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Jules Bastien-Lepage

Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that grew out of the Realist movement and paved the way for the development of impressionism. Émile Zola described Bastien-Lapage's work as "impressionism corrected, sweetened and adapted to the taste of the crowd."[1]

Jules Bastien-Lepage

(1848-11-01)1 November 1848

Damvillers, Meuse, France

10 December 1884(1884-12-10) (aged 36)

Paris, France

His en plein air depictions of peasant life in the countryside were highly influential on many international artists, including George Clausen in England and Tom Roberts in Australia. He also won renown for his history paintings, among the most famous being Joan of Arc, now held at the Metropolitan Museum of Art in New York.[2]

Relationship with Marie Bashkirtseff[edit]

Ukrainian-born painter Marie Bashkirtseff formed a close friendship with Bastien-Lepage.[8] Artistically, she took her cue from the French painter's admiration for nature: "I say nothing of the fields because Bastien-Lepage reigns over them as a sovereign; but the streets, however, have not still had their... Bastien."[9] Her best-known work in this naturalist vein is A Meeting (now in the Musée d'Orsay), which was shown to wide acclaim at the Paris Salon of 1884. By a curious coincidence she succumbed to chronic illness the same year as her colleague and friend.

Art market[edit]

The highest price reached by one of his paintings in the art market was when his Portrait of Sarah Bernhardt (1879) was sold by $2,280,000 at Christie's, on 20 October 2022.[10][11]

1883: Knight in the .[12]

Order of Leopold

The Annunciation to the Shepherds (1875; National Gallery of Victoria, Melbourne)

The Annunciation to the Shepherds (1875; National Gallery of Victoria, Melbourne)

Achilles and Priam, 1876

Achilles and Priam, 1876

Harvest Time, 1880

Harvest Time, 1880

Young Girl, 1881

Young Girl, 1881

Pauvre Fauvette, 1881

Pauvre Fauvette, 1881

Marie Samary of the Odéon Theater, c. 1881, Cleveland Museum of Art

Marie Samary of the Odéon Theater, c. 1881, Cleveland Museum of Art

Pas Mèche (Nothing Doing), 1882, Scottish National Gallery

Pas Mèche (Nothing Doing), 1882, Scottish National Gallery

Going to School, 1882, Aberdeen Art Gallery

Going to School, 1882, Aberdeen Art Gallery

This article incorporates text from a publication now in the : Chisholm, Hugh, ed. (1911). "Bastien-Lepage, Jules". Encyclopædia Britannica. Vol. 3 (11th ed.). Cambridge University Press. p. 502.

public domain

Bastien-Lepage (1885; English edition, 1892); L de Fourcaud, Bastien-Lepage (1885).

André Theuriet

Serge Lemoine, Dominique Lobstein, Marie Lecasseur, et al., Jules Bastien-Lepage 1848–1884 (Paris: Musée d'Orsay, 2007).

Marnin Young, , Art History, vol. 37, no. 1 (February 2014): 38–67.

"The Motionless Look of a Painting: Jules-Bastien Lepage, Les Foins, and the End of Realism"

Analysis of Joan of Arc

Archived 6 September 2015 at the Wayback Machine at MuseumSyndicate.com

Art Gallery