Katana VentraIP

John Reed Clubs

The John Reed Clubs (1929–1935), often referred to as John Reed Club (JRC), were an American federation of local organizations targeted towards Marxist writers, artists, and intellectuals, named after the American journalist and activist John Reed. Established in the fall of 1929, the John Reed Clubs were a mass organization of the Communist Party USA which sought to expand its influence among radical and liberal intellectuals. The organization was terminated in 1935.[1][2][3][4]

"John Reed Club" redirects here. For the band, see Ivy League Records.

Successor

October 1929

1935

102 West 14th Street, NYC

English

Founders Mike Gold, Walt Carmon, William Gropper, Keene Wallis, Hugo Gellert, Morris Pass, Joseph Pass

Workers Cultural Federation

chapters in Boston, New York City, Newark, Philadelphia, Chapel Hill, Indianapolis, Chicago, Detroit, Milwaukee, Grand Rapids, Los Angeles (Hollywood), Carmel, San Francisco, Portland, Seattle

History[edit]

1929[edit]

In October 1929, the John Reed Club was founded by eight staff members of the New Masses magazine to support leftist and Marxist artists and writers. They included: Mike Gold, Walt Carmon, William Gropper, Keene Wallis, Hugo Gellert, Morris Pass, and Joseph Pass.[1]


According to Alan M. Wald, The John Reed Clubs were not founded by the Communist Party. New Masses managing editor Walt Carmon became frustrated with a group of young writers who were hanging out in the office and getting in his way.[5] He told them to "go out and form a club" and "call it the John Reed Club."[5] The John Reed Clubs would be a constant source of drama within the New Masses family, and members of the Clubs would eventually found the Partisan Review, which became a main competitor to the New Masses.

Chicago: and the artist Morris Topchevsky were members in Chicago. (In 1944, Wright distilled his uncomfortable experience in an Atlantic Monthly article, "I Tried to be a Communist".)

Richard Wright

Harlan Miners Speak: Report on Terrorism in the Kentucky Coal Fields (1932)

[18]

New Masses

Left Front

Partisan Review

American Artists' Congress

League of American Writers

List of members of the League of American Writers

Union of Soviet Writers

LAPD Red Squad raid on John Reed Club art show

James Gilbert, "Literature and Revolution in the United States: The Partisan Review," Journal of Contemporary History, vol. 2, no. 2 (April 1967), pp. 161-176. .

In JSTOR

Eric Homberger, "Proletarian Literature and the John Reed Clubs 1929-1935," Journal of American Studies, vol. 13, no. 2 (Aug. 1979), pp. 221-244. .

In JSTOR

Walter B. Rideout, The Radical Novel in the United States: 1900-1954: Some interrelations of Literature and Society (New York: Hill and Wang, 1966).

Henry Hart, ed., The American Writers' Congress (New York: International Publishers, 1935).

partial text of "I Tried to be a Communist", by Richard Wright

: Artists on the Left by Andrew Hemingway

Yale University Press

: The Left Front: Radical Art in the "Red Decade," 1929–1940

NYU Grey Art Gallery

: The Left Front: Radical Art in the "Red Decade," 1929–1940

Northwestern University

: Photo - Protest held by the John Reed Club and Artists' Union, 1934

Smithsonian Archives of American Art