1998, Hisaishi provided the soundtrack to the 1998 Winter Paralympics. The next year, he composed the music for the third installment of The Universe Within (NHKスペシャル 驚異の小宇宙 人体III 遺伝子), a series of popular computer-animated educational films about the human body produced by NHK[8] and the score for the Takeshi Kitano film Kikujiro, whose title track Summer became one of his most recognized compositions.
In 2001, Hisaishi produced music for another Kitano film, Brother, and Hayao Miyazaki's animated film Spirited Away. The opening theme to this film, One Summer's Day,[9] had great popularity, with over 62 million Spotify streams as of March 2024.[10] He also executive-produced the Night Fantasia 4 Movement at the Japan Expo in Fukushima 2001. On October 6, he debuted as a film director in Quartet,[11] having also written its music and script; it received excellent reviews at the Montreal World Film Festival. His first soundtrack for a foreign film, Le Petit Poucet, was released the same year.
Awards and recognition[edit]
Hisaishi has won numerous awards, including seven Japanese Academy Awards for Best Music (1992,[31] 1993,[32] 1994,[33] 1999,[34] 2000,[35] 2009,[36] and 2011[37]); the Newcomer Award from the Ministry of Education (Public Entertainment Section) (1997); the Art Choice Award for New Artist (Popular Performing Arts Division) (1998); the Los Angeles Film Critics Association Award Music Prize for "Howl's Moving Castle" (2005); and the International Film Music Critics Association Award for Television Division Best Original Score Award (for the Korean drama Queen Shikigami) (2008).
In November 2009, he received the Medal of Honour with purple ribbon from the Government of Japan.[38][39]
In November 2023, he received the Order of the Rising Sun, 4th Class, Gold Rays with Rosette.[40]
Hisaishi was nominated for the Golden Globe Award for Best Original Score for The Boy and the Heron (2023), marking his first ever major Western awards nomination.[41]
In 2024, Hisaishi was awarded the Winsor McCay Award at that year’s Annie Awards in recognition of his “unparalleled achievement and exceptional contributions to animation”.[42]