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Johannes Brahms

Johannes Brahms (German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.

"Brahms" redirects here. For other uses, see Brahms (disambiguation).

Johannes Brahms

3 April 1897(1897-04-03) (aged 63)

  • Composer
  • Conductor
  • Pianist

Brahms composed for symphony orchestra, chamber ensembles, piano, organ, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire.


Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Embedded within those structures are deeply Romantic motifs. While some contemporaries found his music to be overly academic, his contribution and craftsmanship were admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The detailed construction of Brahms's works was a starting point and an inspiration for a generation of composers.

Beliefs

Brahms was baptised into the Lutheran church as an infant, and was confirmed at the age of fifteen (at St. Michael's Church, Hamburg),[95] but has been described as an agnostic and a humanist.[96] The devout Catholic Antonín Dvořák wrote in a letter: "Such a man, such a fine soul – and he believes in nothing! He believes in nothing!"[97] When asked by conductor Karl Reinthaler to add additional explicitly religious text to his German Requiem, Brahms is reported to have responded, "As far as the text is concerned, I confess that I would gladly omit even the word German and instead use Human; also with my best knowledge and will I would dispense with passages like John 3:16. On the other hand, I have chosen one thing or another because I am a musician, because I needed it, and because with my venerable authors I can't delete or dispute anything. But I had better stop before I say too much."[98]

Anon. (1916). Programme, Volumes 1916–1917, Boston Symphony Orchestra, pub. 1916

Avins, Styra, ed. (1997). Johannes Brahms: Life and Letters. Translated by Joseph Eisinger and S. Avins. Oxford: Oxford University Press.  978-0-19-816234-6.

ISBN

(1980). "Brahms, Johannes". In Stanley Sadie (ed.). The New Grove Dictionary of Music and Musicians. Vol. 3. London: Macmillan. pp. 154–190. ISBN 978-0-333-23111-1.

Becker, Heinz

Bond, Ann (1971). "Brahms Chorale Preludes, Op. 122". . 112 (1543): 898–900. doi:10.2307/955537. JSTOR 955537.

The Musical Times

Bozarth, George S. (2001). "Brahms, Johannes". . doi:10.1093/gmo/9781561592630.article.51879. ISBN 978-1-56159-263-0.

Grove Music Online

Frisch, Walter; Karnes, Kevin C., eds. (2009). Brahms and His World (revised ed.). Princeton: Princeton University Press.  978-0-691-14344-6.

ISBN

Gál, Hans (1963). Johannes Brahms: His Work and Personality. Translated by Joseph Stein. New York: Alfred A. Knopf.

(1981). Brahms: His Life and Work (Third ed.). New York: Da Capo. ISBN 978-0-306-80223-2.

Geiringer, Karl

Hofmann, Kurt, tr. Michael Musgrave (1999). "Brahms the Hamburg musician 1833–1862". In , pp. 3–30

Musgrave 1999a

Hofmann, Kurt; Hofmann, Renate (2010). Brahms Museum Hamburg: Exhibition Guide. Translated by Trefor Smith. Hamburg: Johannes-Brahms-Gesellschaft.

(October 1975). "Brahms and Johann Strauss". The Musical Times. 116 (1592): 869–871. doi:10.2307/959201. JSTOR 959201.

Lamb, Andrew

(2001) [1990]. Brahms. Master Musicians (2nd ed.). Oxford: Dent. ISBN 978-0-19-816484-5.)

MacDonald, Malcolm

Musgrave, Michael (1985). . Oxford: Routledge & Kegan Paul. ISBN 978-0-7100-9776-7.

The Music of Brahms

Musgrave, Michael, ed. (1999a). The Cambridge Companion to Brahms. Cambridge: Cambridge University Press.  978-0-521-48581-4.

ISBN

Musgrave, Michael (1999b). "Years of Transition: Brahms and Vienna 1862–1875". In , pp. 31–50

Musgrave 1999a

Musgrave, Michael (2000). A Brahms Reader. New Haven and London: Yale University Press.  978-0-300-06804-7.

ISBN

Pascall, Robert (n.d.). (CD liner). Naxos Records. 8.557428. Archived from the original on 3 December 2019. Retrieved 7 February 2017.

Brahms: Symphony No. 1/Tragic Overture/Academic Festival Overture

Petersen, Peter (1983). Brahms: Works for Chorus and Orchestra (CD liner). . 435 066-2.

Polydor Records

(1988). Schumann on Music. tr. and ed. Henry Pleasants. New York: Dover Publications. ISBN 978-0-486-25748-8.

Schumann, Robert

(1999). Johannes Brahms: A Biography. London: Macmillan. ISBN 978-0-333-72589-4.

Swafford, Jan

Swafford, Jan (2001). "Did the Young Brahms Play Piano in Waterfront Bars?". . 24 (3): 268–275. doi:10.1525/ncm.2001.24.3.268. ISSN 0148-2076. JSTOR 10.1525/ncm.2001.24.3.268.

19th-Century Music

(2010). Music in the Nineteenth Century. Oxford: Oxford University Press. ISBN 978-0-19-538483-3.

Taruskin, Richard

Lübeck Academy of Music

Brahms Institut

at the International Music Score Library Project (IMSLP)

Free scores by Brahms

in the Choral Public Domain Library (ChoralWiki)

Free scores by Johannes Brahms

Mutopia Project

Free scores

at the Musopen project

Johannes Brahms

LiederNet Archive

Texts and translations of vocal music by Brahms

. BBC Radio 3.

"Discovering Brahms"

Bachtrack

Listings of live performances

Johannes Brahms WebSource

at the British Library Sounds

Digitised recordings